. .Twenty-three-year-old artist Andrea Morales escaped her Midwestern Catholic childhood—and the closet—to create a home and life for herself within the thriving but insular lesbian underground of Portland, Oregon. But one drunken night, reeling from a bad breakup and a friend’s betrayal, she recklessly crosses enemy lines and hooks up with a man. To her utter shock, Andrea soon discovers she’s pregnant—and despite the concerns of her astonished circle of gay friends, she decides to have the baby.A decade later, when her precocious daughter Lucia starts asking questions about the father she’s never known, Andrea is forced to reconcile the past she hoped to leave behind with the life she’s worked so hard to build.A thoroughly modern and original anti-romantic comedy, Stray City is an unabashedly entertaining literary debut about the families we’re born into and the families we choose, about finding yourself by breaking the rules, and making bad decisions for all the right reasons.

    A century later, David tells his own tale of unashamed decadence while waiting to be released from prison, addressing his story to the lover who betrayed him. Where their paths cross, in the politically sensitive 1950s, the artist Colin Read tentatively explores his sexuality as he draws in preparation for his most ambitious painting yet — ‘London Triptych’.Rent boys, aristocrats, artists and felons populate this bold début as Jonathan Kemp skilfully interweaves the lives and loves of three very different men across the decades

    Not at her strict Christian high school, not at her conservative Orange County church and certainly not at home, where her ultrareligious aunt relentlessly organizes antigay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk…until she’s matched with a real-life pen pal who changes everything.Sharon Hawkins bonds with Tammy over punk music and carefully shared secrets, and soon their letters become the one place she can be honest. The rest of her life in San Francisco is full of lies. The kind she tells for others—like helping her gay brother hide the truth from their mom—and the kind she tells herself. But as antigay fervor in America reaches a frightening new pitch, Sharon and Tammy must rely on their long-distance friendship to discover their deeply personal truths, what they’ll stand for…and who they’ll rise against.

    And when he comes home from National Service to be a policeman, Marion, a newly qualified teacher, is determined to win him. Unable to acknowledge the signs that something is amiss, she plunges into marriage, sure that her love is enough for both of them...But Tom has another life, another equally overpowering claim on his affections. Patrick, a curator at the Brighton Museum, is also besotted with his policeman, and opens Tom's eyes to a world previously unknown to him. But in an age when those of 'minority status' were condemned by society and the law, it is safer for this policeman to marry his teacher. The two lovers must share him, until one of them breaks and three lives are destroyed.Unfolding through the dual narratives of Marion and Patrick, both writing about the man at the centre of their lives, this beautifully-told, painful, tragic story is revealed.It is a tale of wasted years, misguided love and thwarted hope, of how at a time when the country was on the verge of change so much was still impossible.Bethan Roberts has produced an intense and exquisitely raw yet tender novel, which proves her to be one of our most exciting young writers.

    Here are 18 stories, all about love, and about all kinds of love. From the aching for the one you pine for, to standing up and speaking up for the one you love, to pure joy and happiness, these love stories run the gamut of that emotion that at some point has turned every one of us inside out and upside down. What is love? With this original story collection David Levithan proves that love is a many splendored thing, a varied, complicated, addictive, wonderful thing.

    Her daughter, Carly, enthusiastically witnesses the change in her mother. But then a few months into their relationship, Dana tells Allison his secret: he has always been certain that he is a woman born into the wrong skin, and soon he will have a sex-change operation. Allison, is overwhelmed by the depth of her passion, and finds herself unable to leave Dana. By deciding to stay, she finds she must confront questions most people never even consider. Not only will her own life and Carly’s be irrevocably changed, she will have to contend with the outrage of a small Vermont community and come to terms with her lover’s new body–hoping against hope that her love will transcend the physical.

    Socialite. Magician.Jordan Baker grows up in the most rarefied circles of 1920s American society—she has money, education, a killer golf handicap, and invitations to some of the most exclusive parties of the Jazz Age. She’s also queer, Asian, adopted, and treated as an exotic attraction by her peers, while the most important doors remain closed to her.But the world is full of wonders: infernal pacts and dazzling illusions, lost ghosts and elemental mysteries. In all paper is fire, and Jordan can burn the cut paper heart out of a man. She just has to learn how.Nghi Vo’s debut novel The Chosen and the Beautiful reinvents this classic of the American canon as a coming-of-age story full of magic, mystery, and glittering excess, and introduces a major new literary voice.

