Or that she’s landed a job at the local tourist-trap museum. Or that she’s being heckled daily by the irritatingly hot museum security guard, Porter Roth—a.k.a. her new arch-nemesis. But life is whole lot messier than the movies, especially when Bailey discovers that tricky fine line between hate, love, and whatever-it-is she’s starting to feel for Porter.And as the summer months go by, Bailey must choose whether to cling to a dreamy online fantasy in Alex or take a risk on an imperfect reality with Porter. The choice is both simpler and more complicated than she realizes, because Porter Roth is hiding a secret of his own: Porter is Alex…Approximately.In this delightfully charming teen spin on You’ve Got Mail, the one guy Bailey Rydell can’t stand is actually the boy of her dreams—she just doesn’t know it yet.

    After shutting out the world for two years, Paige is finally ready for a second chance at high school . . . and she has a plan. First: Get her old crush, Ryan Chase, to date her—the perfect way to convince everyone she’s back to normal. Next: Join a club—simple, it’s high school after all. But when Ryan’s sweet, nerdy cousin, Max, moves to town and recruits Paige for the Quiz Bowl team (of all things!) her perfect plan is thrown for a serious loop. Will Paige be able to face her fears and finally open herself up to the life she was meant to live?

    But one day, while her mother is out of the country, the famed rock star from Staring Into the Abyss shows up on her doorstep. This makes sense - kinda - because Julian Oliver is Taliah's father, even though her mother would never admit it to her.Julian asks if Taliah if she will drop everything and go with him to his hometown of Oak Falls, Indiana, to meet his father - her grandfather - who is nearing the end of his life. Taliah, torn between betraying her mother's trust and meeting the family she has never known, goes.With her best friend Harlow by her side, Taliah embarks on a three-day journey to find out everything about her 'father' and her family. But Julian isn't the father Taliah always hoped for, and revelations about her mother's past are seriously shaking her foundation. Through all these new experiences, Taliah will have to find new ways to be true to herself, honoring her past and her future.

    Dragged to New Hampshire for the summer, Marcie soon realizes that her mom has no plans for them to return to Marcie's father in Idaho. As Marcie starts at a new school, without her ragtag group of friends called the Leftovers, a new romance heats up, but she struggles to understand what love really means.Perfect for fans of romances like Anna and the French Kiss and those by Sarah Dessen as well as readers of poetry, Love and Leftovers is a beautiful and fresh take on love.

    Seven days to say good-bye to the electric city, her wild best friend, and the boy she’s harbored a semi-secret crush on for years. Seven perfect days…until Jamie Foster-Collins moves back to Japan and ruins everything. Jamie and Sophia have a history of heartbreak, and the last thing Sophia wants is for him to steal her leaving thunder with his stupid arriving thunder. Yet as the week counts down, the relationships she thought were stable begin to explode around her. And Jamie is the one who helps her pick up the pieces. Sophia is forced to admit she may have misjudged Jamie, but can their seven short days of Tokyo adventures end in anything but good-bye?

    For once, she will just get to be. No summer classes, none of Granddad’s intense expectations to live up to the family name. For generations, the Milbourn women have lead extraordinary lives—and died young and tragically. Granddad calls it a legacy, but Ivy considers it a curse. Why else would her mother have run off and abandoned her as a child?But when her mother unexpectedly returns home with two young daughters in tow, all of the stories Ivy wove to protect her heart start to unravel. The very people she once trusted now speak in lies. And all of Ivy’s ambition and determination cannot defend her against the secrets of the Milbourn past….

    Her parents have decided to move the family from Chicago back to their hometown of Boston in the middle of Emily's senior year. Only Emily's first real boyfriend, Sean, is in Chicago, and so is her shot at class valedictorian and early admission to the Ivy League. What's a nice girl to do? Then Sean dumps Emily on moving day and her father announces he's staying behind in Chicago "to tie up loose ends," and Emily decides that what a nice girl needs to do is to stop being nice. She reconnects with her best friends in Boston, Josie and Lucy, only to discover that they too have been on the receiving end of some glaring Guy Don'ts. So when the girls have to come up with something to put in the senior class time capsule, they know exactly what to do. They'll create a not-so-nice reference guide for future generations of guys -- an instruction book that teaches them the right way to treat girls. But when her friends draft Emily to test out their tips on Luke Preston -- the hottest, most popular guy in school, who just broke up with Josie by email -- Emily soon finds that Luke is the trickiest of test subjects . . . and that even a nice girl like Emily has a few things to learn about love.

    But when a serious car wreck leaves her aunt, a single mother of three, with two broken legs, it forces Anise to say goodbye for the first time to Santa Cruz, the waves, her friends, and even a kindling romance, and fly with her dad to Nebraska for the entire summer. Living in Nebraska isn’t easy. Anise spends her days caring for her three younger cousins in the childhood home of her runaway mom, a wild figure who’s been flickering in and out of her life since birth, appearing for weeks at a time and then disappearing again for months, or even years, without a word. Complicating matters is Lincoln, a one-armed, charismatic skater who pushes Anise to trade her surfboard for a skateboard. As Anise draws closer to Lincoln and takes on the full burden and joy of her cousins, she loses touch with her friends back home – leading her to one terrifying question: will she turn out just like her mom and spend her life leaving behind the ones she loves?

