The heady mix of human depravity, humour, satire, tragedy, revenge and drama makes these stories an essential cocktail of emotions.Review:“Breezy, Flippant, Poignant... Tales of pleasurable wickedness.”-Salil Desai, author of Inspector Saralkar Mystery Series“Although not all sugar and sunshine, Dalvi's voice is an important one, because he chooses to tell stories that others would normally shy away from. There's a serene resignation in his tales, one that is completely devoid of both hope as well as regret. I thoroughly enjoyed the stories.”-Bhaskar Chattopadhyay, author of Patang, Penumbra, Here Falls the Shadow, The Disappearance of Sally Sequeira and Best Served Cold“Gripping short-stories by Rafaa Dalvi. I am both intrigued and scared by his plot-twists. Thrilled to have read this book.”-Sanhita Baruah, author of The Art of Letting Go and The Art of Healing“Some of the best stories I have read so far. Rafaa has a gift of telling complex stories in a very intuitive and straightforward and are easy to read. This book is the best thing that has come out during these current circumstances.”-S. G. Kabe, author of Everything is Normal“Rafaa Dalvi is a flash fiction expert.”-T.F. Carthick, author of Carthick’s Unfairy Tales and More Unfairy Tales“Taut, propulsive and riveting, Rafaa’s mesmerising stories pack a big punch. Chasing Nirvana has been carefully crafted for maximum impact. A highly compelling read.”-Vivek Banerjee, author of ‘The Long Road’ and ‘The Other Side’

    A hunted, haunted Brahmin youth vows revenge for the gruesome murder of his beloved father. Cold, calculating, cruel and armed with a complete absence of accepted morals, he becomes the most powerful political strategist in Bharat and succeeds in uniting a ragged country against the invasion of the army of that demigod, Alexander the Great. Pitting the weak edges of both forces against each other, he pulls off a wicked and astonishing victory and succeeds in installing Chandragupta on the throne of the mighty Mauryan empire.History knows him as the brilliant strategist Chanakya. Satisfied—and a little bored—by his success as a kingmaker, through the simple summoning of his gifted mind, he recedes into the shadows to write his Arthashastra, the ‘science of wealth’. But history, which exults in repeating itself, revives Chanakya two and a half millennia later, in the avatar of Gangasagar Mishra, a Brahmin teacher in smalltown India who becomes puppeteer to a host of ambitious individuals—including a certain slumchild who grows up into a beautiful and powerful woman.Modern India happens to be just as riven as ancient Bharat by class hatred, corruption and divisive politics and this landscape is Gangasagar’s feasting ground. Can this wily pandit—who preys on greed, venality and sexual deviance—bring about another miracle of a united India? Will Chanakya’s chant work again? Ashwin Sanghi, the bestselling author of The Rozabal Line, brings you yet another historical spinechiller.

    These short books are perfect for adults who are discovering reading for pleasure for the first time. Welcome to the life of a junior doctor. You work 97 hours a week. You make life and death decisions. You are often covered in blood (or worse) from head to toe. And the hospital parking meter earns more money than you do.Adam Kay's diary was written in secret after long days, sleepless nights and missed weekends. It is funny, moving and sometimes shocking. This is everything you wanted to know – and more than a few things you didn't – about life on and off the hospital ward. Specially rewritten for ease of reading by Francesca Main.

    And then she moves to London on a whim to pursue an interior design course, where she meets and falls passionately in love wi th Jagdish Sachdev - he of the compassionate heart and matchless brains. But Jag leaves her, citing irreconcilable differences between their families. Sohana returns home to the news that the business empire her grandfather had built over the years will wind up either in the hands of the highest bidder or with the grandson (but of course) who shows the most mettle. As her brothers race to inherit the business, Sohana is wooed, and her ethics and loyalties tested. In this first instalment of Kavita Daswani's trilogy, with secrets tumbling out and dramas unfolding all around her, Sohana must make up her mind about what and who she is in the scheme of things. About the Author: Kavita Daswani Kavita Daswani is currently a fashion correspondent for CNN International, CNBC Asia, and Women's Wear Daily. She has written for the Los Angeles Times and the International Herald Tribune among many other publications and has been the fashion editor of the South China Morning Post in Hong Kong. She lives in Los Angeles with her husband and two sons. She has authored the best-selling books For Matrimonial Purposes, The Village Bride of Beverly Hills, Indie Girl and Salaam, Paris. Her books have been published in seventeen langu

