But darkness brings death and Hercule Poirot has to untangle family strife, love and suspicious visitors tangle in order to clarify the murderer and prevent disaster.

    The last two can be described as romances, but they are much more than that. The variety of the stories stands out. From murder and attempted murder, to theft and the love between a woman and her pet dog, no one can say that Agatha Christie wasn't versatile! The individual stories were first published between the 1920s and 1971. Librarian's note: this entry is for the collection of short stories, "Problem at Pollensa Bay and Other Stories." Entries for the eight individual titles, including the title story, can be found elsewhere on Goodreads. Any short story featuring Poirot can be found by searching Goodreads for "a Hercule Poirot Short Story," Pyne by searching for "a Parker Pyne Short Story," and Quin by searching for "a Harley Quin Short Story."

    Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves him with a big problem. Finding himself with an orphan on his hands, Keller's job begins to interfere with his carefully guarded life. And once you let someone in to your life, they tend to want to know what you do when you're away. And killing for a living, lucrative though it is, just doesn't find favour with some folks.

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    It's a tough-guy mystery to please even the most bloodthirsty of fans!

    Here, the released convict and his ride pal Kelp plot to steal the $500,000 Balaboma Emerald. The former British colony has recently become independent and split. The Akinzi have the stone, the Talabwo want it back, and their UN rep will pay for retrieval.

    Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing--not even murder--to get where he wants to go. For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder. Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

    No man could resist her charms—not even the hardboiled NYPD detective sent to find out who turned her into a faceless corpse. As this tough cop probes the mystery of Laura's death, he becomes obsessed with her strange power. Soon he realizes he's been seduced by a dead woman—or has he? Laura won lasting renown as an Academy Award-nominated 1944 film, the greatest noir romance of all time. Vera Caspary's equally haunting novel is remarkable for its stylish, hardboiled writing, its electrifying plot twists, and its darkly complex characters—including a woman who stands as the ultimate femme fatale.

    In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his mother, father, and younger sister on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms. Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, who is eventually identified as a local prostitute, has been murdered, molested, and sexually mutilated. She is also, as Harry will soon discover, the first in a series of similar corpses, all of them the victims of a new, unprecedented sort of monster: a traveling serial killer.From his privileged position as the son of constable (and farmer and part-time barber) Jacob Collins, Harry watches as the distinctly amateur investigation unfolds. As more bodies -- not all of them "colored" -- surface, the mood of the local residents darkens. Racial tensions -- never far from the surface, even in the best of times -- gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling, graphically described lynching that will occupy a permanent place in Harry Collins's memories. With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large and continues to threaten the safety and stability of the town.Lansdale uses this protracted murder investigation to open up a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, absolutely convincing portrait of a world that has receded into history. At the same time, he offers us a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world and have since been buried under the concrete and cement of the industrialized juggernaut of the late 20th century. In Lansdale's hands, the gritty realities of Depression-era Texas are as authentic -- and memorable -- as anything in recent American fiction.

    But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed.It begins when Hank’s neighbor, Russ, has to leave town in a rush and hands over Bud in a carrier. But it isn’t until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it.Within twenty-four hours Hank is running over rooftops, swinging his old aluminum bat for the sweet spot of a guy’s head, playing hide and seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor.All because of two cowboys, two Russian mafia men, and some of the weirdest goons ever assembled in one place. All because of Bud. All because once, in another life, in another world, the only thing Hank wanted was to take third base—without getting caught.

    But trouble is Chicago private eye V.I. Warshawski's specialty. Her client says he's the prominent banker, John Thayer. Turns out he's not. He says his son's girlfriend, Anita Hill, is missing. Turns out that's not her real name. V.I.'s search turns up someone soon enough -- the real John Thayer's son, and he's dead. Who's V.I.'s client? Why has she been set up and sent out on a wild-goose chase? By the time she's got it figured, things are hotter -- and deadlier -- than Chicago in July. V.I.'s in a desperate race against time. At stake: a young woman's life.

    Foiled by their own vicious ineptitude and the greed of a superior mob, the kidnappers lose their million dollar prize. Blandish, terrified and broken, is now the captive of Ma' Grisson and her sadistic, sexually deviant son Slim.When Dave Fenner was hired to solve the Blandish kidnapping, he knew the odds of finding the girl were against him - the cops were still looking for her three months after the ransom had been paid. And the kidnappers, Riley and his gang, had disappeared in to thin air. But what none of them knew was that Riley himself had been wiped out by a rival gang - and the heiress was now in the hands of Ma Grisson and her son Slim, a vicious killer who couldn't stay away from women...especially his beautiful new captive. By the time Fenner began to close in on them, some terrible things had happened to Miss Blandish...

    A quiet and seemingly submissive wife, Ellen can't even write a check without him. All she wants is to get him and her son back—no questions asked. The search for Ellen's errant husband leads Elvis into the seamier side of Hollywood. He soon learns that Mort Lang is a down-on-his-luck talent agent who associates with a schlocky movie producer, and the last place he was spotted was at a party thrown by a famous and very well-connected ex-Matador. But no one has seen him since—including his B-movie girlfriend.At the same time the police find Mort in his parked car with four gunshots in his chest —and no kid in sight—Ellen disappears. Now nothing is what it seems, and the heat is on. It's up to Elvis Cole and his partner Joe Pike to find the connection between sleazy Hollywood players and an ex-Matador.

    The suggestively named Dix Steele, a cynical vet with a chip on his shoulder about the opposite sex, is the LAPD's top suspect. Dix knows enough to watch his step, especially since his best friend is on the force, but when he meets the luscious Laurel Gray—a femme fatale with brains—something begins to crack. The basis for extraordinary performances by Humphrey Bogart and Gloria Grahame in the 1950 film version of the book, In a Lonely Place tightens the suspense with taut, hard-boiled prose and stunningly undoes the conventional noir plot.