As teenagers, they witnessed their parents' murder, but it was Rebecca who saved Maya from becoming another of the gunman's victims. The tragedy left Maya cautious and timid, settling for a sedate medical practice with her husband, Adam, while Rebecca became the risk taker.After a devastating hurricane hits the coast of North Carolina, Rebecca and Adam urge Maya to join them in the relief effort. To please her husband, Maya finally agrees. She loses herself in the care and transport of victims, but when her helicopter crashes into raging floodwaters, there appear to be no survivors.Forced to accept Maya is gone, Rebecca and Adam turn to one another—first for comfort, then in passion—unaware that, miles from civilization, Maya is injured and trapped with strangers she's not certain she can trust. Away from the sister who has always been there to save her, now Maya must find the courage to save herself—unaware that the life she knew has changed forever.

    Hidden in the boxes is the story of a lifetime, written on random bits of paper--the hopes and wishes, fears and thoughts of an unassuming but complex woman passing through the seasons of an extraordinary, unsung life filled with journeys of faith, observations on love, and one final lesson that could change everything for Tandi.

    A fearless journalist, she’s spent the past decade embedded in the world’s hot spots, writing about the fall of nations and the rise of despots. But if you were to inquire about who topped Jack’s enemy list, she’d not hesitate to answer: Kitty Carricoe.Kitty reigns supreme over the world of carpools and minivans. A SAHM, she spends her days caring for her dentist husband and three towheaded children, running the PTA, and hiding vegetables in deceptively delicious packed lunches.Kitty and Jack haven’t a single thing in common—except for Sarabeth Chandler, their mutual bestie. Sarabeth and Jack can be tomboys with the best of them, while Sarabeth can get her girly-girl on with Kitty. In fact, the three of them were college friends until the notorious frat party incident, when Jack accidentally hooked up with Kitty’s boyfriend…Yet both women drop everything and rush to Sarabeth’s side when they get the call that her fabulously wealthy husband has perished in a suspicious boating accident. To solve the mystery surrounding his death, Jack and Kitty must bury the hatchet and hit the road for a trip that just may bring them together—if it doesn’t kill them first.

    Sheila Arsenault is a gorgeous enigma--streetwise and tough-talking, with haunted eyes, fierce desires, and a never-look-back determination. Peter Webster, as straight an arrow as they come, falls for her instantly and entirely. Soon Sheila and Peter are embroiled in an intense love affair, married, and parents to a baby daughter. Like the crash that brought them together, it all happened so fast. Can you ever really save another person? Eighteen years later, Sheila is long gone and Peter is raising their daughter, Rowan, alone. But Rowan is veering dangerously off track, and for the first time in their ordered existence together, Webster fears for her future. His work shows him daily every danger the world contains, how wrong everything can go in a second. All the love a father can give a daughter is suddenly not enough. Sheila's sudden return may be a godsend--or it may be exactly the wrong moment for a lifetime of questions and anger and longing to surface anew. What tore a young family apart? Is there even worse damage ahead? The questions lifted up in Anita Shreve's utterly enthralling new novel are deep and lasting, and this is a novel that could only have been written by a master of the human heart.

    Happy to escape the demands of her life, she looks forward to her Friday Night Knitting Club, where she and her friends - Anita, Peri, Darwin, Lucie, and K.C. - exchange knitting tips, jokes, and their deepest secrets. But when the man who once broke Georgia's heart suddenly shows up, demanding a role in their daughter's life, her world is shattered.Luckily, Georgia's friends are there for encouragement, sharing their own tales of intimacy, heartbreak, and miracle making. And when the unthinkable happens, these women will discover that what they've created isn't just a knitting club; its a sisterhood.

    Lucy Bloom is broke, freshly dumped by her boyfriend, and forced to sell her house to send her nineteen-year-old son to drug rehab. Although she’s lost it all, she’s determined to start over. So when she’s offered a high-paying gig helping clear the clutter from the home of reclusive and eccentric painter Marva Meier Rios, Lucy grabs it. Armed with the organizing expertise she gained while writing her book, Things Are Not People, and fueled by a burning desire to get her life back on track, Lucy rolls up her sleeves to take on the mess that fills every room of Marva’s huge home. Lucy soon learns that the real challenge may be taking on Marva, who seems to love the objects in her home too much to let go of any of them. While trying to stay on course toward a strict deadline—and with an ex-boyfriend back in the picture, a new romance on the scene, and her son’s rehab not going as planned—Lucy discovers that Marva isn’t just hoarding, she is also hiding a big secret. The two form an unlikely bond, as each learns from the other that there are those things in life we keep, those we need to let go—but it’s not always easy to know the difference.