    

    The era of peace marked by the parama dharma, a rigorous code that forbids the spilling of blood, seems about to end. A new and deadly race of beings that destroy and devour anything that lives is gathering outside Kishkindha’s northern frontiers, and invasion is imminent. Hanuman, meanwhile, has been exiled by the intrigues of his aunt, the empress Riksharaja, in order to make way for Vali. Only his cousin Sugreeva, and wise guru Vishwamitra, can help Hanuman as his destiny takes him onward to face himself and a world no one in Kishkindha has known about until now.‘The Kishkindha Chronicles’ re-imagines the ancient prehistory of India from a startlingly new perspective that will make us rethink what it means to be human and animal. Saraswati’s Intelligence is the first book in the trilogy.

    

    And it does, once again, in the lawless Bihar of the 1990s...When journalist Shruti Ranjan, newly-wed wife of the Deputy Commissioner of Kishanganj in the lawless Bihar of the 1990s, is brutally raped by a ‘politically sheltered local goon’ all of her attempts at getting justice are crushed by a corrupt and complicit state government. That’s when the charismatic Sharad Malviya, a leading member of the Opposition party, offers her an unlikely solution: his party’s ticket to contest the Lok Sabha elections. Left with little to choose from, Shruti agrees, only to realize that being catapulted to an enviable position of power in an all-man’s world comes at a price. Caught between her mentor and her spouse – both upright but ultimately flawed men – and a host of envious others who continue to cast aspersions on her character, she struggles to address the larger problems of the country.Taunted for being a 'Draupadi' she makes the curse her identity and resolutely fights her fate...

    Told in Gopi's voice, the first book, Coming Home, begins with Gopi going to his new home, and tells the story of how he settles down with his loving, human family. How Gopi sees the world around him and what he thinks of the people in his life give the story a truly unique flavour. Written in Sudha Murty's inimitable style, these are books children and adults will treasure as the simple stories talk of basic values even when told from a dog's perspective.

    BOMBAY. ROMANCE. When her estranged father passes away, Fiza, fresh out of college, discovers that he has left her a tidy sum in the hope that she will open a bookshop... Overnight, Fiza's placid life is thrown into a whirl of decor decisions and book-buying sprees, unconventional staff and colourful patrons, small pleasures and little heartbreaks, as the store - Paper Moon - begins to take shape in a charming, old Bandra mansion. To top it all, she is being wooed by Iqbal, a mysterious customer who frequents the shop, and Dhruv, her ex-boyfriend, her feelings for whom are still confused. Can Fiza take charge of her life, reconcile with the past, and reach for everything that is hers?

    Kenyon's fourth collection is built around two perfectly orchestrated poem sequences. In the first, the speaker contrasts memories of her baby carriage with other images from her childhood, such as her parents' toiling away at low-paying jobs. She also recalls the present-day life of her aging, increasingly dependent mother. Melancholia, the subject of the second sequence and several poems surrounding it, has been played to death in modern poetry, but still Kenyon offers new insights and gives even the most depressing poems an uplifting lilt in their final lines. In her hands a list of the latest medications becomes fit material for poetry: "The coated ones smell sweet or have / no smell; the powdery ones smell / like the chemistry lab at school / that made me hold my breath." She writes, in addition to illness, of sleep, insomnia and death. She interacts with the insects, birds and flowers in her New Hampshire landscape, relying on their fragility to teach her of her own. Kenyon describes afterlife, or "the Other Side," with the same precise, hard-edged imagery that fills her other poems." from Publisher's Weekly

