One by one, buildings go up in flames. Suspicion spreads among the neighbors as they wonder if one of their own is responsible. But as the heat and panic rise, new life finds a way to emerge. Amid the chaos, only a day before the last house is set afire, the community comes together for the christening of a young boy named Gaute Heivoll. As he grows up, stories about the time of fear and fire become deeply engrained in his young mind until, as an adult, he begins to retell the story. At the novel's apex the lives of Heivoll's friends and neighbors mix with his own life, and the identity of the arsonist and his motivations are slowly revealed. Based on the true account of Norway's most dramatic arson case, Before I Burn is a powerful, gripping breakout novel from an exceptionally talented author.

    Niels Klim discovers worlds within our own—exotic civilizations and fabulous creatures scattered across the underside of the earth's crust and, at the earth's center, a small, inhabited planet orbiting around a miniature sun. In an epic journey, Klim visits countries led by sentient and contemplative trees, a kingdom of intelligent apes preoccupied with fashion and change, a land whose inhabitants don’t speak out of their mouths, neighboring countries of birds locked in an eternal war, and a land where string basses talk musically to one another. Brave, inquisitive, and greedy, Klim faces many challenges, the greatest of which are his own temptations. The Journey of Niels Klim to the World Underground is a classic in speculative fiction and was the first fully realized novel set underground in a hollow earth. First published in 1741, it has earned comparisons to Jonathan Swift’s contemporaneous fantasy, Gulliver’s Travels.

    Olav Haraldsson (ca. 950–1030) is the first figure we meet in this monumental and ambitious five-volume series on Norway’s great Viking and Middle Age kings. This is the new history of Norway, written by our most important young scholar of the Middle Ages, Tore Skeie. After Olav Haraldsson died, he was canonised as Saint Olav. But who was he?In this work, Tore Skeie delves into sources contemporary to Olav in order to bring the historical Olav to life, a man who diverges much from the heroic figure we know from Snorri Sturluson’s sagas. We meet a young man setting forth, arriving in Norway with outsize ambitions: a warrior king who, armed with gold and silver, sets out to conquer the land. Norway is being forged as a nation and much is at stake. Who will be the last man standing as the ruler of the realm?

    What follows is a quest to find the killer, encompassing by turns a picaresque and endlessly inventive look at the conditions that have brought Wergeland to this critical juncture in life. From his hair's breadth escape from a ravenous polar bear while filming in Greenland to a near-death experience aboard a passenger ferry in the icy Baltic, the Tom Jones-like experiences that comprise the narrative of Wergeland's life, relayed in Kjaerstad's veneered and acutely observant prose, provide a fascinating portrait of a media icon at the crux of his journey as an artist.

    Their distance has fatal consequences.Love is the story of Vibeke and Jon, a mother and son who have just moved to a small place in the north of Norway. It's the day before Jon's birthday, and a travelling carnival has come to the village. Jon goes out to sell lottery tickets for his sports club, and Vibeke is going to the library. From here on we follow the two individuals on their separate journeys through a cold winter's night - while a sense of uneasiness grows. Love illustrates how language builds its own reality, and thus how mother and son can live in completely separate worlds. This distance is found not only between human beings, but also within each individual. This novel shows how such distance may have fatal consequences.

    He is a physician and she is a teacher, and they have three grown daughters and a comfortable home. Yet what binds them together isn’t only affection and solidarity but also the painful facts of their respective histories, which they keep hidden even from their own children. But after the abrupt dismissal of their housekeeper and Simon’s increasing withdrawal into himself, the past can no longer be repressed.

    He asked them to take out their school edition of The Wild Duck. He was once more struck by their hostile attitude toward him. But it couldn't be helped, he had a task to perform and was going through with it. It was from them as a group that he sensed that massive dislike sent forth by their bodies. Individually they could be very pleasant, but together, positioned like now, at their desks, they constituted a structural enmity, directed at him and all that he stood for. Elias Rukla begins yet another day under the leaden Oslo sky. At the high school where he teaches, a novel insight into Ibsen's The Wild Duck grips him with a passion so intense that he barely notices the disinterest of his students. After the lesson, when a broken umbrella provokes an unpredictable rage, he barely notices the students' intense curiosity. He soon realizes, however, that this day will be the decisive day of his life.With Shyness and Dignity, Dag Solstad - praised in Norway as one of the most innovative novelists of his generation - offers an intricate and richly drawn portrait of a man who feels irrevocably alienated from contemporary culture, politics, and, ultimately, humanity.

    Accompanied by angels, shepherds, kings and even a Roman governor, she is rushing back through time and space to Bethlehem, to be present at the birth of Christ. Fifty years later a boy called Joachim pieces together her story from a magic advent calendar and brings it to a conclusion.

