When George and Sabine Harwood arrive in Trinidad from England, George is immediately seduced by the beguiling island, while Sabine feels isolated, heat-fatigued, and ill-at-ease. As they adapt to new circumstances, their marriage endures for better or worse, despite growing political unrest and racial tensions that affect their daily lives. But when George finds a cache of letters that Sabine has hidden from him, the discovery sets off a devastating series of consequences as other secrets begin to emerge.

    At just 37 years of age, he is shocked when his doctor tells him that he’s dying. What is more, the cause is discovered to be prolonged exposure to toxins; in other words, someone has slowly but surely been poisoning him.Determined to find out who wants him dead, Jaakko embarks on a suspenseful rollercoaster journey full of unusual characters, bizarre situations and unexpected twists. With a nod to Fargo and the best elements of the Scandinavian noir tradition, The Man Who Died is a page-turning thriller brimming with the blackest comedy surrounding life and death, and love and betrayal, marking a stunning new departure for the King of Helsinki Noir. '‘Brilliant. Absolutely brilliant. I enjoyed every single sentence’ Thomas Enger ‘An original and darkly funny thriller with a Coen Brothersesque feel & tremendous style’ Eva Dolan ‘Comparisons have been made with Carl Hiassen and the Coen Brothers, but Tuomainen is his own man; liberally salted with macabre, improbable incidents of violence, The Man Who Died is deftly plotted, poignant and perceptive in its wry reflections on mortality and very funny’ Irish Times ‘Tuomainen’s dark story manages to be as delicious as it is Toxic’ Sunday Express ‘Told in a darkly funny, deadpan style … The result is a rollercoaster read’ Guardian

    As part of her appeal, her lawyer insists that she write down what happened as she remembers it. As her story unfolds, Memory reveals that she has been tried and convicted for the murder of Lloyd Hendricks, her adopted father. But who was Lloyd Hendricks? Why does Memory feel no remorse for his death? And did everything happen exactly as she remembers?In The Book of Memory, Petina Gappah has created a uniquely slippery narrator: forthright, acerbically funny, and with a complicated relationship to the truth. Moving between the townships of the poor and the suburbs of the rich, and between the past and the present, Gappah weaves a compelling tale of love, obsession, the relentlessness of fate, and the treachery of memory.

    Now an old woman, she waits to be reunited after sixty-two years with her son, fathered by an S.S. officer and stolen from her by the German authorities during the War as part of Himmler's clandestine 'Lebensborn' project, which strove for a 'racially pure' Germany. Haya's reflection on her Catholicized Jewish family's experiences deals unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, as well as witness accounts of atrocities that took place on her doorstep. A broad collage of material is assembled, and the lesser-known horror of Nazi occupation in northern Italy is gradually unveiled. Written in immensely powerful language, and employing a range of astonishing conceptual devices, Trieste is a novel like no other. Dasa Drndic has produced a shattering contribution to the literature of our twentieth-century history.

    The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her.In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Géricault's workshop; Gustave Courbet's devilish seascapes incite viewers “to have sex, or to eat an apple”; Picasso organizes a cruel banquet in Rousseau’s honor. . . . All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires—her family and work; her loves and losses; her infatuations and disappointments. The effect is of a character refracted by environment, composed by the canvases she studies.Seductive and capricious, Optic Nerve is a book that captures, like no other, the mysterious connections between a work of art and the person who perceives it.

    Haunted by scandal and secrets, Lillian left Dominica when she was fourteen after discovering she was the daughter of Iris, the half-crazy woman whose life was told of in chanté mas songs sung during Carnival: "Matilda Swinging" and "Bottle of Coke"; songs about the village on a mountaintop and bones and bodies: songs about flying masquerades and a man who dropped dead. Lillian knew the songs well. And now she knows these songs---and thus the history---belong to her. After twenty years away, Lillian returns to face the demons of her past, and with the help of Teddy, the man she refused to love, she will find a way to heal.Set partly in contemporary Washington, D.C., and partly in post-World War II Dominica, Unburnable weaves together West Indian history, African culture, and American sensibilities. Richly textured and lushly rendered, Unburnable showcases a welcome and assured new voice.

    All he can produce is notes about the happiness of others. But something draws him into the Moscow lives around him, bringing together lonely neighbours, restoring lost love, and helping out with building renovations. And happiness seems determined to catch up with him as well…

    Ripley --that speaks to identity, war, exile, love, betrayal, and heartbreak. In the devastation of post-Communist Albania, inseparable young friends Bujar and Agim feel trapped: Bujar struggling to come to terms with the loss of his father, Agim facing dangerous realizations about his sexuality and his feelings for Bujar. When shame, guilt, and the ruins of authoritarianism push Bujar and Agim to leave everything behind and flee to Italy, the unfamiliar life of an immigrant and asylum seeker sets Bujar on a path of reinvention. He follows an impulse to remake himself--as a man or woman of infinite nationalities and pasts--the burning desire to be seen and heard spurring a desperate search for a different existence to be seized at any cost. But Bujar's quest for identity and belonging is haunted by the mystery of what happened to Agim--his one, true beloved, who somehow got lost along the way. Like Statovci's acclaimed debut, My Cat Yugoslavia, Crossing is a powerful and symbolic novel of both unending war and unattainable love, but most of all, of the lies that give stories a singular power.

