The Secret River is the tale of William and Sal’s deep love for their small, exotic corner of the new world, and William’s gradual realization that if he wants to make a home for his family, he must forcibly take the land from the people who came before him. Acclaimed around the world, The Secret River is a magnificent, transporting work of historical fiction.

    Desperate to make a name for himself and become more than his father was ever capable of, he decides he is going to have the power and money he deserves and the only way to get it is to go up against the big boys, but Billy O’ Connell, a major criminal face is standing in his way. Caught up in the vicious feud, Kate is forced to make a choice, between the man she loves and her fiercely protective brother; a decision that could cost Kate her life.

    One involves the public shaming of her teenage daughter, the other is a discovery about her husband that shocks her to her core. With her world unraveling around her, Paula does the only thing that makes any sense to her: she runs away from it all.She pulls her children out of school and takes off on a trip across Australia with her elderly father and his caravan. The only rule is No Technology - no phones, no Facebook, no Instagram, no tablets, games or computers. It's time to get back to basics and learn how to be a family again.It all sounds so simple - and for a while, it is. But along the way Paula will meet new, exciting complications, and realise that running away is only a temporary solution. The past has to be faced before the future can begin.A thrilling, tender and hugely entertaining story of loss, love and discovery from the bestselling author of The Mothers' Group.

    But that doesn’t stop her from longing to join in, especially if it means spending time with the popular boy she secretly loves, Ben Williamson. So when the opportunity for a dream escape to Surfers Paradise arrives, Poppy and her twin sister Rosemary seize it, and find themselves in the midst of the swinging sixties at last.Rosemary embraces their secret new life with a vengeance, discovering drugs, boys and radical politics in a haze of parties, music festivals and protest marches. But such freedom is stolen when Rosemary’s great love Angus is sent to Vietnam, along with Ben.Soon a war fought thousands of kilometres away will arrive on the twins’ door in the form of orphaned refugee Thuy. As many more victims begin to appear, including shattered versions of Australian soldiers, they must decide how far they will go for the men they adore, and ask themselves whether love really is all that you need."Through her sensitivity, beautiful writing and gift as a storyteller, O'Connor's readers come to know and love her characters." — Weekly Times

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    Leslie Hampton cared for Elizabeth’s troubled brother Ronnie’s special needs, assuming Elizabeth would take him in when the time came. But Leslie’s sudden death propels Elizabeth into a world of danger and double lives that undoes everything she thought she knew....When police discover that Leslie was strangled, they immediately suspect that one of Ronnie’s outbursts took a tragic turn. Elizabeth can’t believe that her brother is capable of murder, but who else could have had a motive to kill their quiet, retired mother? More questions arise when a stranger is named in Leslie’s will: a woman also named Elizabeth. As the family’s secrets unravel, a man from Leslie’s past who claims to have all the answers shows up, but those answers might put Elizabeth and those she loves the most in mortal danger.

     A prodigal daughter returns to Brockenridge... Eleven years ago Ruby Aston left Brockenridge - and its small-town gossip - for the anonymity of the big city. Now, a grieving Ruby is forced to come home to the place she loathes. But it also means returning to someone she's always regretted leaving behind... Connor Delaney is determined to prove himself and not get by on his family name alone. To do this he needs to acquire the local roadhouse. He never anticipated the owner would be the same 'bad girl' who ditched him at the high school ball and was never heard from again. For Alisha Nathieson, the grief of suddenly losing her dear friend and employer Clara Aston has forced her to examine her choice to stay to support her aging parents. As she battles a growing need to explore her past, temptation wars with duty. And then there are her feelings for handsome chef Harry, who has secrets of his own... If Ruby follows her heart and saves her mother's legacy, will she lose the one man she's longed for all along?

    Now, unable to play, adrift in an alcoholic daze, and with only fragmented memories of his past, Braden wants desperately to escape the darkness of the last eleven years.When his ex-wife and son are killed in a car accident, Braden returns home, hoping to forge a relationship with his troubled seventeen-year-old daughter, Allie. But how can he hope to rescue her from the curse that seems to shadow his family?Ophelia “Phee” MacPhee, granddaughter of the eccentric old man who sold Braden his cello, believes the curse is real. She swore an oath to her dying grandfather that she would ensure Braden plays the cello as long as he lives. But he can’t play, and as the shadows deepen and Phee finds herself falling for Braden, she’ll do anything to save him. It will take a miracle of forgiveness and love to bring all three of them back to the healing power of music.

