Poulin, Jr., Poetry Prize. In his foreword he writes, "I was immediately struck by the boldness of imagination, the strange cadences, and wild music of these poems. We should be glad that young poets like Keetje Kuipers are making their voices heard not by tearing up the old language but by making the old language new."Keetje Kuipers, a native of the Northwest, earned her BA at Swarthmore College and MFA at the University of Oregon. A Stegner Fellow at Stanford University, she divides her time between Stanford and Missoula, Montana.From Devils Lake Journal:“Keetje Kuipers’ Beautiful in the Mouth is at once lovely, frank, and haunting. The poems move easily between landscapes, inhabiting the American west, Paris, and New York City with equal ease and yet, they never exploit sympathies of locale for their power. Instead, they rely on nothing but the speaker’s own candor, who is able to speak through such disparate poems as “Bondage Play as Substitue for Prayer” alongside “Waltz of the Midnight Miscarriage,” “Reading Sappho in a Wine Bar,” and “Barn Elegy” with a good spattering of honest-to-goodness sonnets.”From ForeWord Reviews:“The poems move like ghosts themselves: disappearing into walls, circling back, appearing for a moment to be captured, then evaporating into thin air. Kuipers pins moments onto the page with the care of an etymologist collecting rare specimens. Her poems are at once visceral and cosmic, “a wave as well as a particle.””

    In the apartments and bars of downtown Manhattan to the infamous nightclub The Limelight, Adeline is Baby s guardian angel, introducing him to a city not yet overrun by gentrification. They live through an era of New York punctuated by the deaths of Warhol, Basquiat, Wojnarowicz, and Tompkins Square Park. Adeline is fiercely protective of Baby, even bringing him home with her to Los Angeles, but he soon takes over his own education. Once just a kid off the bus from Wisconsin, Baby relishes ketamine-fueled clubbing nights and acid days in LA, and he falls deep into the Club Kid twilight zone of sexual excess.As Adeline develops into the artist she never really expected to become and flees to the nascent tech scene in San Francisco, Baby faces his own desire for artistic expression and recognition. He must write his way out of clubbing life, and their friendship, an alliance that seemed nearly impenetrable, is tested and betrayed, leaving each unmoored as the world around them seems to be unraveling. Riotously funny and wise, Never Let It Stop is an ecstatic, propulsive novel coursing with a rare vitality, an elegy to New York and to the relationships that have the power to change and save our lives.

    In a fit of rebellion, he quits his job to bicycle the Karakoram Highway in northern Pakistan. He is twenty-two and absolutely clueless. Miraculously, hilariously, he survives — and discovers his life’s passion.Over the next fifteen years, Kirkby navigates an evermore uncertain and uncommon path, honing his skills on some of the most challenging expeditions the world has to offer. Whether it’s gun fights and crocodile attacks while running Africa’s Blue Nile Gorge, the rescue of a fallen sherpa on Mount Everest, evading capture in Myanmar’s forbidden tropical paradise, or learning to embrace the wilderness on the Tatshenshini River of Canada’s Arctic, Kirkby shares with the reader the excitement, doubts, insights, and even the uncomfortable self-knowledge that a life lived on the edge brings.

    Set in a turn-of-the-century Hindu community in the Eastern Caribbean, the novel describes the perilous existence of a poor rice-growing family during the August rainy season. Their struggles to cope with illness, a drunken and unpredictable father, and the violence of the elements end in unbearable loss. Through vivid, vertiginous prose, and with brilliant economy and originality, Ladoo creates a fearful world of violation and grief, in the face of which even the most despairing efforts to endure stand out as acts of raw courage.

    These poems mourn the dead by turning memories over and over like an old coin, by invoking other poets, by appropriating the language of technology, of instruction, of diagram, of electrical engineering, and of elegy itself. Devastating, cheeky, allusive, hallucinatory: this is Queyras at her most powerful.'Like the central conceptual apparatus, Queyras is smart and insightful in her work to expand and challenge the nature of language and poetry . . . Lend Queyras your ears, your minds, your hearts, your Time. She will reward you, repeatedly.' – The Rumpus'A collection of gorgeous and cantankerous poems that ask testy questions of all contemporary poets, and for this, the book is a must-read.' – The Globe and Mail'This year's most devastating and enlightening Canadian poetry collection.' – Telegraph-Journal

    According to author David Wojahn, a three-time winner of the Pushcart Prize, this collection of poetry “is the best collection yet by a poet who has become one of the most individual and necessary voices of his generation. An almost prophetic rage seems to inhabit these poems, which present us with a speaker who is tender and brutally rueful by turns. Bob Hicok asks to be a voice of conscience in a conscience-less world. And, like all true prophets, his rage and consternation in the end transform themselves into a form of prayer, what one of his poems calls a ‘mad . . . devotion.’ Hicok is able to instruct and console us, and that is a very rare thing indeed.”

