The heart of the story is the mass migration that took place between 1880 and 1924, when a whole culture left its ancient roots to settle in the cities and towns of America.

    Spurned by his tutor, he is sent by his despairing father to Florence as an apprentice. Under the guiding hand of Verrocchio, the master sculptor, he begins to make his name. But success requires sacrifice; Florence demands a level of conformity impossible for him. Forced to leave, Leonardo places himself at the service of the charismatic, power-thirsty Duke of Milan. His journey leads him back to Lisa and the portrait he has waited so long to paint, the culmination of his life's work.From the glittering court of the Medici to the mortuaries of Milan and the battlefields of the Po valley, Lucille Turner's powerful novel vividly imagines Leonardo's lonely struggle to convince others of his vision of the world.

    They died singly and by the hundreds over several days in a carefully planned ambush led by Arminius-a Roman-trained German warrior determined to stop Rome's advance east beyond the Rhine River. By the time it was over, some 25,000 men, women, and children were dead and the course of European history had been forever altered. "Quinctilius Varus, give me back my legions!" Emperor Augustus agonized aloud when he learned of the devastating loss. As the decades slipped past, the location of one of the western world's most important battlefields was lost to history for two millenia.Fueled by an unshakeable curiosity and burning interest in the story, a British major named Tony Clunn delved into the nooks and crannies of times past. By sheer persistence and good luck, he turned the foundation of German national history on its ear. Convinced the running battle took place north of Osnabruck, Germany, Clunn set out to prove his point. His discovery of a handful of Roman coins in the late 1980s, followed by a flood of thousands of other artifacts (including weapons and human remains) ended the mystery once and for all. Today, a multi-million dollar state-of-the-art museum houses and interprets these priceless historical treasures on the very site Varus's legions were lost.In Quest of the Lost Roman Legions is a masterful retelling of Clunn's search to discover the Varus battlefield. His well-placed, carefully conceived, and vivid writing style makes for a compelling read from the first page to the last, as he alternates between his incredible modern quest and the ancient tale of the Roman occupation of Germany that ultimately ended so tragically in the peat bogs of Kalkriese.Tony Clunn joined the army at age 15 and served with the 3rd Royal Tank Regiment. He retired in the late 1990s after twenty-two years with the rank of major, an is currently employed by the British Army in Osnaburck and Kalkriese. He was presented with the Member of the Royal Order of the British Empire in 1996 by Queen Elizabeth II.

    For the next twenty-five, he was a fake, his reputation maintained by government agents. Boardwalk Gangster follows him from his early days as a hit man to his sex and narcotics empires, exposing the truth about what he did to help the Allies in World War II, and revealing how he really spent his twilight years. Drawing on secret government documents in the United States and Europe, this myth-busting biography tells a story that has never been told before—in which the American Mafia becomes entangled with foreign war and Cold War conspiracy.

    That struggle will take them to the innermost sanctums of artists and philosophers and will also lead them to broken alliances, dangerous intrigues, even to the brink of war.

    In addition to the basic theme of the Muslim nationalist movement, Khalid Sayeed has also focused on the workingand development of the British vice-regal system, and argues that the vice-regal system that Pakistan inherited from the British sustained Pakistan through the on-going political and cultural tensions that it has faced ever since its establishment.

    Determined to avenge the killing of her father, Francesca Giordano, defying all convention becomes the official poisoner of the head of the most notorious and dangerous family in Italy, Cardinal Rodrigo Borgia, the confidante of Lucrezia and the lover of Cesare while pursuing her father's murderer.

    Claire Donovan always dreamed of visiting Venice, though not as a chaperone for a surly teenager. But she can't pass up this chance to complete her Ph.D. thesis on Alessandra Rossetti, a mysterious courtesan who wrote a secret letter to the Venetian Council warning of a Spanish plot to overthrow the Venetian Republic in 1618. Claire views Alessandra as a heroine and harbors a secret hope that her findings will elevate Alessandra to a more prominent place in history. But an arrogant Cambridge professor is set to present a paper at a prestigious Venetian university denouncing Alessandra as a co-conspirator -- a move that could destroy Claire's paper and career.As Claire races to locate the documents that will reveal the courtesan's true motives, Alessandra's story comes to life with all the sensuality, political treachery, and violence of seventeenth-century Venice. Claire also falls under the city's spell. She is courted by a handsome Italian, matches wits with her academic adversary, bonds with her troubled young charge, and, amid the boundless beauty of Venice, recaptures the joy of living every moment....Layering wit and warmth into her portraits of two very different yet equally dynamic heroines, Christi Phillips shifts effortlessly between past and present in a remarkable novel that is at once a love story, a mystery, and an intriguing historical drama. Filled with beautifully rendered details of one of the world's oldestand most magical cities, "The Rossetti Letter" marks Phillips's debut as a writer of extraordinary skill and grace.