    We drive at high speed along back roads, through woods, vineyards, and oat fields. The bike smells like gasoline and makes a lot of noise, and sometimes I’m frightened when the wheels slip on the gravel on the dirt road, but the only thing that matters is that I’m holding on to him, that I’m holding on to him outside.Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.Dazzlingly rendered in English by Ringwald in her first-ever translation, Besson’s powerfully moving coming-of-age story captures the eroticism and tenderness of first love—and the heartbreaking passage of time.

    A couple in their thirties live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife — the days have more light and color. The novel brims with new small joys and many moments of staggering poetic beauty, but then something happens….As Kenzaburo Oe has remarked, Takashi Hiraide’s work "really shines." His poetry, which is remarkably cross-hatched with beauty, has been acclaimed here for "its seemingly endless string of shape-shifting objects and experiences,whose splintering effect is enacted via a unique combination of speed and minutiae."

    The appearance of Mishima, a stray, brindle-furred cat, leads Samuel from the comforts of his favorite books, foreign films, and classical music to places he’s never been (next door) and to people he might never have met (his neighbor Titus, with whom he’s never exchanged a word). Even better, Mishima leads him back to the mysterious Gabriela, whom he thought he’d lost long before.In the spirit of The Solitude of Prime Numbers and The Guest Cat, Love in Lowercase is a charming and uplifting novel about how one man, thanks to a persistent cat-turned-catalyst, awakens to the importance of the little things in life—and discovers that sometimes love is hiding in the smallest characters.

    In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love. A fascinating, abundant novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

    Bleak and oozing existential dread, The Thief is simply unforgettable. The Thief is a seasoned pickpocket. Anonymous in his tailored suit, he weaves in and out of Tokyo crowds, stealing wallets from strangers so smoothly sometimes he doesn’t even remember the snatch. Most people are just a blur to him, nameless faces from whom he chooses his victims. He has no family, no friends, no connections...But he does have a past, which finally catches up with him when Ishikawa, his first partner, reappears in his life, and offers him a job he can’t refuse. It’s an easy job: tie up an old rich man, steal the contents of the safe. No one gets hurt. Only the day after the job does he learn that the old man was a prominent politician, and that he was brutally killed after the robbery. And now the Thief is caught in a tangle even he might not be able to escape.

    The beginning is marked by a vivid memory, which I can reconstruct down to the last detail. Before, there is nothing, and after, everything is an extension of the same vivid memory, continuous and unbroken, including the intervals of sleep, up to the point where I took the veil ." So starts Cesar Aira's astounding "autobiographical" novel. Intense and perfect, this invented narrative of childhood experience bristles with dramatic humor at each stage of growing up: a first ice cream, school, reading, games, friendship. The novel begins in Aira's hometown, Coronel Pringles. As self-awareness grows, the story rushes forward in a torrent of anecdotes which transform a world of uneventful happiness into something else: the anecdote becomes adventure, and adventure, fable, and then legend. Between memory and oblivion, reality and fiction, Cesar Aira's How I Became a Nun retains childhood's main treasures: the reality of fable and the delirium of invention.A few days after his fiftieth birthday, Aira noticed the thin rim of the moon, visible despite the rising sun. When his wife explained the phenomenon to him he was shocked that for fifty years he had known nothing about "something so obvious, so visible." This epiphany led him to write How I Became a Nun. With a subtle and melancholic sense of humor he reflects on his failures, on the meaning of life, and the importance of literature.

    A Greek journalist is tried and convicted for the murder . . . but when he’s released twelve years later, he claims his confession was the result of torture.Flash forward to modern day Greece, where a young, disaffected high school student is given an assignment for a school project: find the truth.Based on the real story of famed CBS reporter George Polk—journalism’s prestigious Polk Awards were named after him—who was investigating embezzlement of U.S. aid by the right-wing Greek government, Nikolaidou’s novel is a sweeping saga that brings together the Greece of the post-war period with the current era, where the country finds itself facing turbulent political times once again.Told by key players in the story—the dashing journalist’s Greek widow; the mother and sisters of the convicted man; the brutal Thessaloniki Chief of Police; a U.S. Foreign Office investigator—it is the modern-day student who is most affecting of them all, as he questions truth, justice and sacrifice . . . and how the past is always with us.