    Someone comes into your orbit and swivels you on your axis, like the wind working on a rooftop weather vane. And when they leave, as the wind always does, you are different; you have a new direction. And it’s not always north.Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: Insidiously. Irreparably. Like a puzzle, he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again. So Taylor consulted The Art of War and made a plan. Then she took the next step – one that would change her life forever. Then things get really out of control – and The Sunday Girl becomes impossible to put down.

    Her every waking hour for years, has revolved around planning to make this dream become a reality. When an unlikely meeting with Michael Delacourt at a rowdy B&S Ball sends them on a whirlwind romance, Georgie can't believe it's possible for life to be this good and her dream of buying back Tamban has, for the first time, taken a backseat to happiness. But her world shatters when she discovers the shocking secret Michael has been trying to keep from her.Can Michael convince her they still have a future? And after having her heart so thoroughly broken, can Georgie ever trust anyone again?

    Her work as a sculptor and her wolfdog Girl are enough. News of mainland turmoil is as distant as myth until refugees from that world arrive: her granddaughter Cat, and Luis and Alejandra, a brother and sister escaping persecution. When threats from the mainland draw closer, they are forced to flee for their lives. They travel north through winter, a journey during which Kitty must decide what she will do to protect the people she loves.Part western, part lament for a disappearing world, Wolfe Island (set off the northeast coast of the US) is a transporting novel that explores connection and isolation and the ways lives and families shatter and are remade.

    The unadorned un-self-flattering gospel, the never-before-told story our intricately intertwined lives … Listen: I know things that no one else knows. Trust me.‘ Manhattan, 1996: the trial of the Vanderbilt claimant is finally coming to an end. The case - long, complex, riven with unknowns, attracting huge media and social interest - has been seeking to establish whether or not a certain man is the son of the fabulously wealthy and well-connected Vanderbilt family.The son went missing, presumed dead, while serving in the Vietnam war. There is huge fortune, prestige and status at stake. But is the man - a handsome cattle farmer from Queensland - really the Vanderbilt heir? And if so, why does he seem so reluctant to be found? From one of our foremost novelists, The Claimant is a compelling and ravishingly readable novel about the fluid, shifting and ultimately elusive nature of identity and the reasons why people seek to change their names, their identities or their personalities.

    Her wit is as sharp as a knife. She is one of my absolute must-read authors.' Victoria Purman, bestselling Australian author A kiss can change your life ...Jemima Kincaid loves her home, her horses and her job as a farrier. Life has not been kind to her, but Jemima is happy in the close-knit rural community of Horseshoe Hill, which rallied around in her hour of need. Even so, she is fiercely independent and will never rely on anyone again.Particularly a man like Finn Blackwood.An infuriatingly attractive geneticist and wild animal vet, Finn threatens not only the serenity of Jemima's present, but that of the future she has so carefully mapped out. But as their paths continue to cross, she finds her attraction to Finn impossible to counter, even as the trauma of her past threatens to undo her. Finn is fascinated by Jemima's solitary nature and unique vulnerabilities but Jemima knows all about loss and how to avoid it. Don't let anyone get close in the first place ...As the past begins to cast long shadows, Jemima and Finn discover that a kiss can bring worlds together-or tear them apart. Will they finally face their fears and find love on Horseshoe Hill?

    Only Pen knows the reason why.College life had seemed like a wonderland of sex, drugs and maybe even love. The perfect place to run away from your past and reinvent yourself. But Pen never can run far enough and when friendships are betrayed, her secrets are revealed. The consequences are deadly.‘This is about three deaths. Actually more, if you go back far enough. I say deaths, but perhaps all of them were murders. It’s a grey area. Murder, like beauty, is in the eye of the beholder. So let’s just call them deaths and say I was involved. This story could be told a hundred different ways.’‘This is a novel of disquieting intimacy and controlled suspense, Aoife Clifford deftly tightening the screws until we share the narrator’s sense of emotional and physical confinement and the unremitting grip of the past.’ - Garry Disher, author of Bitter Wash Road