It flows through more countries than any other river on Earth—from the Black Forest in Germany to Europe's farthest fringes, where it joins the Black Sea in Romania. Andrew Eames' journey along its length brings us face to face with the continent's bloodiest history and its most pressing issues of race and identity. As he travels—by bicycle, horse, boat, and on foot—Eames finds himself seeking a bed for the night with minor royalty, hitching a ride on a Serbian barge captained by a man called Attila, and getting up close and personal with a bull in rural Romania. He meets would-be kings and walks with gypsies, and finally rows his way beyond the borders of Europe entirely.

    Using Gen Al Haig as his agent, Nixon let Vice President Ford know that he would expose the CIA's involvement in the JFK assassination and Ford's role in altering autopsy records for the Warren Commission if he went to trial in the Watergate scandal. “Tell them if Dick Nixon's going down I'm taking everyone down with me, that prick [CIA Director Richard] Helms, Lyndon, and Jerry Ford are going down with me” was the way Haig phrased it.Thus Nixon would use this information to avoid prosecution and jail to blackmail Gerald Ford for a full, free and unconditional pardon. Nixon's secret would not only destroy his presidency—it would save him from prison.Stone examines the bungled Watergate break-in to determine what exactly Nixon's agents were looking for and how the CIA infiltrated the burglar team and sabotaged the break-in to gain leverage over Nixon who was demanding the CIA turn over the records of the Bay of Pigs and Kennedy Assassination. He also explains the 18 1/2 minute gap in the White House Tapes, although the point is moot as the government has still redacted all references to the Bay of Pigs, the Kennedy Assassination, and the CIA from the publicly released Nixon tapes and the Obama Administration's fighting in Federal Court to keep the CIA's Bay of Pigs records sealed.

    Lewycka tells the side-splittingly funny story of two feuding sisters, Vera and Nadezhda, who join forces against their father's new, gold-digging girlfriend.Two years after my mother died, my father fell in love with a glamorous blonde Ukrainian divorcée. He was eighty-four and she was thirty-six. She exploded into our lives like a fluffy pink grenade, churning up the murky water, bringing to the surface a sludge of sloughed-off memories, giving the family ghosts a kick up the backside.Sisters Vera and Nadezhda must aside a lifetime of feuding to save their émigré engineer father from voluptuous gold-digger Valentina. With her proclivity for green satin underwear and boil-in-the-bag cuisine, she will stop at nothing in her pursuit of Western wealth.But the sisters' campaign to oust Valentina unearths family secrets, uncovers fifty years of Europe's darkest history and sends them back to roots they'd much rather forget . . . .

    In Russia works such as his A Hunter’s Notes and Fathers and Sons, were pivotal in transforming the Russian social landscape.No less sensational than his novels was his personal life. For forty years, until the day he died, he was passionately devoted to the diva Pauline Viardot, following her and her husband around Europe and even living with them amicably at times as part of their household. What, then, did Turgenev mean by "love," the word at the core of his life and work?Robert Dessaix has had his own forty-year relationship with Turgenev, first as a student of Russian in both Australia and Russia, then as a teacher, and now as what he calls a close friend. In Twilight of Love, Dessaix has come to see Turgenev’s life and work as an expression of a turning point in the history of love —the moment the Romantic became rational, love unraveled into sentiment and erotic feelings, and eros became a mere commodity.

    Even today it remains a country little understood by the West. But as a resurgent world power, with an energy-rich economy, we ignore Russia at our peril.In this timely and revealing portrait, distinguished author and broadcaster Jonathan Dimbleby crosses eight time zones and covers 10,000 miles, from Murmansk in the Arctic Circle to the Asian city of Vladivostok, in an attempt to get beneath the skin of modern Russia. Travelling by road, rail and boat, his epic journey takes him from the neo-classical splendour of St Petersburg to remote and inaccessible parts of Siberia. At the heart of this magisterial account are Jonathan's encounters with a diverse range of ordinary Russians - from urban intellectuals and the new class of entrepreneurs, to impoverished peasants and Russia's ethnic minorities struggling to cling to their distinctive identities.Jonathan was the only British television journalist to interview President Gorbachev during the Cold War, and, returning to Russia for the first time since those days, he discovers a land transformed. But despite economic progress, he finds aspects of Russian society deeply troubling, and takes an unflinchingly critical look at the way Russia has been run during the Putin years.For Jonathan, crossing the immense Russian landmass became as much an interior journey as an exterior one, and the book contains painfully honest passages as he struggles to meet the challenges of an arduous film trip against the backdrop of great turbulence in his personal life. Filled with a dazzling array of historical and literary references, Russia - A Journey to the Heart of a Land and its People is a riveting and illuminating account of modern Russia.