    After all, the war of Watson v. West is as vicious as the Doctor v. Daleks and Browncoats v. Alliance combined, and it goes all the way back to the infamous monkey bars incident in the first grade. Over a decade later, it's time to declare a champion once and for all.The war is Trixie's for the winning, until her best friend starts dating Ben's best friend and the two are unceremoniously dumped together and told to play nice. Finding common ground is odious and tooth-pullingly-painful, but Trixie and Ben's cautious truce slowly transforms into a fandom-based tentative friendship. When Trixie's best friend gets expelled for cheating and Trixie cries foul play, however, they have to choose who to believe and which side they're on--and they might not pick the same side.

    This is Jaden pretending not to notice. . . .Jaden McEntyre and Parker Whalen are a wrong fit from the start. Jaden is driven and focused, Harvard Med School within reach. Parker has a past-a reputation-and the rumors about his mysterious habits abound. So there's no reason why, when they're assigned to work together on a project in English, they should discover they have anything in common, or even like each other, and they definitely shouldn't be falling in love.As they bond over Edith Wharton's tragic novella, Ethan Frome, the "bad boy" vibe Parker plays begins to dissipate. Soon, Jaden finds herself shedding her own "good girl" image: sneaking around to be with him, confiding in him, and ultimately falling hard for this leather-wearing, motorcycle-driving loner who plays into the rebel stereotype.Still, Jaden can't shake the feeling that there's more to Parker than he's letting on. He's hiding something from her, and discovering the truth means reconciling the Parker she's grown to love with the person he really is. Because it's possible that his life inside the classroom-everything Jaden knows-is one massive lie.

    This opposites-attract love story is perfect for fans of Huntley Fitzpatrick, Stephanie Perkins, and Jenny Han.  June wants high school to end and real life to begin. Oliver is soaking up senior year’s glory days. They could have coasted through high school, knowing about—but not really knowing—each other.   Except that their moms have arranged for Oliver to drive June to school. Every. Single. Day.   Suddenly these two opposites are fighting about music, life . . . pretty much everything. But love is unpredictable. When promises—and hearts—get broken, Oliver and June must figure out what really matters. And then fight for it.

    But opportunity came with the new Second Chance Program, the governor's newest pet project to get delinquents off the streets, rehabilitated and back into society. Drix knows this is his chance to get his life back on track, even if it means being paraded in front of reporters for a while.Elle knows she lives a life of privilege. As the governor's daughter, she can open doors with her name alone. But the expectations and pressure to be someone she isn't may be too much to handle. She wants to follow her own path, whatever that means.When Drix and Elle meet, their connection is immediate, but so are their problems. Drix is not the type of boy Elle's parents have in mind for her, and Elle is not the kind of girl who can understand Drix's messy life.But sometimes love can breach all barriers.Fighting against a society that can't imagine them together, Drix and Elle must push themselves -- Drix to confront the truth of the robbery, and Elle to assert her independence -- and each other to finally get what they deserve.

    When she and her mom were a family, just the two of them against the world. But now her mom is gone most of the time, chasing the next marriage, bringing home the next stepfather. Anna is left on her own - until she discovers that she can make boys her family. From Desmond to Joey, Todd to Sam, Anna learns that if you give boys what they want, you can get what you need. But the price is high - the other kids make fun of her; the girls call her a slut. Anna's new friend, Toy, seems to have found a way around the loneliness, but Toy has her own secrets that even Anna can't know. Then comes Sam. When Anna actually meets a boy who is more than just useful, whose family eats dinner together, laughs, and tells stories, the truth about love becomes clear. And she finally learns how it feels to have something to lose - and something to offer. Real, shocking, uplifting, and stunningly lyrical, Uses for Boys by Erica Lorraine Scheidt is a story of breaking down and growing up.

    It’s a form of Severe Combined Immunodeficiency, but basically, I’m allergic to the world. I don’t leave my house, have not left my house in fifteen years. The only people I ever see are my mom and my nurse, Carla.But then one day, a moving truck arrives. New next door neighbors. I look out the window, and I see him. He’s tall, lean and wearing all black—black t-shirt, black jeans, black sneakers and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly. I want to learn everything about him, and I do. I learn that he is funny and fierce. I learn that his eyes are Atlantic Ocean-blue and that his vice is stealing silverware. I learn that when I talk to him, my whole world opens up, and I feel myself starting to change—starting to want things. To want out of my bubble. To want everything, everything the world has to offer.Maybe we can’t predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It’s almost certainly going to be a disaster.

    Up until now, Hannah has happily devoted her entire life to ballet.But when she meets a handsome musician named Jacob, Hannah's universe begins to change, and she must decide if she wants to compete against the other "bunheads" in the company for a star soloist spot or strike out on her own in the real world. Does she dare give up the gilded confines of the ballet for the freedoms of everyday life?