From Weimar Berlin to LA's Chinatown, from a seaside resort in East Germany to a luxury apartment on the Champs-Élysées, the different settings they inhabit are as richly textured as the roles they play: siren, muse, predator, or lover, each one a carefully calibrated performance. And in the orbit of each star live secondary players--a Chinese immigrant housemaid, a German soldier on leave from North Africa, a pompous Hollywood director--whose voices and viewpoints reveal the legacy each woman left in her own time, as well as in ours. Amanda Lee Koe's playful, wry prose guides the reader dexterously around murky questions of ego, persona, complicity, desire, and difference. Intimate and raw, Delayed Rays of a Star is a visceral depiction of womanhood--its particular hungers, its calculations, and its eventual betrayals--and announces a bold new literary voice.

    But her life has darkened with the death of her lover, Sharla.Trapped by a mountain snow storm over Thanksgiving weekend, Jackie is rescued by Leah. The snowbound weekend in Leah's cabin shakes the very foundations of Jackie's life.As for Leah, Jackie provides renewal and inspiration for her work. And the exhibition of PAINTED MOON, her new series, will reveal Leah as never before – as a lesbian artist.With their relationship increasingly torn by conflict and misunderstanding, the winter weekend together will surely be their last. Then intervention comes... from a most unlikely source.

    Roses grow out of Miel’s wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known for the moons he paints and hangs in the trees, and for how little anyone knows about his life before he and his mother moved to town. But as odd as everyone considers Miel and Sam, even they stay away from the Bonner girls, four beautiful sisters rumored to be witches. Now they want the roses that grow from Miel’s skin, convinced that their scent can make anyone fall in love. And they’re willing to use every secret Miel has fought to protect to make sure she gives them up.

    She’d rather wear sweats, build furniture, and get into trouble with her solid group of friends: Woods, Mash, Davey, Fifty, and Janie Lee.But when Janie Lee confesses to Billie that she’s in love with Woods, Billie’s filled with a nagging sadness as she realizes that she is also in love with Woods…and maybe with Janie Lee, too.Always considered “one of the guys,” Billie doesn’t want anyone slapping a label on her sexuality before she can understand it herself. So she keeps her conflicting feelings to herself, for fear of ruining the group dynamic. Except it’s not just about keeping the peace, it’s about understanding love on her terms—this thing that has always been defined as a boy and a girl falling in love and living happily ever after. For Billie—a box-defying dynamo—it’s not that simple.Readers will be drawn to Billie as she comes to terms with the gray areas of love, gender, and friendship, in this John Hughes-esque exploration of sexual fluidity.

    Drawing from the New York Public Library's archives, The Stonewall Reader is a collection of first accounts, diaries, periodic literature, and articles from LGBTQ magazines and newspapers that documented both the years leading up to and the years following the riots. Most importantly the anthology spotlights both iconic activists who were pivotal in the movement, such as Sylvia Rivera, co-founder of Street Transvestites Action Revolutionaries (STAR), as well as forgotten figures like Ernestine Eckstein, one of the few out, African American, lesbian activists in the 1960s. The anthology focuses on the events of 1969, the five years before, and the five years after. Jason Baumann, the NYPL coordinator of humanities and LGBTQ collections, has edited and introduced the volume to coincide with the NYPL exhibition he has curated on the Stonewall uprising and gay liberation movement of 1969.

    She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B—-. Why did the band stop making music? Why did they never release their rumored album, Summer Fun?Gala writes letters to B—- that shed light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B—- and Gala form a dialogue about creation–of music, identity, self, culture, and counterculture.Summer Fun is an epic and magical work of trans literature that marks Thornton as one of our most exciting and original novelists.

    A war of words soon spirals into a forbidden and passionate love that covers many years.But as the years move on, troubled waters lie ahead.

    Over the course of a single evening, an extraordinary range of characters passes through the Rushes, creating an unforgettable mosaic of individuals and constructing an ephemeral community. The descent into the depths of a sexual world culminates with one of the most shattering experiences in recent fiction. Out of the lives he explores, Rechy distills a moving human experience that will leave few readers untouched" -- Page 4 of cover.

    But help is at hand - in the unlikely form of the rude, raucous, toxic and tantalising Maria (aka Sugar) Sweet, queen of the 'Ravers'. As Kim falls quickly under her spell, and gambles her good-girl past for an exciting life of late-night parties and daring emotion, she must ask herself a disturbing question: has she fallen in love with her best friend?