    Luka is a veteran of the First World War and the Russian Civil War. All he wants now is a quiet life with his wife, twin sons and young daughter. Their small village has, so far, managed to remain hidden from the advancing Soviet brutality and labour camp deportations. But everything changes the day the stranger arrives, pulling a sled bearing the bodies of two children. In a fervour, the villagers lynch the stranger, despite Luka's protests. But when calm is restored, the mob leader, Dimitri, discovers his daughter has vanished. Luka is the only man with the skills to find who could have stolen a child in these frozen white wastelands - and besides, the missing girl is best friends with Luka's daughter Lara, and he promises her that he will find her friend and bring her home. Together with his sons and Dimitri, Luka sets out in pursuit across lands ravaged by war and gripped by treachery. Soon they realise that the man they are tracking is a no ordinary criminal, but a skilful hunter with the kidnapped child as the bait in his violent game. It will take all of Luka's strength to battle the harshest of conditions, and all of his wit to stay a step ahead of Soviet authorities. And though his toughest enemy is the man he tracks, his strongest bond is a whispered promise to his family back at home.

    One of the forefront leaders of the Acmeism movement, which focused on rigorous form and directness of words, she was a master of conveying raw emotion in her portrayals of everyday situations. Her works range from short lyric love poetry to longer, more complex cycles, such as Requiem, a tragic depiction of the Stalinist terror. During the time of heavy censorship and persecution, her poetry gave voice to the Russian people. To this day, she remains one of Russia's most beloved poets and has left a lasting impression on generations of poets that came after her. Rosary, published in 1914, is Akhmatova's second book, and one of her most popular collections. After its publication, Akhmatova became a household name and further established her place among the greatest Russian poets.

    From Catalonia to the Crimea, and from Africa's last colony to the European republic that enjoyed just a solitary day of independence, the places in this book may lie on the margins of legitimacy, but all can be visited in the real world.Beautifully illustrated by fifty regional maps, each shadowy country is literally cut out of the page of this book. Alongside stories, facts and figures, this Atlas brings to life a dreamlike world of nations that exist only in the minds of the people who live there.

    North America was settled by people with distinct religious, political, and ethnographic characteristics, creating regional cultures that have been at odds with one another ever since. Subsequent immigrants didn't confront or assimilate into an "American" or "Canadian" culture, but rather into one of the eleven distinct regional ones that spread over the continent each staking out mutually exclusive territory.In American Nations, Colin Woodard leads us on a journey through the history of our fractured continent, and the rivalries and alliances between its component nations, which conform to neither state nor international boundaries. He illustrates and explains why "American" values vary sharply from one region to another. Woodard reveals how intranational differences have played a pivotal role at every point in the continent's history, from the American Revolution and the Civil War to the tumultuous sixties and the "blue county/red county" maps of recent presidential elections. American Nations is a revolutionary and revelatory take on America's myriad identities and how the conflicts between them have shaped our past and are molding our future.

    When the museum’s director hears of a mysterious American group seeking to fund art in Russia, it looks like she might get her chance at a better life, if she can only convince them of the collection’s worth. Enlisting the help of Azade, Olga and even Mircha, Tanya scrambles to save her dreams and her neighbors, and along the way discovers that love may have been waiting in her own courtyard all along.And so in Ochsner's fable-like, magical debut, we see the transcendence of imagination. As Colum McCann has said: "[Ochsner] manages . . . to capture our sundry human moments and make raw and unforgettable music of them."

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

    It was the culmination of a decade-long investigation, and ten people, including Anna Chapman, were swapped for four people held in Russia. At the time it was seen simply as a throwback to the Cold War. But that would prove to be a costly mistake. It was a sign that the Russian threat had never gone away and more importantly, it was shifting into a much more disruptive new phase. Today, the danger is clearer than ever following the poisoning in the UK of one of the spies who was swapped, Sergei Skripal, and the growing evidence of Russian interference in American life.Russians Among Us describes for the first time the story of deep cover spies in America and the FBI agents who tracked them. In intimate and riveting detail, it reveals new information about today’s spies—as well as those trying to catch them and those trying to kill them.

