Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.

    Originally published in 1766, the Laocoön has been called the first extended attempt in modern times to define the distinctive spheres of art and poetry.

    The palace itself has been radically altered since 1789, and the court was long ago swept away. Versailles sets out to rediscover what is now a vanished world: a great center of power, seat of royal government, and, for thousands, a home both grand and squalid, bound by social codes almost incomprehensible to us today.Using eyewitness testimony as well as the latest historical research, Spawforth offers the first full account of Versailles in English in over thirty years. Blowing away the myths of Versailles, he analyses afresh the politics behind the Sun King’s construction of the palace and shows how Versailles worked as the seat of a royal court. He probes the conventional picture of a “perpetual house party” of courtiers and gives full weight to the darker side: not just the mounting discomfort of the aging buildings but also the intrigue and status anxiety of its aristocrats. The book brings out clearly the fateful consequences for the French monarchy of its relocation to Versailles and also examines the changing place of Versailles in France’s national identity since 1789. Many books have told the stories of the royals and artists living in Versailles, but this is the first to turn its focus on the palace itself---from architecture and politics to scandal and restoration.

    She arrives exultant to follow her dreams of attending Court with Alexandre, her elegant aristocrat and soldier husband. But Alexandre dashes her hopes and abandons her amid the tumult of the French Revolution. Through her savoir faire, Rose secures her footing in high society, reveling in handsome men and glitzy balls—until the heads of her friends begin to roll.After narrowly escaping death in the blood-drenched cells of Les Carmes prison, she reinvents herself as Josephine, a socialite of status and power. Yet her youth is fading, and Josephine must choose between a precarious independence and the love of an awkward suitor. Little does she know, he would become the most powerful man of his century- Napoleon Bonaparte.Becoming Josephine is a novel of one woman's journey to find eternal love and stability, and ultimately to find herself.

    In 9.5 Theses on Art and Class and Other Writings Ben Davis takes on a broad array of contemporary art’s most persistent debates: How does creative labor fit into the economy? Is art merging with fashion and entertainment? What can we expect from political art? Davis argues that returning class to the center of discussion can play a vital role in tackling the challenges that visual art faces today, including the biggest challenge of all—how to maintain faith in art itself in a dysfunctional world.

    Napoleon. Louis XVI. Robespierre, Danton, Mirabeau, Marat. Madame Roland's salon. A passionate throng of Parisian artisans storming the Bastille. A tide of ebullient social change through wars, riots, beheadings, betrayal, conspiracy, and murder.CHRISTOPHER HIBBERT was born in Leicester in 1924 and educated at Radley and Oriel College, Oxford. Described by the New Statesman as "a pearl of biographers," he has established himself as a leading popular historian whose works reflect meticulous scholarship and has written more than twenty-five histories and biographies. Married with three children, he lives in Oxfordshire.

    No one pays you much heed; mostly you’re invisible as furniture. Yet you overhear a conversation here, and add a little gossip there. A writing desk lies open and you cannot help but read a paper. Then you find something, something you should not have found.Irrepressible Biddy Leigh, under-cook at the forbidding Mawton Hall, can’t wait to settle down with her sweetheart and set up her own tavern. But when her elderly master marries the young, enigmatic Lady Carinna, Biddy is unwittingly swept up into a world of scheming, secrets, and lies.Forced to accompany her new mistress to Italy, Biddy takes with her an old household book of recipes, The Cook’s Jewel, in which she records her observations. When she finds herself embroiled in a murderous conspiracy, Biddy realises that the secrets she holds could be the key to her survival – or her downfall . . . AN APPETITE FOR VIOLETS is an utterly compelling story of food, obsession and mystery, introducing a brilliant new voice in historical fiction.

    It appeared in two phases. A few first copies were printed and illuminated by William Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul.

    Having finally earned the money and gained the respect he sought in his early days as a struggling painter, Monet designed and built the home and gardens in the village on the Seine that would be the site of the famous "Grain Stacks" and "Water Lilies" paintings that would secure his reputation. A good, affordable introductory study of the pioneer of modern art.

