It could be our best friend or … our worst enemy.’Emily Woods counts cracks for a living. Concrete cracks. So when her long-term boyfriend dumps her, she decides it’s time for a change of scenery. Her best friend, Will, suggests joining his construction team in Queensland. Working next door to the Great Barrier Reef seems like just the sort of adventure she needs to reboot her life…until she realises that Will is not the person she thought he was.Charlotte Templeton is frustrated with the lack of respect FIFO workers have for her seaside resort. But picking a fight with their tyrannical project manager, Mark Crawford, seems to lead to more complications than resolutions. The man is too pompous, too rude, and too damned good looking.As both women strive to protect their dreams and achieve their goals, they discover that secrets will come out, loyalty often hurts, and sometimes the perfect man is the wrong one.

    In a dusty back room of the old house, she discovers the crumbling photo of a handsome World War II medic - Samuel Riordan, the homestead's former occupant - and soon finds herself becoming obsessed with him. But as Audrey digs deeper into Samuel's story, she discovers he was accused of bashing to death a young woman on his return from the war in 1946. When she learns about other unexplained deaths in recent years - one of them a young woman with injuries echoing those of the first victim - she begins to suspect that the killer is still very much alive. And now Audrey, thanks to her need to uncover the past, has provided him with good reason to want to kill again.

    The extended family has gathered. The cars are packed and the convoy sets off. The cottage is a few hours' drive - but not everyone will live to see it ...For Jill, her three sons, their wives and children, a terrifying road crash will tear apart their family.The crash will be an accident but the shattering that follows has been long coming.Because at the heart of this family lies a secret - concealed, wrestled with, festering and harmful - and nothing now can stop it coming out.But will any of them survive it?Praise for Nicola Moriarty:'Will have you turning pages in a blur to find out what happens' The Age on The Ex'Moriarty is a masterful plotter' Better Reading'I devoured it, loved it and totally escaped into it ... Fun and topical' Marian Keyes on Those Other Women

    Estranged from her parents, and living with her grandfather who is drowning in sadness, Oli faces the reality of life beyond university alone. When she wakes on a boat with no recollection of how she got there, she accepts the help of two strangers who change the course of her future forever. With Mac and Maggie, Oli learns to navigate a life upon open ocean and the world flowers into colours she's never seen before. Four years later, Oli, fluent in the language of the sea, is the only woman among men on a yacht delivery from Noumea to Auckland. In the darkness below deck, she learns that at sea, no one can hear you scream. Moving to London, Oli's life at sea is buried. When she meets Hugo, the wind changes, and her memories are dust blown into shapes. Reminding her of everything. Below Deck is about the moments that haunt us, the moments that fan out like ripples through the deep. So that everything else, becomes everything after.

    Trapped in her grief, Erica retreats from Sydney to a sleepy hamlet on the south coast, near where Daniel is serving his sentence.There, in a rundown shack by the ocean, she obsesses over building a labyrinth. To create it—to navigate the path through her quandary—Erica will need the help of strangers. And that will require her to trust, and to reckon with her past.The Labyrinth is a story of guilt and denial, of the fraught relationship between parents and children. It is also an examination of how art can be ruthlessly destructive, and restorative. Mesmerising yet disquieting, it shows Amanda Lohrey to be at the peak of her powers.

    This collection is set in the vast Australian continent from the mysterious, glittering Valley of Lagoons to bohemian Balmain and the Centre at Uluru.

    One fateful day they take the winding coastal route home, and visit the Ocean View Gallery, perched on the cliff edge. It's not listed in any tourist pamphlet. The artist runs the gallery alone. There are no other visitors. Within the maze of rooms the lone couple begin to feel uneasy – and with good reason. Trudy and Bruce will be ripped from the safe, secure fabric of their life and will have their world turned upside down and shaken. Attacked, trapped and brutalised, they barely escape the gallery with their lives – only to find there's no real getting away.

