. .New York City, 1913. Twenty-year-old Louise Faulk has fled Altoona, Pennsylvania, to start a life under dizzying lights. In a city of endless possibilities, it's not long before the young ingenue befriends a witty aspiring model and makes a splash at the liveliest parties on the Upper East Side. But glitter fades to grit when Louise's Greenwich Village apartment becomes the scene of a violent murder and a former suitor hustling for Tin Pan Alley fame hits front-page headlines as the prime suspect . . .Driven to investigate the crime, Louise finds herself stepping into the seediest corners of the burgeoning metropolis--where she soon discovers that failed dreams can turn dark and deadly . . .

    The Second World War has brought much change to the small Norfolk village, as well as Lieutenant Eddie Elsner, on a mission all the way from America. But when the local postman is found dead, suddenly the war feels much closer to home… The police are quick to declare it an unfortunate accident, but young, spirited Anna Grix is less convinced. After striking up a fast friendship with the newly arrived American, she teams up with Eddie to dig into this apparent accident. Full of unexpected twists and turns, A Deadly Coincidence is the perfect read for fans of LJ Ross, Joy Ellis, Faith Martin and Elizabeth Edmondson.

    In 1925, Alice Lind steps off a train in the rain-soaked coastal hamlet of Gordon Bay, Oregon. There, she expects to do nothing more difficult than administer IQ tests to a group of rural schoolchildren. A trained psychologist, Alice believes mysteries of the mind can be unlocked scientifically, but now her views are about to be challenged by one curious child.Seven-year-old Janie O’Daire is a mathematical genius, which is surprising. But what is disturbing are the stories she tells: that her name was once Violet, she grew up in Kansas decades earlier, and she drowned at age nineteen. Alice delves into these stories, at first believing they’re no more than the product of the girl’s vast imagination. But, slowly, Alice comes to the realization that Janie might indeed be telling a strange truth.Alice knows the investigation may endanger her already shaky professional reputation, and as a woman in a field dominated by men she has no room for mistakes. But she is unprepared for the ways it will illuminate terrifying mysteries within her own past, and in the process, irrevocably change her life.

    Jefferson Parker.Laguna Beach, California, 1968. The Age of Aquarius is in full swing. Timothy Leary is a rock star. LSD is God. Folks from all over are flocking to Laguna, seeking peace, love, and enlightenment.Matt Antony is just trying get by.Matt is sixteen, broke, and never sure where his next meal is coming from. Mom's a stoner, his deadbeat dad is a no-show, his brother's fighting in Nam . . . and his big sister Jazz has just gone missing. The cops figure she's just another runaway hippie chick, enjoying a summer of love, but Matt doesn't believe it. Not after another missing girl turns up dead on the beach.All Matt really wants to do is get his driver's license and ask out the girl he's been crushing on since fourth grade, yet it's up to him to find his sister. But in a town where the cops don't trust the hippies and the hippies don't trust the cops, uncovering what's really happened to Jazz is going to force him to grow up fast.If it's not already too late.

    . . readers will be compelled to start again at page one to discover how O’Connor pieces together his suspenseful, incredibly well-written narrative” (Library Journal, starred review).Los Angeles, the late 1970s: Jess Shepard is an installation artist who creates environments that focus on light and space, often leading to intense sensory experiences for visitors to her work. A run of critically lauded projects peaks with Zero Zone, an installation at the former site of nuclear bomb testing in the New Mexico desert. But what begins as a vehicle for healing, soon becomes the flashpoint for a violent confrontation between a small group of fanatics experiencing what they perceive as a religious awakening within Zero Zone and the authorities.Devastated and haunted by the events in the desert and the ensuing media attention, Jess retreats from the world. Unable to work, she unravels mentally and emotionally, plagued by a nagging uncertainty as to her culpability for what transpired in her creation.Three years later, a survivor from Zero Zone comes calling, compelling Jess to face down her fears and recover her art—and possibly her life—from the violent cult intent of making it their own.

    For kids seeking relief from the heat, there was a creek to be swum in, sprinklers to run through, and ice cream at Whitcomb's Drugstore. But for Frankie, Viv, and Biz, eleven-year-old best friends, it would forever be remembered as the summer that evil paid a visit to their small town--and took their young lives as they'd known them as a souvenir.With a to-do list in hand, the girls set forth from their hideout to make their mark on that summer, but when three patients escape from Broadhurst Mental Institution, their idyllic lives take a sinister turn. Determined to uncover long-held secrets, the girls have no idea that what they discover could cost them their lives and the ones they hold dear.Six decades later, Biz remembers that long ago summer and how it still haunts her and her lifelong friends in Every Now and Then. A story about ties that bind forever, the timelessness of guilt and grief, and the everlasting hope for redemption.