    But on one rainy Connecticut afternoon, struggling painter William Lomazzo appears at her door. He brings with him a sixteenth-century treatise on art, left remarkably intact; Rose is quickly able to identify the pages as a palimpsest, a document written over a hidden text that had purposely been scraped away. Yet the restoration poses a confounding issue: Rose and William--a married man--are captivated by one another, an unspoken attraction linking them almost instantly.Five centuries earlier, Renaissance-era Venetians find themselves at the mercy of an encroaching Ottoman fleet, preparing for a bloody war. Giovanni Lomazzo, a respected portrait artist still grappling with the death of his wife and young son, is terrified to discover his vision declining with each passing day, forcing him to document his every encounter as he faces the possibility of a completely dark, colorless world. Commissioned to paint the enchanting courtesan of one of Venice's most respected military commanders--what may very well be his final artistic feat--Gio soon finds himself enraptured by a dangerous, magnificent forbidden love. All the while, the threat of the Ottoman Empire looms as the rival army hopes to lay siege to the port city.Spellbound by Gio's revelations, Rose and William find themselves forced to confront the reality of their own mystifying connection. A richly detailed page-turner shadowed by one of history's darkest times, The Lost Diary of Venice weaves a heartbreakingly vivid portrait of two vastly different worlds and two tales of entrancing, unrelenting love.

    Here is the dramatic - and tragic - story of Versailles and the men and women who made it their home.

    Rich in literary delights, filled with spectacular wordplay, and rife with the bawdy humor of Shakespeare’s comedies, Tomato Rhapsody is the almost-true tale of how the tomato came to Italy—at once a brilliantly inventive fable of love, lust, and longing, and a dazzling feast for the imagination.This is a story born from love—a forbidden love—between Davido, an Ebreo tomato farmer, and Mari, a beautiful Catholic girl.…But it’s not only Davido and Mari who have secrets of the heart. Everyone around them yearns for something—from Davido’s grandfather, who tenderly cultivates the tomato plant he stole on his voyages with Columbus, to Mari’s villainous stepfather, whose eye is trained on his stepdaughter’s virginity and his neighbor’s land.Caught in the midst of these passions and machinations is a village full of eccentrics who speak in rhyme, celebrate the Feast of the Drunken Saint, and live a life untouched by the passage of time. The schemes and dreams of these men and women are about to change as what is forbidden becomes too delicious to resist. Tradition, religion, and good taste collide unforgettably in a story about the courage to pursue love and tomato sauce at all costs.

    Benedict was not interested in fame, power, or legacy. He was only interested in living the Christian life to the fullest and helping those around him to do the same. The rest is history—and the work of Providence. St. Benedict is regarded as the Father of the Benedictine Order of both religious men and women that follow his Rule, a key principle of which is ora et labora—pray and work. Today, many people wear holy medals of St. Benedict, invoking his intercession for protection against the powers of evil. Not only consecrated religious but also many lay people find inspiration in his call to balance, discipline, and prayer. Historically, St. Benedict helped bridge the early Church with the medieval period by standing on the shoulders of the fathers of the monastic tradition and bringing that tradition solidly into a new era.

    This haunting gem of medieval art, a subtle and beautiful portrait of a wealthy Bruges merchant and his wife, intrigues all who see it. Is the painting the celebration of marriage or pregnancy, a memorial to a wife who died in childbirth, a fashion statement or a status symbol? Using her acclaimed forensic skills as an art historian, Carola Hicks set out to decode the mystery.She also tells the fascinating story of the painting's survival through fire and battle, and of its owners. Uniquely, for a masterpiece of its age, its provenance can be tracked through every single owner - from the mysterious Mr Arnolfini via various monarchs to being an early star of the National Gallery in 1842- and these owners have a cameo appearance too, in this enthralling story of how an artwork of genius can speak afresh to each new generation.

    Gombrich, in an introductory essay, calls ‘certain invariant traits of the human psyche.’”—Denis Thomas, Journal of the Royal Society of Arts“This book gathers together various legends and attitudes about artists, ancient and modern, East and West, and gives fascinating insights into attitudes toward artistic creation.  It impinges on psychology, art history and history, aesthetics, biography, myth and magic, and will be of great interest to a wide audience in many fields…. A delightful and unrivalled study.”—Howard Hibbard“Thought provoking and valuable…. To all those interested in psychiatry and art from the perspectives of history, criticism, or therapy and to the wide audience concerned with the psychology of aesthetics and of artistic creation.”—Albert Rothenberg, American Journal of PsychiatryErnst Kris was a psychoanalyst who wrote on a wide variety of subjects, including art.  Otto Kurz was librarian of the Warburg Institute in London.

    Although General Bottando of the Italian National Art Theft Squad has little confidence in Jonathan's theories, Bottando's lovely assistant, Flavia di Stefano, is intrigued by the idea of a lost classic, and by Jonathan himself. But in the midst of the painting's discovery and the resultant worldwide publicity, a new chain of events is set into action. First vandalism, then murder, surround the painting. And as new facts about its true nature emerge, Bottando sends Flavia and Jonathan to investigate--little knowing that the pair will be on the run for the truth... and for their very lives.