    The trilogy is the story of growing up in India. It traces Apu´s growth from childhood - cruelly poor but brightened by a passion for creativity and learning - to battered maturity. This 50th Anniversary volume, containing a foreword and working sketches by Ray presents the first authorized publication of these scripts in their entirety along with extensive interviews with Ray himself. Fresh material special to this edition includes an expansive interview with Ray by Shyam Benegal, himself a leading filmmaker with several award winning films to his credit. In the interaction between the two directors, Ray talks about early influences, the experience of making the Apu Trilogy, the importance of music and the portrayal of women in his film as well as other aspects of his craft. This edition also includes a complete filmography.

    Veteran journalist and author of the bestseller Narendra Modi: The Man, The Times, Nilanjan Mukhopadhyay lays bare its fascinating, unique and perhaps startling world. He also chronicles the personal and political journeys of the most important men (and a woman) of the Hindu Right-wing, digging up little-known but revealing facts about them.KESHAV BALIRAM HEDGEWAR: The founder of the RSS, and its first sarsanghchalak, was called ‘Cocaine’ as a young revolutionary, and transported subversive literature and arms for a group back home in Nagpur.VINAYAK DAMODAR SAVARKAR: This leading light of the Hindu Right had once invited the vegetarian Mahatma Gandhi to dinner and told him that unless one consumed animal protein, one would not be able to challenge the might of the British.MADHAV SADASHIV GOLWALKAR aka ‘GURUJI’: The iconic ‘hermit-ideologue’, whose appointment as sarsanghchalak was challenged by many in the RSS, had once warned a protesting colleague, ‘I will throw him out of (the) RSS like a stone in rice...’SYAMA PRASAD MOOKERJEE: A brilliant academic-statesman who became part of Nehru’s Cabinet, Mookerjee had several differences with the prime minister. He once asked Nehru: ‘Are Kashmiris Indians first and Kashmiris next, or are they Kashmiris first and Indian next, or are they Kashmiris first, second and third, and not Indians at all?’BALASAHEB DEORAS: This towering pracharak had a strong dislike for religious rituals, and referred to himself as a ‘Communist’ within the RSS—‘it is highly debatable if he believed in God, or if in any way needed Him.’DEENDAYAL UPADHYAYA: The man who propounded the ‘philosophy’ of Integral Humanism was opposed to the partition of India and recommended that, ‘If we want unity, we must adopt the yardstick of Indian nationalism, which is Hindu nationalism, and Indian culture, which is Hindu culture.’These and other leaders, including Vijaya Raje Scindia, Atal Bihari Vajpayee, Lal Krishna Advani, Ashok Singhal and Bal Thackeray, are all reckoned with in The RSS: Icons of the Indian Right. Through individual stories of the organisation’s tallest leaders, a bigger picture emerges: in spite of a three-time ban on the RSS in a multicultural and secular India—and despite the RSS’s insistence that it has no truck with electoral politics—the group is, and will be, the hand that rocks the BJP’s cradle.

    Accustomed to tracking down missing pets and cheating lovers, he is about to have his world change completely when a new case requires him to tail actress Shailaja Kapoor. What seems like a simple request turns into a dramatic dive into her murky past, wading through which is not going to be easy. Or safe. Soon Prachand and his wife, and partner against crime, Vidya, fall under the glare of the police as Shailaja Kapoor is abducted right before their eyes. Now he must put his skills to the test before they become victims at the end of a dark and dangerous game.

    Together, they imagine an epic battle between balance and chaos, a tale of a haunted house, a simple journey home that turns into a man's greatest nightmare, and even the end of the world.As the stories take shape, Sandy gets curious about Saleem's past and the several unanswered questions that he encounters… Why did Saleem stop writing? Why can he no longer finish stories? What is behind the locked door in his house? And… what is The Lost Story?Written like the premise, the stories in this book have each been done in two halves. One part by one author, and the second by the other, never discussing the story in between.