    Now, instead of spending his senior year in his hometown of Austin, Texas, he’s living with his father in Warren, Wyoming, population 2,833 (and Nate thinks that might be a generous estimate). There’s no swimming pool, no tennis team, no mall—not even any MTV. The entire school’s smaller than his graduating class back home, and in a town where the top teen pastimes are sex and drugs, Nate just doesn’t fit in.Then Nate meets Cody Lawrence. Cody’s dirt-poor, from a broken family, and definitely lives on the wrong side of the tracks. Nate’s dad says Cody’s bad news. The other kids say he’s trash. But Nate knows Cody’s a good kid who’s been dealt a lousy hand. In fact, he’s beginning to think his feelings for Cody go beyond friendship.Admitting he might be gay is hard enough, but between small-town prejudices and the growing AIDS epidemic dominating the headlines, a town like Warren, Wyoming, is no place for two young men to fall in love.

    His strict Greek mother refuses to see him as anything but a disappointment. His quiet, workaholic father is a staunch believer in avoiding any kind of conflict. And his best friend Henry has somehow become distractingly attractive over the summer. Tired, isolated, scared—Evan’s only escape is drawing in an abandoned church that feels as lonely as he is. And, yes, he kissed one guy over the summer. But it’s his best friend Henry who’s now proving to be irresistible. It’s Henry who suddenly seems interested in being more than friends. And it’s Henry who makes him believe that he’s more than his mother’s harsh words and terrifying abuse. But as things with Henry heat up, and his mother’s abuse escalates, Evan has to decide how to find his voice in a world where he has survived so long by avoiding attention at all costs.

    He attends school with Kelly Bell, but he’s powerfully drawn—in a way he does not yet understand—to her charismatic father, Chris. Kiran’s yearnings echo his parents’ bewilderment as they try to adjust to a new world. His father, Nishit Shah, a successful doctor, is haunted by thoughts of the brother he left behind. His mother, Shanti, struggles to accept a life with a man she did not choose—her marriage to Nishit was arranged—and her growing attachment to an American man. Kiran is close to his older sister, Preeti—until an unexpected threat and an unfathomable betrayal drive a wedge between them that will reverberate through their lives.As he leaves childhood behind, Kiran finds himself perpetually on the outside—as an Indian-American torn between two cultures, and as a gay man in a homophobic society. In the wake of an emotional breakdown, he travels to India, where he forms an intense bond with a teenage hijra, a member of India's ancient transgender community. With her help, Kiran begins to pull together the pieces of his broken past. Sweeping and emotionally complex, No Other World is a haunting meditation on love, belonging, and forgiveness that explores the line between our responsibilities to our families and to ourselves, the difficult choices we make, and the painful cost of claiming our true selves.

    And it is—at first. But Chance, the charismatic and adventurous boy who made their summers epic, is harboring deep secrets. Secrets that are quickly spiraling into something else entirely.The reason they've never met Chance’s parents or seen his home is becoming clearer. And what the siblings used to think of as Chance's quirks—the outrageous stories, his clinginess, his dangerous impulsiveness—are now warning signs that something is seriously off. Then Chance's mom turns up with a bullet to the head, and all eyes shift to Chance and his dad. Hunter and Ashlin know Chance is innocent...they just have to prove it. But how can they protect the boy they both love when they can’t trust a word Chance says?

    Sal used to know his place with his adoptive gay father, their loving Mexican American family, and his best friend, Samantha. But it’s senior year, and suddenly Sal is throwing punches, questioning everything, and realizing he no longer knows himself. If Sal’s not who he thought he was, who is he?

    Presenting one face to the world and burying his true feelings in fantasy, Neil tries to keep his secret.

    Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp's children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya's secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants displacement, as well as her own constraints in helping them. Not since the inimitable Aaliya of An Unnecessary Woman has Rabih Alameddine conjured such a winsome heroine to lead us to one of the most wrenching conflicts of our time. Cunningly weaving in stories of other refugees into Mina's singular own, The Wrong End of the Telescope is a bedazzling tapestry of both tragic and amusing portraits of indomitable spirits facing a humanitarian crisis.

    1 BrooklynIn 1996, the unnamed narrator of Teddy Wayne’s Apartment is attending the MFA writing program at Columbia on his father’s dime and living in an illegal sublet of a rent-stabilized apartment. Feeling guilty about his good fortune, he offers his spare bedroom--rent-free--to Billy, a talented, charismatic classmate from the Midwest eking out a hand-to-mouth existence in Manhattan.The narrator’s rapport with Billy develops into the friendship he’s never had due to a lifetime of holding people at arm’s length, hovering at the periphery, feeling “fundamentally defective.” But their living arrangement, not to mention their radically different upbringings, breeds tensions neither man could predict. Interrogating the origins of our contemporary political divide and its ties to masculinity and class, Apartment is a gutting portrait of one of New York’s many lost, disconnected souls by a writer with an uncommon aptitude for embodying them.