It is the finest collection yet from a contemporary master of the form.Beginning with the sudden terror of a family caught up in shocking sectarian violence, and ending with the whiteout of an Iowa blizzard and the fear of losing your way very far from home, this collection is about bonds made and broken, secret and known. In the extraordinary story "Up the Coast," a landscape painter discovers a place that makes her, finally, feel whole, only to have that communion shattered by an arbitrary act of aggression that will resonate throughout her life.Written with effortless skill and empathy, these stories are hauntingly real. MacLaverty's perfect attention to every detail, every nuance of idiom and character, remakes the world for us here on the page.

    Following the death of his domineering father, a middle-aged man tries to uncover a truth about their sometimes difficult relationship. When a grade-six teacher tyrannizes a student without apparent reason, the boy learns an unexpected lesson and his young life is changed irrevocably. An elderly widow falls prey to a con artist, revealing what we are capable of sacrificing to appease what we dread the most. A twelve-year-old boy is shunted off to his grandmother's farm and becomes part of an adult world he scarcely understands. A group of high-school students play on a classmate's self-delusions and set up what promises to be the most loaded boxing match ever staged. Whether writing from the point of view of a child, an adolescent, or a man in his seventies, Guy Vanderhaeghe takes us into the lives of his characters with razor-sharp insights laced with gentle humour.

    A short story by Elif Shafak from the collection Reader, I Married Him: Stories inspired by Jane Eyre.In ‘A Migrating Bird’, a young Turkish woman is drawn to a Dutch student on foreign exchange at her university.Edited by Tracy Chevalier, the full collection, Reader, I Married Him, brings together some of the finest and most creative voices in fiction today, to celebrate and salute the strength and lasting relevance of Charlotte Brontë’s game-changing novel and its beloved narrator.

    The narrator describes the frustration that the people of the community have with the artist, who is not only painting over one of their favorite places to play, relax in the shade, and hold on to the memories of a lost friend, but the artist is unwilling to accept the hospitality from anyone who tries to offer her food, or find out what she is up to. When the narrator and Lou go out into the country to meet up with their grandmother, they learn about graffiti from dad and grandmother who are watching the news, and they decide that they are going to deface the painting when they return back to Taliaferro Street. When they return, however, they find that the mural was a beautiful picture that not only reminded the community of all of the things that they loved about the wall, but celebrated the vibrant cultural richness of their community.

    James's --The worm in the apple --The trouble of Marcie Flint --The bella lingua --The Wrysons --The country husband --The duchess --The scarlet moving van --Just tell me who it was --Brimmer --The golden age --The lowboy --The music teacher --A woman without a country --The death of Justina --Clementina --Boy in Rome --A miscellany of characters that will not appear --The chimera --The seaside houses --The angel of the bridge --The brigadier and the golf widow --A vision of the world --Reunion --An educated American woman --Metamorphoses --Mene, mene, tekel, upharsin --Montraldo --The ocean --Marito in città --The geometry of love --The swimmer --The world of apples --Another story --Percy --The fourth alarm --Artemis, the honest well digger --Three stories --The jewels of the Cabots.

    Pearlman writes about the predicaments of being human. The title story involves an affair, an illegitimate pregnancy, anorexia, and adolescent drug use, but the real excitement comes from the intricate attention Pearlman devotes to the interior life of young Emily, who wishes she were a bug. In "Sonny," a mother prays for her daughters to be barren so they never have to experience the death of a child. "The Golden Swan" transports the reader to a cruise ship with lavish buffets-and a surprise stowaway. In prose that is as wise as it is poetic, Pearlman shines light on small, devastatingly precise moments to reflect the beauty and grace found in everyday life. She maps the psychological landscapes of her exquisitely rendered characters with unending compassion and seeming effortlessness. Both for its artistry and for the lives of the characters it presents, Honeydew is a collection that will pull readers back time and again. These stories demonstrate once more that Pearlman is a master of the form and that hers is a vision unfailingly wise and forgiving.

    In Ordinary Life, Mavis McPherson locks herself in the bathroom for a week, and no, she isn’t contemplating getting a divorce—she just needs some time to think, to take stock of her life, and she comes to a surprising conclusion. In Today’s Special,a woman recognizes the solace she finds in the simple, timeless fare and atmosphere of the local diner and, ultimately, the harmony within her own spirit that familiar comforts can evoke. In White Dwarf, the secrets of a marriage are revealed as a couple passes the time with a seemingly insignificant word-association game. And in “Martin’s Letter to Nan,” the unforgettable husband and wife from Berg’s novel The Pull of the Moon engage in a new correspondence in which a different aspect of their marriage is revealed.

