The problem with that: she’s not. She’s smart and creative and a little bit funky. She’s also an unwilling player in her parents’ modern-hippy, let’s-live-on-a-goat-farm experiment (regretfully, instigated by a younger, much more enthusiastic Janie). This, to put it simply, is not helping Janie reach that “normal target.” She has to milk goats every day…and endure her mother’s pseudo celebrity in the homemade-life, crunchy mom blogosphere. Goodbye the days of frozen lasagna and suburban living, hello crazy long bus ride to high school and total isolation--and hovering embarrassments of all kinds. The fresh baked bread is good…the threat of homemade jeans, not so much. It would be nice to go back to that old suburban life…or some grown up, high school version of it, complete with nice, normal boyfriends who wear crew neck sweaters and like social studies. So, what’s wrong with normal? Well, kind of everything. She knows that, of course, why else would she learn bass and join Jam Band, how else would she know to idolize infamous wild-child and high school senior Emma (her best friend Sarah’s older sister), why else would she get arrested while doing a school project on a local freedom school (jail was not part of the assignment). And, why else would she kind of be falling in "like" with a boy named Monster—yes, that is his real name. Janie was going for normal, but she missed her mark by about ten miles…and we mean that as a compliment. Frances O’Roark Dowell’s fierce humor and keen eye make her YA debut literary and wise. In the spirit of John Green and E. Lockhart, Dowell’s relatable, quirky characters and clever, fluid writing prove that growing up gets complicated…and normal is WAY overrated.

    As usual, Grandmere has other ideas, and thinks a reality TV special is just the thing in order to celebrate royally. The whole scheme smacks of Lilly's doing -- Lilly, whose own TV show is still only limited to local cable viewers.Will Mia be able to stop Grandmere's plan? Will her friends ever forgive her if she does stop it, since it involves all of them taking the royal jet to Genovia for an extravaganza the likes of which would turn even Paris Hilton green with envy? Why can't Mia get what she really wants: an evening alone with Michael?With a little luck, this sweet sixteen princess might just get her wish -- a birthday that's royally romantic.

    As the new eleventh grader at Anton High–the most elite public school in the country–she sticks out like an old VW bus in a parking lot full of shiny BMWs. But being the new kid also brings a certain advantageous anonymity.In Anton High’s world of privilege, intelligence, and wealth, Sara can escape her family’s tarnished past and become whomever she wants. And what’s the harm in telling a few little black lies when it can lead to popularity? That is, until another it girl at Anton becomes jealous of Sara’s social climbing. With her balance evaporating, one small push could bring Sara crashing down.

    None of them, however, include accidentally turning her hair pink. Or getting sent to detention for throwing frogs in class. Or losing the lead role in the ballet recital to her ex-best friend. Or the thousand other things that can go wrong between September and June. But it looks like it's shaping up to be that kind of a year! Here's the story of one girl's worst school year ever -- told completely through her stuff.

    Because when he cares about you, things start to happen. Impossible things that can’t be explained. I know, because they're happening to me."When Brontë starts dating Brewster “Bruiser” Rawlins – the guy voted “Most Likely to Get the Death Penalty” her twin brother, Tennyson, isn’t surprised. But then strange things begin to occur. Tennyson and Brontë’s scrapes heal unnaturally fast, and cuts disappear before their eyes. What at first seems like their good fortune turns out to be more than they bargained for…much more.

    And once she's there, things get even better. In no time, she catches the attention of two boys: one, a good-looking basketball star, the other, an interesting, fun boy who likes journalism. Shelley feels like the luckiest girl in the world. Now she's about to discover the magic of falling in love -- and a whole lot more!

    . . whatever that means. It’s not perfect—her best friend is seriously mad at her and her dance team captains keep giving her a hard time—but Coley’s adorable, sweet crush Reece helps distract her. Plus, she has a great family to fall back on—with a mom and stepdad who would stop at nothing to keep her siblings and her happy.But Coley has a lot of secrets. She won’t admit—not even to herself—that her almost-perfect life is her own carefully-crafted façade. That for years she’s been burying the shame and guilt over a relationship that crossed the line. Now that Coley has the chance at her first real boyfriend, a decade’s worth of lies are on the verge of unraveling.In this unforgettable powerhouse of a novel, Mindi Scott offers an absorbing, layered glimpse into the life of an everygirl living a nightmare that no one would suspect.