    The silence is so heavy that you can hear your blood thundering through your veins. The stir of dry leaves in the darkness could be your friend finding his way back, but it sounds more like a primordial monster stalking its prey. And the lights between the trees? And the haunting songs which lure you ever deeper?  It's time to admit that you aren't afraid of being alone in the woods. You're afraid of not being alone.  Journey through the minds of 22 horror authors who have teamed up to reveal the most terrifying aspects of the forest. Over 400 pages of original supernatural and psychological horror stories include: ghosts, demons, serial-killers, true stories and unsolved mysteries, unique monsters, classic myths and legends, and above all else, a profound respect for the terror hidden within the mysterious trees. About Haunted House Publishing: We're passionate about publishing horror stories for adults, scary books for teens, and all sorts of dark fiction. We've got new horror kindle books every month, specializing in supernatural stories, supernatural book collections, and paranormal books for adults. We've got zombie books, demonic horror, ghosts and specters, angels and demons, gothic novels, and haunted houses and ghosts novels. We promise some of the top horror books 2018.

    The stories explore the lives of Lebanese migrants who have settled in the area, circling around themes of isolation, family and community, and nostalgia for the home country. In particular, House of Youssef is about relationships, and the customs which complicate them: between parents and children, the dark secrets of marriage, the breakable bonds between friends. The stories are told with extreme minimalism — some are only two pages long — which heightens their emotional intensity.The collection is framed by two soliloquies. The first expresses the longing of an old man for the homeland he will never return to. The second is the monologue of a woman, who could be his wife, addressed to her daughter, about life and its disappointments. The two central sequences are composed of vignettes which focus on moments of domestic crisis, and which combine, in the title sequence, to chart the demise of a single family. Kassab portrays the lives of ordinary people — simple, unglamorous, down-to-earth. Her understated style isolates small details and the anxieties that lurk within them. The tiny shifts in a normal day are an entire world to the people at the centre of her stories.

    But something goes tragically wrong, and Tom dies in the blaze. His wife, Dawn, doesn't want him to have died for nothing and decides to hold a funeral procession for Tom as a protest, driving 350km from Yardley in country Victoria to bury him in Melbourne where he was born. To make a bigger impact she agrees with some neighbours to put his coffin on a horse and cart and take it slow - real slow.But on the night of their departure, someone burns down the local bank. And as the motley funeral procession passes through Victoria, there are more mysterious arson attacks. Dawn has five days to get to Melbourne. Five days, five more towns, and a state ready to explode in flames... Told with a laconic, deadpan wit, Taking Tom Murray Home is a timely, thought-provoking, heart-warming, quintessentially Australian story like no other. It's a novel about grief, pain, anger and loss, yes, but it's also about hope - and how community, friends and love trump pain and anger, every time.

    But things take a dangerous turn when she goes to work at Shane’s Sumatran Oasis.Caught up in the hostility directed at Shane, and flirting and surfing with the hell-man Matt, Penny soon finds herself swept into a world where two very different cultures must collide.

    Between them all is his absent brother, Finn.When a body is discovered on the beach, long-held secrets threaten to emerge. A sunken wreck, a missing girl, and questions that have never washed away...

    Here is a story that resonates long after reading.’ — Andrea Goldsmith‘I was captivated by this honest, beautiful story that fuses love and art with the most profound challenges of motherhood. Written with extraordinary emotional wisdom and intelligence.’ — Liz ByrskiCamille is a nurse specialising in supporting families through the difficult decision to donate the organs of their dying loved ones. Camille’s mother is a gifted but uncompromising transplant surgeon determined to make it in a man’s world until her own life falls apart. And Camille herself is a mother to Addie – five years old, critically ill and in desperate need of the very organs her mother and grandmother work with.

    He travels to the isolated town of Wittenoom and takes charge of its small hospital, a place where no previous doctor has managed to stay longer than an eye blink. Instead of settling into a quiet, solitary life, he discovers an asbestos mining corporation with no regard for the safety of its workers and no care for the truth.Thirty years later, Dr Lou Fitzgerald stumbles across the abandoned Wittenoom Hospital. She, too, is a fugitive from a medical career toppled by a single error. Here she discovers faded letters and barely used medical equipment, and, slowly the story of the hospital’s tragic past comes to her.Dustfall is the tale of the crashing consequences of medical error, the suffering caused by asbestos mining and the power of storytelling.

    The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.The woman walked out to the car park, towards an old Corolla. For a moment, she held the child gently against her breast and, with her eyes closed, she smelled her.She then clipped the infant into the car, got in and drove off.That is where the footage ends.It isn't where the story ends, however.It's not even where the story starts.