    For the 2005 Norwegian edition, see: ISBN13: 9788203189081.The story of three generations of an old-lineage Norwegian family making their life in the northern woods (circa 1750's.) Main themes are the struggle between tradition and innovation, the prejudices of pastoral society, and a study in human nature and man's ability to make peace with it.

    Of all the iconic figures of Native American history, Crazy Horse remains the most enigmatic. To this day he strides across American history as a man who lived—and died—on his own terms. “’Stone Song’ is a deeply spiritual story about the soul journey of a great and mysterious American hero.” ~ The Dallas Morning News. Ridiculed as a boy for his white-man looks, he called for a vision, and received a great one . . . a vision that would shape his life. He was to fight for his people. In order to be successful, he must not accept traditional Lakota finery, rewards, and would sacrifice the dream of a wife and children. By following his vision, and his destiny of that as a mystic warrior, he was able to lead his people to their greatest victory—the defeat of General Custer at the Battle of the Little Bighorn.Called to his monumental task, and tortured by his deeply passionate love of a woman, Crazy Horse found peace only in battle. Drawing inspiration from the eternal wisdom of his people, he discovered the means to defeat the U.S. Army at its own deadly game. Come enjoy this new 20th century Anniversary Edition with an intimate introduction by the author, Win Blevins.

    I am not talking about becoming human, but about how I came to realize that I had always already been human. I am writing about all that I wanted to have, and how I got it. I am writing about what it cost, and how I was able to afford it. Jan Grue was diagnosed with spinal muscular atrophy at the age of three. Shifting between specific periods of his life--his youth with his parents and sister in Norway; his years of study in Berkeley, St. Petersburg, and Amsterdam; and his current life as a professor, husband, and father--he intersperses these histories with elegant, astonishingly wise reflections on the world, social structures, disability, loss, relationships, and the body: in short, on what it means to be human. Along the way, Grue moves effortlessly between his own story and those of others, incorporating reflections on philosophy, film, art, and the work of writers from Joan Didion to Michael Foucault. He revives the cold, clinical language of his childhood, drawing from a stack of medical records that first forced the boy who thought of himself as "just Jan" to perceive that his body, and therefore his self, was defined by its defects.I Live a Life Like Yours is a love story. It is rich with loss, sorrow, and joy, and with the details of one life: a girlfriend pushing Grue through the airport and forgetting him next to the baggage claim; schoolmates forming a chain behind his wheelchair on the ice one winter day; his parents writing desperate letters in search of proper treatment for their son; his own young son climbing into his lap as he sits in his wheelchair, only to leap down and run away too quickly to catch. It is a story about accepting one's own body and limitations, and learning to love life as it is while remaining open to hope and discovery.

    Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

    The Norwegian folktales, said Jacob Grimm, "surpass nearly all others."Within these captivating tales we meet witches, trolls, and ogres; sly foxes and great, mysterious bears; beautiful princesses and country-lads-turned-heroes. Collected here in a sparkling contemporary translation by Pat Shaw Iversen and Carl Norman, these tales brim with the matchless vitality and power of their original telling. Included also are the wonderfully evocative original illustrations of Erik Werenskiold and Theodor Kittelsen.

    When Cardinal Rodrigo Borgia buys his way into the papacy as Alexander VI, he is defined not just by his wealth or his passionate love for his illegitimate children, but by his blood: He is a Spanish Pope in a city run by Italians. If the Borgias are to triumph, this charismatic, consummate politician with a huge appetite for life, women, and power must use papacy and family—in particular, his eldest son, Cesare, and his daughter Lucrezia—in order to succeed.Cesare, with a dazzlingly cold intelligence and an even colder soul, is his greatest—though increasingly unstable—weapon. Later immortalized in Machiavelli’s The Prince, he provides the energy and the muscle. Lucrezia, beloved by both men, is the prime dynastic tool. Twelve years old when the novel opens, hers is a journey through three marriages, and from childish innocence to painful experience, from pawn to political player.

    But when the captain of his ship tries to kill him on the way home from a raiding excursion, he must confront his stepfather's betrayal, and find a way to protect his birthright. It is no easy feat in Viking-Age Norway, where a hundred petty rulers kill over parcels of land, and a prophesied high king is rising.But where Ragnvald is expected to bleed, and even die, for his honour, Svanhild is simply expected to marry well. It's not a fate she relishes, and when the chance to leave her stepfather's cruelty comes at the hand of her brother's arch-rival, Svanhild is forced to make the ultimate choice: family or freedom.Drawing from the Icelandic Sagas, The Half-Drowned King takes inspiration from the true story of Ragnvald of Maer, the right hand man of King Harald Fairhair, first king of all Norway, and his sister, Svanhild, as she tries to find freedom in a society where the higher her brother rises, the greater her worth as a political pawn.