    Freak. Elephant. Pitiful. These are the words of Skinny, the vicious voice that lives inside fifteen-year-old Ever Davies’s head. Skinny tells Ever all the dark thoughts her classmates have about her. Ever knows she weighs over three hundred pounds, knows she’ll probably never be loved, and Skinny makes sure she never forgets it. But there is another voice: Ever’s singing voice, which is beautiful but has been silenced by Skinny. Partly in the hopes of trying out for the school musical—and partly to try and save her own life—Ever decides to undergo a risky surgery that may help her lose weight and start over.With the support of her best friend, Ever begins the uphill battle toward change. But demons, she finds, are not so easy to shake, not even as she sheds pounds. Because Skinny is still around. And Ever will have to confront that voice before she can truly find her own.

    A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULEOr, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.

    She casts off her old reputation, grows close with her four rowdy cast-mates, and kisses the extremely handsome Charlie Lamb onstage. Even Mr. McFadden, the play’s critical director, can find no fault with Rebecca. Though “The Essential Five” vow never to date each other, Rebecca can’t help her feelings for Charlie, leaving her both conflicted and lovestruck. But the on and off-stage drama of the cast is eclipsed by a life-altering accusation that threatens to destroy everything…even if some of it is just make believe.

    But, D. J. can’t help admitting, maybe he’s right. When you don’t talk, there’s a lot of stuff that ends up not getting said.Stuff like why her best friend, Amber, isn’t so friendly anymore. Or why her little brother, Curtis, never opens his mouth. Why her mom has two jobs and a big secret. Why her college-football-star brothers won’t even call home. Why her dad would go ballistic if she tried out for the high school football team herself. And why Brian is so, so out of her league. When you don’t talk, there’s a lot of stuff that ends up not getting said.Welcome to the summer that fifteen-year-old D. J. Schwenk of Red Bend, Wisconsin, learns to talk, and ends up having an awful lot of stuff to say.

    At the rate he’s going, he probably won’t even see the end of the year. The doctors say his chances of surviving are slim to none even with treatment, so he’s decided it’s time to let go.But before he goes, Austin wants to mend the broken fences in his life. So with the help of his best friend, Kaylee, Austin visits every person in his life who touched him in a special way. He journeys to places he’s loved and those he’s never seen. And what starts as a way to say goodbye turns into a personal journey that brings love, acceptance, and meaning to Austin’s life.

    When high school seniors Emery and Jake are taken hostage in the classroom where they tutor, they must work together to calm both the terrified children and the gunman threatening them--a task made even more difficult by their recent break-up. Brian Stutts, a soldier suffering from post-traumatic stress disorder after serving in Iraq, uses deadly force when he's denied access to his son because of a custody battle. The children's fate is in the hands of the two teens, each recovering from great loss, who now must reestablish trust in a relationship damaged by betrayal. Told through Emery and Jake's alternating viewpoints, this gripping novel features characters teens will identify with and explores the often-hidden damages of war.

    The year she emerged from her older sister’s shadow—and Kiera, who became a best-selling graphic novelist before she even graduated from high school, casts a long one. But it hasn’t worked out that way, not quite. So Normandy turns to her art and writing, and the “truth commission” she and her friends have started to find out the secrets at their school. It’s a great idea, as far as it goes—until it leads straight back to Kiera, who has been hiding some pretty serious truths of her own. Susan Juby’s The Truth Commission: A story about easy truths, hard truths, and those things best left unsaid.

    But on the anniversary of his death, not long before her seventeenth birthday, she finds a mysterious letter from her deceased father, addressed to her stepfather. Claire never even knew that they had met.Claire knows she should let it go, but she can’t shake the feeling that something’s been kept from her. In search of answers, Claire combs through anything that will give her information about her father... until she discovers he was a member of the yakuza, the Japanese mafia. The discovery opens a door that should have been left closed.So begins the race to outrun his legacy as the secrets of her father’s past threaten Claire’s friends and family, newfound love, and ultimately her life.