Twelve years later, with a pair of silver barrettes her only tangible memory of Elvia, Serafina begins a harrowing journey back across the border to find her daughter. At the same time Elvia, now fifteen and pregnant, resolves to track her mother down. They travel a landscape populated by desperately poor migrants moving from harvest to harvest, truckers living hand-to-mouth in seedy motels, and lost children in foster homes. But the memory of love inspires hope, and out of these women’s losses–and their determination–Straight has crafted a deeply moving tale of the meaning of home and family.

    Taking place in a small Midwestern town in America, it offers chilling insights into the mind of a killer and the obsession of the man bringing him to justice. Also in this volume are six short stories and seven ‘conversational portraits’ including a touching one of Marilyn Monroe, the ‘beautiful child’ and a hilarious one of a dope-smoking cleaning lady doing her rounds in New York.

    But the beauty of this novel is the gradual revelation of the bond that develops as this unlikely couple experiences courtship and marriage, the birth of a son, isolation, forgiveness, work, and death in a small Catskill community in the 1950s. The plot turns on tragic events—they might be accidents or they might be acts of will—involving a cast of rural eccentrics that includes a lonely amputee veteran, a religious hysteric (thought by some to be the devil himself) and an itinerant "Goat Lady." Questions of guilt, innocence, and even murder are eclipsed by deeds of compassion, humility, and redemption, and ultimately by Henry Soames' quiet discovery of grace.Novelist William H. Gass, a friend and colleague of the author, has written an introduction that shines new light on the work and career of the much praised but often misunderstood John Gardner.

    His son has died in a POW camp in Korea. It is August 15, 1953, the day of a tumultuous street carnival in Elephant Park, an Italian immigrant enclave in Ohio. The man is Rocco LaGrassa, and his many years of dogged labor, paternal devotion, and steadfast Christian faith are about to come to a crashing end. He is the first of many exquisitely drawn characters we meet that day, each of whom will come to their own conclusion.The End by Salvatore Scibona follows an elderly abortionist, an enigmatic drapery seamstress, a teenage boy, a jeweler—dramatically into the heart of a crime that will twist all their lives. Against a background of immigration, broken loyalties, and racial hostility, we at last return to August 15, 1953, and see everything Rocco saw—and vastly more—through the eyes of various characters in the crowds.The End is the unforgettable debut of a singular new American novelist.

    Henley weaves her clear and powerful prose with an unforgettable story of a human heart unbinding itself in the most unjust of worlds.

    Set in the Midwest, where Florida represents a faraway paradise, this novel tells the story of Alice Fivey. Fatherless since she was seven, Alice is left in the care of her relatives at the age of ten, when her mother, whose "toenails winked in the foil bed we knew for Florida," is institutionalized. Alice is moved from place to place, remaining still while others try to mold her into someone different from her mother. She consoles herself with books and becomes a storyteller herself as she moves into adulthood, ever further from the desolation of her mother's actions and closer to the meaning of her own experience. Told in brief scenes of spare beauty, Florida is a graceful and gripping tale of family, forgiveness, and creation of the self.

    Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.The Collected Stories is a 1994 National Book Award Finalist for Fiction.

    In prose of astonishing clarity and intensity, Agee captured the portrait of an appealing and very real boy - serious, pitiable, funny - at the moment of his initiation into a feared yet fascinating world.

    Written in the 1940s but left unpublished until 1990, it anticipated the fictional inventiveness of the writers who were to come along - Barth, Coover, Pynchon, Sorrentino, and Gaddis. Chromos is the American immigration novel par excellence. Its opening line is: "The moment one learns English, complications set in." Or, as the novel illustrates, the moment one comes to America, the complications set in. The cast of characters in this book are immigrants from Spain who have one leg in Spanish culture and the other in the confusing, warped, unfriendly New World of New York City, attempting to meld two worlds that just won't fit together. Wildly comic, Chromos is also strangely apocalyptic, moving towards point zero and utter darkness.

    The Forge follows the story of Miltiades Vaiden, a Civil War veteran who has returned to his southern home in the hopes of rebuilding and eventually rising into the ranks of the middle class.

    Fourteen stories focus on a group of southern women who seek happiness and a sense of worth in bars, marriages, divorces, art, drug use, lovers' arms, and earthquakes

    At its center is Lat Evans, good-hearted and yet seduced by the possibilities for prosperity in his new life; gradually he discerns how the perils of the natural world, and most especially human nature, can conspire to frustrate a young man's best intentions.

    It follows the groundbreaking, highly acclaimed Jesus’ Son. Written in the same luminous prose, this collection finds Johnson in new territory, contemplating old age, mortality, the ghosts of the past, and the elusive and unexpected ways the mysteries of the universe assert themselves. Finished shortly before Johnson’s death in May 2017, this collection is the last word from a writer whose work will live on for many years to come.

    . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.”  —Molly Antopol, New York Times Book Review “From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” — Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women’s coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss’s stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

    Now, in her newest collection, she demonstrates once again her virtuosic abilities in precisely distilled, perfectly shaped studies of human connection and disconnection. From a group of friends whose luck in acquiring a luxurious Manhattan sublet turns to disaster as their balcony becomes a front-row seat to the catastrophe of 9/11, to the too painful love of a brother for his schizophrenic sister, Eisenberg brilliantly illustrates the lives of people rubbed raw by what the fates have sent them (Vanity Fair).