She makes her meager living faking salvage legends and selling them to the highest bidder, but this time she might have stumbled on something real–the story of the Harrow, a famous warship, capable of untold destruction.Nilah Brio is the top driver in the Pan Galactic Racing Federation and the darling of the racing world–until she witnesses the murder of a fellow racer. Framed for the murder and on the hunt to clear her name, Nilah only has one lead: the killer also hunts a woman named Boots.On the wrong side of the law, the two women board a smuggler’s ship that will take them on a quest for fame, for riches, and for justice.

    King Henry still holds the crown, but his reign has long been contested by his sister Sabella, and there are many eager to flock to her banner. Internal conflict weakens Wendar's defences, drawing raiders, human and inhuman, across its borders. Terrifying portents abound and dark spirits walk the land in broad daylight.Suddenly two innocents are thrust into the midst of the conflict. Alain, a young man granted a vision by the Lady of Battles, and Liath, a young woman with the power to change the course of history. Both must discover the truth about themselves before they can accept their fates. For in a war where sorcery, not swords, may determine the final outcome, the price of failure may be more than their own lives.

    Steerswomen, and a very few Steersmen, are members of an order dedicated to discovering and disseminating knowledge. Although they are foremost navigators of the high seas, Steerswomen are also explorers and cartographers upon land as well as sea. With one exception, they are pledged to always answer any question put to them with as truthful a response as is possible within their own limitations. However, they also require anyone of whom they ask questions to respond in the same manner, upon penalty of the Steerswomen's ban; those under the ban do not receive answers from the steerswomen.In this novel, Rowan is a Steerswoman who is interested in some strange jewels which have been found distributed in an unusual pattern. These jewels are made of strange materials bonded onto metal. Some think that such jewels are magically produced.

    They have been called there by the mage Loren Silvercloak, and quickly find themselves drawn into the complex tapestry of events. For Kim, Paul, Kevin, Jennifer and Dave all have their own part to play in the coming battle against the forces of evil led by the fallen god Rakoth Maugrim and his dark hordes.Guy Gavriel Kay’s classic epic fantasy plays out on a truly grand scale, and has already been delighting fans of imaginative fiction for twenty years.

    Every year, the island sends its warriors to battle these hostile sea demons. Every year, the warriors fail to return. Desperate for survival, the island must decide on a new strategy. Now, the fate of Eriana Kwai lies in the hands of twenty battle-trained girls and their resistance to a mermaid’s allure.Eighteen-year-old Meela has already lost her brother to the Massacre, and she has lived with a secret that’s haunted her since childhood. For any hope of survival, she must overcome the demons of her past and become a ruthless mermaid killer.For the first time, Eriana Kwai’s Massacre warriors are female, and Meela must fight for her people’s freedom on the Pacific Ocean’s deadliest battleground.

    Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of DjinnCairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city - or face the possibility he could be exactly who he seems....

    Thara Celehar found the truth, though it did him no good to discover it. He lost his place as a retainer of his cousin the former Empress, and made far too many enemies among the many factions vying for power in the new Court. The favor of the Emperor is a dangerous coin.Now Celehar lives in the city of Amalo, far from the Court though not exactly in exile. He has not escaped from politics, but his position gives him the ability to serve the common people of the city, which is his preference. He lives modestly, but his decency and fundamental honestly will not permit him to live quietly. As a Witness for the Dead, he can, sometimes, speak to the recently dead: see the last thing they saw, know the last thought they had, experience the last thing they felt. It is his duty use that ability to resolve disputes, to ascertain the intent of the dead, to find the killers of the murdered.Now Celehar’s skills lead him out of the quiet and into a morass of treachery, murder, and injustice. No matter his own background with the imperial house, Celehar will stand with the commoners, and possibly find a light in the darkness.Katherine Addison has created a fantastic world for these books – wide and deep and true.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    But in the remote Calderon Valley, the boy Tavi struggles with his lack of furycrafting. At fifteen, he has no wind fury to help him fly, no fire fury to light the lamps. Yet as the Alerans' most savage enemy - the Marat horde - returns to the Valley, Tavi's courage and resourcefulness will be a power greater than any fury, one that could turn the tides of war ...

