She is the beautiful young wife to handsome, charming Wall Street tycoon Henry Whittaker. She is a member of Manhattan’s social elite. She is on the board of one of the city’s most prestigious philanthropic organizations. She has a perfect Tribeca penthouse in the city and a gorgeous lake house in the country. The finest wine, the most up-to-date fashion, and the most luxurious vacations are all at her fingertips. What no one knows is that five years ago, Zoe’s life was in danger. Back then, Zoe wasn’t Zoe at all. Now her secrets are coming back to haunt her. As the past and present collide, Zoe must decide who she can trust before she—whoever she is—vanishes completely. A “dark, twisty, edge-of-your-seat suspense” (Karen Robards), The Vanishing Year combines the classic sophistication of Ruth Rendell and A.S.A. Harrison with the thoroughly modern flair of Jessica Knoll. Told from the point-of-view of a heroine who is as relatable as she is enigmatic, The Vanishing Year is an unforgettable new novel by a rising star of the genre.

    Elizabeth, Joyce, Ibrahim and Ron might be pushing eighty but they still have a few tricks up their sleeves. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it’s too late?

    Before long, he has identified the deceased as Krister Berggren, a bachelor from the mainland who has been missing for months. All signs point to an accident—until another brutalized corpse is found at the local bed-and-breakfast. But this time it is Berggren’s cousin, whom Thomas interviewed in Stockholm just days before.As the island’s residents reel from the news, Thomas turns to his childhood friend, local lawyer Nora Linde. Together, they attempt to unravel the riddles left behind by these two mysterious outsiders—while trying to make sense of the difficult twists their own lives have taken since the shared summer days of their youth.

    Investigating these cases is Detective Chief Inspector Alan Banks, a perceptive, curious and compassionate policeman recently moved to the Yorkshire Dales from London to escape the stress of city life. In addition to all this, Banks has to deal with the local feminists and his attraction to a young psychologist, Jenny Fuller. As the tension mounts, both Jenny and Banks’s wife, Sandra, are drawn deeper into the events. The cases weave together as the story reaches a tense and surprising climax."--Author's website.

    To solve the murder, she must investigate the nearby Amish community with the help of a man who was shunned years ago. Lamb to the Slaughter is a story about the intertwining lives of three unlikely people in an Indiana Amish Community and the devastating results when a rebellious teenage girl is found shot to death in a corn field during the harvest. Serenity Adams is the newly elected young sheriff in the country town of Blood Rock and besides dealing with the threatening behavior of her predecessor, she now has a dead Amish girl on her plate. At first glance, the case seems obvious. The poor girl was probably accidentally shot during hunting season, but when the elders of the Amish community and even the girl’s parents react with uncaring subdued behavior, Serenity becomes suspicious. As she delves deeper into the secretive community that she grew up beside, she discovers a gruesome crime from the past that may very well be related to the Amish girl’s shooting. Serenity enlists the help of the handsome bad-boy building contractor, Daniel Bachman, who left the Amish when he was nineteen and has his own dark reasons to help the spunky sheriff solve the crime that the family and friends who shunned him are trying desperately to cover up. Serenity’s persistence leads her to a stunning discovery that not only threatens to destroy her blossoming romance with Daniel, but may even take her life in the end.

    After ten years working for the murder squad in London, a traumatic event has left him grief-stricken. He’s tried to resign from his job, but his boss has persuaded him to take three months to reconsider.Ben plans to work in his uncle Ray’s boatyard, on the tiny Scilly island of Bryher where he was born, hoping to mend his shattered nerves. His plans go awry when the body of sixteen year old Laura Trescothick is found on the beach at Hell Bay. Her attacker must still be on the island because no ferries have sailed during a two-day storm.Everyone on the island is under suspicion. Dark secrets are about to resurface. And the murderer could strike again at any time.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.