But when the FBI starts investigating the kid she thought she knew, will she jeopardize her own career at the Bureau to keep her child safe? From the New York Times bestselling author of Need to Know. . . .Stephanie Maddox makes tough decisions every day. She has her hands full heading the FBI's Internal Investigations division, policing wrongdoers within the Bureau. But, as a single mother, the most important thing in her life is her teenage son Zachary, who's anxiously awaiting college acceptance letters. So when she discovers a gun concealed in Zach's room, her world reels. And then an FBI agent on the domestic terrorism squad shows up at her door and utters three devastating words: "It's about Zachary..."Has she been wrong about her near-perfect son? Is Zach embroiled in something criminal--something deadly? And, if so, what is her greater duty: To protect him? Or to betray him?

    Reserved high school teacher Keely Mitchell is more than ready for her holiday on the west coast of Australia, so when a medical emergency turns over all her plans and an intervention by a kind stranger finds her recovering in a Margaret River vineyard, she is at first downcast. Keely had wanted to put recent traumatic events out of her mind, and recuperating alone in a stranger's house won't help that. But slowly the lovely food, spectacular wine and beautiful landscape of the area begin to work their spell. As Keely makes friends with the locals and adapts to the rhythms of the vintner's year, she starts to feel part of the scenery too, particularly when her artwork and jewellery-making somehow find a home at Levallier Dell Wines.But clouds are on the horizon in the shape of a warring father and son, interfering family friends and a rival in love. Keely didn't mean to fall for anyone, but she can't help her feelings for clever, passionate wine-maker Flynn Levallier. Sadly, it seems he only has eyes for the beautiful Kat, daughter of a rival wine-maker. Can what Keely feels be real? Or is it just something in the wine?

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...

    Now one of them is dead. Could this be the perfect murder?56 DAYS AGOCiara and Oliver meet in a supermarket queue in Dublin the same week Covid-19 reaches Irish shores.35 DAYS AGOWhen lockdown threatens to keep them apart, Oliver suggests that Ciara move in with him. She sees a unique opportunity for a new relationship to flourish without the pressure of scrutiny of family and friends. He sees it as an opportunity to hide who - and what - he really is.TODAYDetectives arrive at Oliver's apartment to discover a decomposing body inside.Will they be able to determine what really happened, or has lockdown provided someone with the opportunity to commit the perfect crime?

    Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family's ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden - and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed.The Witch Elm asks what we become, and what we're capable of, when we no longer know who we are.

    Her daughter Sky has been a captive her whole life. But one day their captor leaves the deadbolt unlocked.This is what happens next......to her twin sister, to her mother, to her daughter...and to her captor.

    A tender and masterfully told story of memory, family and love.Prague, 1938: Eva flies down the street from her sister. Suddenly a man steps out, a man wearing a hat. Eva runs into him, hits the pavement hard. His hat is in the gutter. His anger slaps Eva, but his hate will change everything, as war forces so many lives into small, brown suitcases.Prague, 1980: No one sees Ludek. A young boy can slip right under the heavy blanket that covers this city - the fear cannot touch him. Ludek is free. And he sees everything. The world can do what it likes. The world can go to hell for all he cares because Babi is waiting for him in the warm flat. His whole world.Melbourne, 1980: Mala Li ka's grandma holds her hand as they climb the stairs to their third floor flat. Inside, the smell of warm pipe tobacco and homemade cakes. Here, Mana and Bill have made a life for themselves and their granddaughter. A life imbued with the spirit of Prague and the loved ones left behind.Favel Parrett's deep emotional insight and stellar literary talent shine through in this love letter to the strong women who bind families together, despite dislocation and distance. It is a tender and beautifully told story of memory, family and love. Because there is still love. No matter what.

    Haunted by the unsolved murder of her younger sister--who she discovered in a pool of blood--and the face of the man she saw fleeing the scene, Linda's hermit existence helps her cope with debilitating anxiety. But the sanctity of her oasis is shattered when she sees her sister's murderer on television. Hobbled by years of isolation, Linda resolves to use the plot of her next novel to lay an irresistible trap for the man. As the plan is set in motion and the past comes rushing back, Linda's memories -- and her very sanity -- are called into question. Is this man a heartless killer or merely a helpless victim?