    

    "The madder she got, the greener everything grew."

    Author of the New York Times bestsellers “Let the Great World Spin” and “Transatlantic,” McCann has been called “a giant among us” (Peter Carey), “dazzlingly talented” (O: The Oprah Magazine), and “that rare species in contemporary fiction: a literary writer who is an exceptional storyteller” (The Independent). He’s received a National Book Award, an Oscar nomination, and a slew of international prizes. His talents are on full display in his new short story, “Gone,” a deeply affecting literary thriller about a mother and son, alone in a cottage on the west coast of Ireland, and the search that ensues when the boy—whom she adopted years before, deaf and with “already a whole history written in him”—goes missing. He slips away in early morning, down to the cold sea with his new Christmas wetsuit, and as the hours and days drag on, the coast guard, police, dogs, fishermen, farmers, and schoolchildren holding hands search the sea and walk the fields while the television crews and detectives come and go, the police at the cottage seeming to “ghost into one another: almost as if they could slip into one another’s faces.” The mother, Rebecca, now under suspicion, is racked with guilt over the decisions that led to her son’s disappearance, and tormented by the judgment of others: "You bought what? A wetsuit? Why in the world? What sort of mother? How much wine did you drink?" For Rebecca, “every outcome was unwhisperable.” “Gone” is a charged narrative that propels you forward, heart in your throat, and a moving, intimate look at life’s struggles toward grace and a kind of redemption.

    Or so believes Larry, who returns home from Desert Storm to find his hair gone and his bones rapidly disintegrating. Then there’s Lance Corporal James Laverne of the US Marines, who grows a third ear in Kuwait. And in the audaciously comic novella “Notes from a Bunker Along Highway 8,” a Green Beret deserts his team after seeing a vision of George Washington, only to find a new calling—administering aid to wounded Iraqi civilians; he’s hindered only by the furtive nature of his mission and an unruly band of chimpanzees. Together these narratives form a bracing amalgamation of devastating humor and brilliant cultural observation, in which Gabe Hudson fearlessly explores the darker implications of American military power.

    A young woman visits her father following his nervous breakdown, and a devoted sister is profoundly unsettled by the sermon her brother insists on reciting. Whether in childhood or Vietnam, in memory or the eternal present, these people are revealed in the extenuating, sometimes extreme circumstances of everyday life, and in the complex consequences of their decisions—that, for instance, can bring together an innocent inner-city youth and a little girl attacked, months earlier, by a dog in a wintry park. Yet each story, however crucial, is marked by Mr. Wolff’s compassionate understanding and humor.In short, fiction of dazzling emotional range and absolute authority.

    In Blueprints for Building Better Girls, her highly anticipated follow-up, she has crafted another provocative, keenly observed, and wickedly smart work of fiction that maps America's shifting cultural landscape from the late 1970s to the present day.In these eight darkly funny linked stories, Schappell delves into the lives of an eclectic cast of archetypal female characters—from the high school slut to the good girl, the struggling artist to the college party girl, the wife who yearns for a child to the reluctant mother— to explore the commonly shared but rarely spoken of experiences that build girls into women and women into wives and mothers. In “Monsters of the Deep,” teenage Heather struggles to balance intimacy with a bad reputation; years later in “I’m Only Going to Tell You This Once,” she must reconcile her memories of the past with her role as the mother of an adolescent son. In “The Joy of Cooking,” a phone conversation between Emily, a recovering anorexic, and her mother explores a complex bond; in “Elephant” we see Emily’s sister, Paige, finally able to voice her ambivalent feelings about motherhood to her new best friend, Charlotte. And in “Are You Comfortable?” we meet a twenty-one-year-old Charlotte cracking under the burden of a dark secret, the effects of which push Bender, a troubled college girl, to the edge in “Out of the Blue into the Black.” Weaving in and out of one another’s lives, whether connected by blood, or friendship, or necessity, these women create deep and lasting impressions. In revealing all their vulnerabilities and twisting our preconceived notions of who they are, Elissa Schappell, with dazzling wit and poignant prose, has forever altered how we think about the nature of female identity and how it evolves.

    She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.

    Intelligent and brutally direct talk to a reader about our times, Russia, the Russians, and much more.