    Whether he is wrestling with the mundane, history and its disasters, or sexual love, he can sound both classical and contemporary, with the modern austerity of Cavafy and Bishop. Often exploring the darker places of the heart, his sonnets do not lie down obediently, but spark with an honest self-awareness.Cole's lucid, empathetic poems--with lyrical beauty and ethical depth--seem to transmute the anxious perplexities of our time.

    A disfigured, jaded young actor narrates the story of a seductive and monstrous film director who has convened his international cast and crew in Colombia, where a serial killer is on the loose. The making of his film of vast, if vague, ambition, brings together a group of people whose implosive relationship - fired by narcissism, sex, alcohol and drugs - are fiercely dissected by the narrator against an ominous backdrop of cultural dissolution, social anarchy and political violence.

    Lawrence, to the weird saga of Brother XII and his mystic cult on Vancouver Island.

    It is almost entirely true." Thus begins Esi Edugyan's 2013 Henry Kreisel Memorial Lecture. With the finesse of a writer who is in complete control of the worlds she creates, Esi Edugyan guides readers through her experience of home and belonging. She moves effortlessly from cities in Canada and Germany to the bustle of Accra, Ghana, as she finds her identity in the diaspora. Readers interested in travel, literature, and the post-colonial search for belonging will become her willing travel companions on this journey.

    With pithy, razor-sharp prose, Sennah dissects and reassembles pop culture through personal anecdotes, crafting a love-hate letter to the media and the microaggressions that have shaped how she sees herself and the world. How Do I Look? is a raw and vulnerable reflection on identities real and imagined.

    While grappling with their identity and sexuality, often alone, they also faced academic meltdown, their parents' divorce, and the looming pressure of what might come after high school. Written in alternating chapters from both Tegan's point of view and Sara's, the book is a raw account of the drugs, alcohol, love, music and friendship they explored in their formative years. A transcendent story of first loves and first songs, it captures the tangle of discordant and parallel memories of two sisters who grew up in distinct ways even as they lived just down the hall from one another. This is the origin story of Tegan and Sara.

    The poems in Admission Requirements attempt to discover what is required of us when we cut across our material and psychic geographies. Simultaneously full and empty of its origins, the self is continually taxed of any certainties and ways of being. The speaker in these poems is engaged in a kind of fieldwork, surveying gardens, communities, and the haphazard cityscape, where the reader is presented with the paradoxes of subsumed histories. With understated irony and unsettling imagery, the poems address the internal conflicts inherent in contemporary living.

    Klein’s most innovative and visionary work. The five “books” of the novel are a modern testament of Jewish experience to which are appended “glosses” or commentaries in the form of drama, epistle, poetry, and psalm. The action centres on a young writer from Montreal, whose search for his legendary Uncle Melech becomes a journey of revelation through Italy, Morocco, and the Holy Land. Dissident and exile, reformer and scholar, Melech is a messianic figure who enacts the destiny of his people and embodies the spiritual yearnings of everyman.The Second Scroll, Klein’s only novel, combines the lyric genius of his poetic works with compelling reportage to create one of the most eloquent and original works in Canadian fiction.

    Seventeen-year-old Sylvia (Harper) Kostak is caught between her mother’s regrets and the strictures of small-town life in the interior of British Columbia. When Harper meets Gabe, an intense and enigmatic young man living on the ’60s-style arts commune outside of town, she is transfixed. Gradually we learn Gabe’s story and what led him to join his estranged mother on the commune, where, in a bid for freedom, Harper eventually finds herself, setting in motion a series of events leading to tragedy. Resonant with longing and a sense of isolation, the novel brings alive the agonies and ecstasies of growing up, sexual discovery, and how the need to belong can shape both decisions and destinies.Author Biography: Laisha Rosnau was born in Pointe Claire, Quebec, and grew up in Vernon, British Columbia. She has worked as a child-care worker, a landscaper, a waitress, a fruit picker, an interpretive guide, a journalist, and an editor. She received a Master of Fine Arts in Creative Writing from the University of British Columbia, where she was the Executive Editor of PRISM international. Her poetry and short fiction have been published in literary journals and anthologies in Canada, the United States, and Australia. The Sudden Weight of Snow is her first novel. Laisha Rosnau lives in Vancouver, where she is at work on a collection of poetry and on her second novel.