    Now a seductive and cunning young woman, she seeks out the cruelest members of the meat industry and offers up her own brand of redemption. Molly’s mission is clear. Those who raise animals for meat should understand what it feels like to become meat. But the FBI is onto her— they’ve sent in Michael Lair, a whip-smart agent with his own set of demons. And as a deadly game of cat-and-mouse ensues in the nation’s heartland, they must rely on their instincts and intellect to determine who prevails.

    After years of dodging her drunken mama, Jane runs away at sixteen—during the Summer of Love. Despite seventeen years of keeping secrets while searching for love in dysfunctional relationships, Jane looks good on paper: married, graduate school, coin-carrying member of AA. But her carefully constructed life is crumbling. Returning for Mama’s funeral catapults her back to the events that made her the woman she is.

    When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    Her husband, Ben, a Los Angeles restaurateur, has disappeared, leaving behind an unexplained bank deposit of a million dollars, a loaded Glock in the nightstand, and a video security system that’s been wiped clean. The only answers their son, Zack, can offer are the last words his father said to him: keep the doors locked and set the alarm.Sarah’s marriage was more troubled than anyone suspected, but now she is afraid that her husband’s recent past could be darker than she dares to admit. Suspecting that nothing about Ben’s vanishing is what it seems, Sarah must delve into the space between old memories, newfound fears, and misleading clues to piece together the mystery of her husband’s disappearance—and find what she hopes in her heart is the truth.

    Their juxtaposing stories—and those of others close to them—unfold against a volatile backdrop of oil-boom opulence, fear, hatred, lynchings that climax in the Tulsa Race Riot of 1921, when whites burned the city's properous black community. Askew's award-winning first novel, The Mercy Seat, was praised for its astute diepiction of family bonds and the beauty of American landscape. Now she explores the American race story with the same perception.

    "When I die, I'll leave my luck to you."Zoltan Beck is dying. His devoted but long-suffering sons, Ben and Frank, are trying to prepare themselves and their families for Zoltan's eventual departure...but they can't quite bring themselves to believe that the end is really at hand, and neither can Zoltan himself. The head of a family marked by war and tragedy for decades, he "can't stand to be in a room with a miserable person" and has done his best to keep the pain of his refugee past from his beloved children. But as he faces the end of his life, he discovers a heartbreaking secret from the War that will ultimately bring the family together--or irrevocably disrupt it. Set in both mid-20th century Hungary and contemporary Toronto, this is a deeply moving novel that revels in the energy of its extraordinary characters. It is the story of lost love and newfound connections, of a father and his sons desperately reaching out to bridge an ever-widening gap...even as their time together ebbs away.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    A tour-de-force about two women and the piano that inexorably ties their lives together through time and across continents, for better and for worse.In 1962, in the Soviet Union, eight-year-old Katya is bequeathed what will become the love of her life: a Blüthner piano, built at the turn of the century in Germany, on which she discovers everything that she herself can do with music and what music, in turn, does for her. Yet after marrying, she emigrates with her young family from Russia to America, at her husband's frantic insistence, and her piano is lost in the shuffle.In 2012, in Bakersfield, California, twenty-six-year-old Clara Lundy loses another boyfriend and again has to find a new apartment, which is complicated by the gift her father had given her for her twelfth birthday, shortly before he and her mother died in a fire that burned their house down: a Blüthner upright she has never learned to play. Ophaned, she was raised by her aunt and uncle, who in his car-repair shop trained her to become a first-rate mechanic, much to the surprise of her subsequent customers. But this work, her true mainstay in a scattered life, is put on hold when her hand gets broken while the piano's being moved--and in sudden frustration she chooses to sell it. And what becomes crucial is who the most interested party turns out to be. . .

    Crowds pack the courtroom, eagerly following every twist, while the newspapers print lurid theories about the killings and the mysterious woman being held in the Old Bailey.The testimonies against Frannie are damning. She is a seductress, a witch, a master manipulator, a whore.But Frannie claims she cannot recall what happened that fateful evening, even if remembering could save her life. She doesn’t know how she came to be covered in the victims’ blood. But she does have a tale to tell: a story of her childhood on a Jamaican plantation, her apprenticeship under a debauched scientist who stretched all bounds of ethics, and the events that brought her into the Benhams’ London home—and into a passionate and forbidden relationship.Though her testimony may seal her conviction, the truth will unmask the perpetrators of crimes far beyond murder and indict the whole of English society itself.The Confessions of Frannie Langton is a breathtaking debut: a murder mystery that travels across the Atlantic and through the darkest channels of history. A brilliant, searing depiction of race, class, and oppression that penetrates the skin and sears the soul, it is the story of a woman of her own making in a world that would see her unmade.