    It looks at French religious art in the Middle Ages, its forms, and especially the Eastern sources of sculptural iconography used in the cathedrals of France. Fully illustrated with many footnotes it acts as a useful guide for the student of Western culture.

    

    Those first pioneering citizens of the Big Easy were thieves, vagabonds and criminals of all kinds. By the time Louisiana fell under American control, New Orleans had become a city of debauchery and corruption camouflaged by decadence. It was also considered one of the country's most dangerous cities, with a reputation of crime and loose morals. Rampant gambling and prostitution were the norm in nineteenth-century New Orleans, and over one-third of today's French Quarter was considered a hotbed of sin. Tales in this volume include that of the notorious Axeman who plagued the streets of the Crescent City in the early 1900s and Kate Townsend, a prostitute who was murdered by her own lover, a man who later was awarded her inheritance.

    From the Nazi purges of 'degenerate art' and Goering's shopping sprees in occupied Paris to the perilous journey of the 'Mona Lisa' from Paris and the painstaking reclamation of the priceless treasures of liberated Italy, The Rape of Europa is a sweeping narrative of greed, philistinism, and heroism that combines superlative scholarship with a compelling drama.The cast of characters includes Hitler and Goering, Gertrude Stein and Marc Chagall--not to mention works by artists from Leonardo da Vinci to Pablo Picasso.

    Through Hogarth's lifelong marriage to Jane Thornhill, his inability to have children, his time as one of England's best portrait painters, his old age and unfortunate dip into politics, and his untimely death, I, Hogarth is the remarkable story told through the artist's eyes. Michael Dean blends Hogarth's life and work into a rich and satisfying narrative, recommended for fans of Hilary Mantel and Peter Ackroyd.

    Although they initially take the city of light by storm, they soon discover that the glittering facade of social success hides a multitude of sins and iniquities while their own dark secrets could well destroy everything that they have worked so hard to achieve...Based on The Buccaneers by Edith Wharton, Before the Storm is a tale of passion, betrayal and true love set against the backdrop of the opulent and often treacherous worlds of Georgian London, Versailles and Revolutionary Paris.‘It was a blissfully warm day. The worst of the heat wave was now over and a light flower scented breeze blew leaves into the pavilion where the party drowsily lazed against cushions, idling listening as Eugène d’Aigueville played his guitar, his eyes fixed on Venetia, who smiled lazily back at him.Comte Edmond reclined in between Phoebe and Eliza, none of them spoke but the air around them shimmered with tension as both girls subtly did their best to claim his attention for themselves. Phoebe had long since realised that she was fighting a losing battle though and that although he very much enjoyed flirting with her, it was Eliza that he looked for first whenever he walked into a room.Eliza did not share this view though and kept thinking about Venetia’s wedding day when Phoebe, radiant with sexual confidence had told her that she wouldn’t let her chastity stand in the way of making a good match for herself. She curled her hands into fists every time Comte Edmond and her friend left the room together and tried not to think about what they might be doing. He’d tried to kiss her once, but she’d shoved him away. Perhaps that was a mistake? She looked across at him now as he gazed up at Phoebe and her heart sank.‘Who is that woman?’ Phoebe said suddenly, shielding her blue eyes as she looked back towards the house.Venetia followed her gaze and gave a nervous laugh. ‘It’s your landlady, Eliza,’ she said, with a quick look at Edmond, who immediately sat up and automatically began to retie his loosened cravat. ‘Madame de Saint-Georges.’They all stood up and instinctively, Eliza, Phoebe and Venetia stood close together as Corisande de Saint-Georges hurried across the lawn towards them. She had dressed to impress in a shimmering, rich lace trimmed blue and white striped silk gown, with wide skirts pulled back from flounced flower sprigged white silk underskirts. A huge muslin fichu was arranged around her shoulders and on her elaborately curled, ringleted and backcombed powdered hair was a vast ribbon and flower bedecked white straw hat.‘Goodness me, she really means business,’ Venetia murmured as they watched this vision of elegance and high fashion approach. She looked back over her shoulder at Edmond, who was standing uneasily behind them, looking as if he desperately wished he could run away. ‘I wonder what she wants?’