    Armed with maps and cheerful curiosity, he travels from the oil-drunk boomtown of Fort McMurray, Alberta (a.k.a. Fort McMoney), down to the empty North Dakota plains, where mountains of pipe lie in wait for the torrent of crude that could soon start to flow if, as expected, the White House approves the controversial plan to turn on the spigots that will deliver oil from Canada directly to the Gulf of Mexico. Along the way, Horwitz meets a cavalcade of characters, including ranchers who either love or loathe the idea of oil flowing beneath their land, “rig pigs” and “cement heads” who are eager to make a buck in the tar fields, and strippers and other local entrepreneurs who are ready to help them spend it. He drives miles of lonesome road in his quest to understand what this pipeline means to everyone involved—from Native Americans to environmentalists to industry bureaucrats. He sees firsthand not only how an oil spill can devastate acres of rich farmland but how a town can be saved by an influx of new jobs. Over homemade farm dinners and countless tavern beers, Horwitz realizes that there are no easy answers, no right or wrong, no heroes or villains. The questions surrounding America’s energy future go beyond pat declarations about independence from foreign oil or destruction of Mother Earth. They go, some believe, to the very meaning of freedom. ABOUT THE AUTHOR Tony Horwitz is a Pulitzer Prize–winning journalist who spent a decade as a foreign correspondent, mainly covering wars and conflicts in the Middle East, Africa, and Europe for the “Wall Street Journal.” His books include the bestsellers “Confederates in the Attic,” “Blue Latitudes,” “Baghdad Without a Map,” and “A Voyage Long and Strange.” His most recent, “Midnight Rising,” was named a New York Times Notable Book of 2011 and one of the year’s ten best books by Library Journal and won the 2012 William Henry Seward Award for excellence in Civil War biography. Horwitz has also written for “The New Yorker” and “Smithsonian” and has been a fellow at Harvard’s Radcliffe Institute. He lives with his wife, Geraldine Brooks, and their sons, Nathaniel and Bizu, on Martha’s Vineyard. PRAISE FOR TONY HORWITZ “Horwitz wears himself lightly, and is extraordinarily good at drawing out strangers. Cheerfully energetic, he goes where a less intrepid reporter would not.” —Roy Blount, Jr., The New York Times “Like travel writer Bill Bryson, Horwitz has a penchant for meeting colorful characters and getting himself into bizarre situations.” —The Christian Science Monitor “Horwitz has an ear for a good yarn and an instinct for the trail leading to an entertaining anecdote.” —The Washington Post “A trip with Horwitz is as good as it gets.” —The Charlotte Observer

    Dust to dust,I find myself saying as my frozen fingers struggle tohold the pen with which I write these words to you, Ashes toashes, I mutter, and nothing but suffering and joyin between. I've had my share. Hot and sharp -- I taste itstill in the blood that fills my mouth when I cough." Miriam is a nineteen-year-old imprisoned in Siberia following the Russian Revolution of 1905. Reaching out to the young daughter whom she gave up at birth, Miriam weaves a haunting tale of life in a small Jewish village during the last days of imperial Russia and of a community caught between the rich yet rigid traditions of the past and the frightening, unfamiliar ways of a society desperately trying to reinvent itself.Rejected by her suicidal mother and abandoned by her father at birth, Miriam is marked as an outcast in her village from the beginning. Reunited with her father when he marries Tsila, a haughty and complex woman whose beauty has been marred by the hand of divine anger, Miriam searches to unveil the secrets of her birth in a place of mystery and superstition, where everyone seems to know the truth that eludes her.Your Mouth Is Lovely moves seamlessly from picturesque but impoverished villages, where fife is ruled by the iron hand of God and the equally powerful grip of Fate, to the slums of teeming Kiev, where a seething anger is about to change the course of Russian history. A story of epic human drama, Your Mouth Is Lovely is a poetic, dreamy novel with a darkly magical sheen.

    It is nothing less than the true, if fantastic, account of how Pakistan and the USA covertly controlled the largest guerrilla war of the 20th Century, dealing to the Soviet Russian presence in Afghanistan a military defeat that has come to be called 'Russia's Vietnam'.This compelling book, put together with great skill by the military author, Mark Adkin, is essential reading for anyone interested in the truth behind the Soviets' Vietnam, and the reasons why, to this day, the war in Afghanistan still drags on despite the victory that the Mujahideen were denied when the Soviets withdrew.