    But when Tornor is overrun by raiders, a young prince is the tower's last hope-in an enchanting story of a time far removed from ours, and a land alive with warriors, lovers, war and honor. The Watchtower is the first in the memorable Chronicles of Tornor Trilogy by one of speculative fiction's most honored and exciting voices.

    Valente. Now she weaves a lyrically erotic spell of a place where the grotesque and the beautiful reside and the passport to our most secret fantasies begins with a stranger’s kiss.… Between life and death, dreaming and waking, at the train stop beyond the end of the world is the city of Palimpsest. To get there is a miracle, a mystery, a gift, and a curse—a voyage permitted only to those who’ve always believed there’s another world than the one that meets the eye. Those fated to make the passage are marked forever by a map of that wondrous city tattooed on their flesh after a single orgasmic night. To this kingdom of ghost trains, lion-priests, living kanji, and cream-filled canals come four travelers: Oleg, a New York locksmith; the beekeeper November; Ludovico, a binder of rare books; and a young Japanese woman named Sei. They’ve each lost something important—a wife, a lover, a sister, a direction in life—and what they will find in Palimpsest is more than they could ever imagine.

    The heroes who brought the gem home are renowned in story and song, but for two fellows on the quest, peace and prosperity do not come easily. Apprentice Knight Kalanthe Ironheart wasn't meant for heroism this early in life, and while she has no intention of giving up the notoriety she has earned, her reputation does not pay her bills. With time running out, Kalanthe may be forced to betray not her kingdom or her friends, but her own heart as she seeks a stable future for herself and those she loves. Olsa Rhetsdaughter was never meant for heroism at all. Beggar, pick pocket, thief, she lived hand to mouth on the city streets until fortune--or fate--pulled her into Kalanthe's orbit. And now she's quite reluctant to leave it. Even more alarmingly, her fame has made her recognizable, which makes her profession difficult, and a choice between poverty and the noose isn't much of a choice at all. Both girls think their paths are laid out, but the godsgem isn't quite done with them and that new golden age isn’t a sure thing yet. In a tale both sweepingly epic and intensely personal, Kalanthe and Olsa fight to maintain their newfound independence and to find their way back to each other.

    But her thoughts are interrupted by the clattering of hooves as a galloping horse bursts from the woods, the rider slumped over his mount's neck, impaled by two black-shafted arrows. As the young man lies dying on the road, he tells Karigan that he is a Green Rider, one of the legendary messengers of the king, and that he bears a "life and death" message for King Zachary. He begs Karigan to carry his message, warning her not to read it, and when she reluctantly agrees, he makes her swear on his sword to complete his mission "for love of country." As he bestows upon her the golden winged-horse brooch which is the symbol of his office, he whispers on his dying breath, "Beware the shadow man..." Karigan's promise changes her life forever. Pursued by unknown assassins, following a path only her horse seems to know, and accompanied by the silent specter of the original messenger, she herself becomes a legendary Green Rider. Caught up in a world of deadly danger and complex magic, compelled by forces she cannot understand, Karigan is hounded by dark beings bent on seeing that the message, and its reluctant carrier, never reach their destination.

    For Durzo Blint, assassination is an art-and he is the city's most accomplished artist. For Azoth, survival is precarious. Something you never take for granted. As a guild rat, he's grown up in the slums, and learned to judge people quickly - and to take risks. Risks like apprenticing himself to Durzo Blint.But to be accepted, Azoth must turn his back on his old life and embrace a new identity and name. As Kylar Stern, he must learn to navigate the assassins' world of dangerous politics and strange magics - and cultivate a flair for death.

    Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But the Wit, if used too often, is a perilous magic, and one abhorred by the nobility.So when Fitz is finally adopted into the royal household, he must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin.

    But in this darkly magical retelling of “Sleeping Beauty,” true love is more than a simple fairy tale. Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss. You’ve heard this before, haven’t you? The handsome prince. The happily-ever-after. Utter nonsense. Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either. Until I met her. Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though it was a power like mine that was responsible for her curse. But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps, together, we could forge a new world. Nonsense again. Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I— I am the villain.