    No request is too extravagant for her to execute with trademark perfection. That is, until an unfortunate incident involving a shrimp tower, live flamingos, and a shellfish allergy puts her on the black list of the rich and social and out of a job. With the lights about to be shut off in the trendy condo she can no longer afford, and her savings account dwindling, Margot’s situation is near to desperate.In steps her birth father’s side of the family (who she’s never met), the McCreadys…the McCreadys of the McCready Family Funeral Home and Bait Shop in small town Georgia—and as luck would have it, they’re looking for an event planner and don’t care about her reputation among the A-list crowd. As Margot tackles small town life—where everyone knows everything about everyone—and builds a relationship with a father who she’d never known, she discovers the comforts that community, a rather large extended family, and a rugged, unpretentious country man can offer...

    When a grandfather she never knew bequeaths her a house and 60 acres of land in Sweetwater, Tenn., a restless young artist leaves New York to recover her past and rethink her future. Cassie Simon's mother Ellen died when Cassie was only three; raised in Boston by her grieving father, she never knew her maternal relatives. Unprepared for the thick veil of mystery that surrounds them, Cassie is especially bewildered by her brusque grandmother, whom rumor credits with hiding a terrible secret about Ellen's death. In alternating sections told from their respective points of view, Cassie and her grandmother fight their separate battles to cope with the truth about the tragedy. Kline perfectly renders each woman's voice: Cassie's, probing and often uncertain, propels the narrative and creates an appropriate level of psychological suspense; the grandmother's quavers with the weight of memory as Cassie's search forces her beyond family myth to a painful and perhaps dangerous truth. The result is a powerful, immensely readable tale of loyalty and betrayal, family and memory, made fresh by Kline's often beautiful and always lucid prose.

    It's a peaceful life, really, and surely with her recent purchase of a sweet bungalow on Turpentine Lane her life is finally on track. Never mind that her fiancé is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state.) And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he's Chagall. When she finds some mysterious artifacts in the attic of her new home, she wonders whether anything in her life is as it seems. What good fortune, then, that Faith has found a friend in affable, collegial Nick Franconi, officemate par excellence . . .

    She feels responsible for managing the summer house and making sure everything is as it always has been. But she’s hurt that her parents’ recent divorce has destroyed the family’s comfortable summer routines, and her own kids seem to be growing up at high speed. Is it too late to have another baby?Jess is the middle sister. She loves her job but isn’t as passionate about her marriage. She’s not sure she can find the courage to tell Maggie what she’s done—much less talk to her husband about it.Virgie is the youngest, her dad’s favorite. She’s always been the career girl, but now there’s a man in her life. Her television job on the west coast is beyond stressful, and it’s taking its toll on her—emotionally and physically. She’s counting on this vacation to erase the symptoms she’s not talking about.The Herington girls are together again, with their husbands and kids, for another summer in the family’s old Cape Cod house. When their mother, Gloria, announces she’s coming for an unscheduled visit—with her new boyfriend—no one is more surprised than their father, Arthur, who has not quite gotten over his divorce. Still, everyone manages to navigate the challenges of living grown-up lives in close quarters, until an accident reveals a new secret that brings everyone together in heartbreak… and then healing.

       Tina Fontana is the hapless but brazen thirty-year-old executive assistant to Robert Barlow, the all-powerful and commanding CEO of Titan Corp., a multinational media conglomerate. She’s excellent at her job and beloved by her famous boss—but after six years of making his reservations for restaurants she’d never get into on her own and pouring his drinks from bottles that cost more than her rent, she’s bored, broke, and just a bit over it all.   When a technical error with Robert’s travel-and-expenses report presents Tina with the opportunity to pay off the entire balance of her student loan debt with what would essentially be pocket change for her boss, she struggles with the decision: She’s always played by the rules. But it’s such a relatively small amount of money for the Titan Corporation—and for her it would be a life-changer . . .  The Assistants speaks directly to a new generation of women who feel stuck and unable to get ahead playing by the rules. It will appeal to all of those who have ever asked themselves, “How is it that after all these years, we are still assistants?”

    . . and so do the women who are drawn there.Yellow Samsonite suitcase with ivory, quilted lining, 1950s...Violet Turner had always dreamed of owning a shop like Hourglass Vintage. Though she knows the personal history behind each precious item she sells, Violet refuses to acknowledge her own past. When she is faced with the possibility of losing the store, she realizes that, as much as she wants to, she cannot save it alone.Taffeta tea length wedding gown with scooped neckline and cap sleeves, 1952...Eighteen-year-old April Morgan is nearly five months along in an unplanned pregnancy when her hasty engagement is broken. When she returns the perfect 1950s wedding dress, she discovers unexpected possibilities and friends who won't let her give up on her dreams.Orange sari made from silk dupioni with gold paisley design, 1968...Betrayed by her husband, Amithi Singh begins selling off her old clothes, remnants of her past life. After decades of housekeeping and parenting a daughter who rejects her traditional ways, she fears she has nothing more ahead for her.An engaging story that beautifully captures the essence of women's friendship and love, Vintage is a charming tale of possibility, of finding renewal and hope when we least expect it.

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.