    His mother’s second husband is a licensed psychologist who eats like an ape, his stepsister is a stoner slut, and his father is engaged to a Southern belle. Rick’s only solace is his growing collection of original Broadway-cast LPs, bought on the sly at Wax Trax.    After he brings two girls in speech class to tears by reading a story aloud, Rick is coaxed onto the interscholastic forensics team to perform an eight-minute dramatic interpretation of The Boys in the Band, the controversial sixties play about homosexuality. Unexpectedly successful at this oddball event, Rick begins winning tournaments and making friends with his teammates.    Rick also discovers the joys of sex—with a speech coach from a rival school—just as his mother, reacting to a deteriorating home environment, makes an unnerving commitment to Christ. The newly confident Rick assumes this too shall pass—until the combined forces of family, sex, and faith threaten to undo him at the state meet in Peoria.    James Magruder’s Sugarless offers a ruefully entertaining take on the simultaneous struggles of coming-out, coming-of-age, and coming-to-Jesus.  A selection of InsightOut Book Club Finalist, Lambda Book Award for Gay Debut Fiction, Lambda Literary Foundation Finalist, TLA Gaybie Award for Best Gay Fiction Semi-finalist, James Branch Cabell First Novelist Award, Virginia Commonwealth University Semi-finalist, William Saroyan International Prize For Writing, Stanford University

    With forever friend Kat, a battered copy of Kerouac’s DHARMA BUMS, and a car with a dodgy oil filter, the girls set out on an epic road trip across the USA. Maybe somewhere along the way they’ll prove or disprove the existence of God. Maybe they’ll even get laid . . .It’s a journey both outward and inward. Through the Badlands and encounters with predatory men and buffalo. A crazy bus ride to Mexico with a bunch of hymn-singing missionaries. Facing death, naked in the forest with an enraged grizzly bear . . . Gradually, Anna realizes that this is a voyage of discovery into her own self, her own silent pain – and into the tangled history that she and Kat share. What is love? What is sexual identity? And how do you find a way forward into a new future – a way to declare openly and without fear all that lies within you?

    This distinct group, known as the Ñ Generation (as coined by Bill Teck), are the bilingual children of Cuban exiles nourished by two cultural currents—the fragmented traditions and transferred nostalgia of their parents' Caribbean homeland and the very real and present America where they grew up and live.

    From the moment a doctor in Raleigh, North Carolina, put "male" on Jacob Tobia's birth certificate, everything went wrong. Alongside "male" came many other, far less neutral words: words that carried expectations about who Jacob was and who Jacob should be, words like "masculine" and "aggressive" and "cargo shorts" and "SPORTS!"Naturally sensitive, playful, creative, and glitter-obsessed, as a child Jacob was given the label "sissy." In the two decades that followed, "sissy" joined forces with "gay," "trans," "nonbinary," and "too-queer-to-function" to become a source of pride and, today, a rallying cry for a much-needed gender revolution. Through revisiting their childhood and calling out the stereotypes that each of us have faced, Jacob invites us to rethink what we know about gender and offers a bold blueprint for a healed world--one free from gender-based trauma and bursting with trans-inclusive feminism.From Jacob's Methodist childhood and the hallowed halls of Duke University to the portrait-laden parlors of the White House, Sissy takes you on a gender odyssey you won't soon forget. Writing with the fierce honesty, wildly irreverent humor, and wrenching vulnerability that have made them a media sensation, Jacob shatters the long-held notion that people are easily sortable into "men" and "women." Sissy guarantees that you'll never think about gender--both other people's people's and your own--the same way again.

    She's failing pre-med and drifting apart from her best friend. One by one, Danny is losing all the underpinnings of her identity. When she finds herself attracted to an older, edgy girl who she met in rehab for an eating disorder, she finally feels like she might be finding a new sense of self. But when tragedy strikes, her self-destructive tendencies come back to haunt her as she struggles to discover who that self really is.

    By that time, she had put her deep disappointment in her marriage behind her and developed an independent life—now threatened by the public role she would be forced to play. A lifeline came to her in the form of a feisty campaign reporter for the Associated Press: Lorena Hickok. Over the next thirty years, until Eleanor’s death, the two women carried on an extraordinary relationship: They were, at different points, lovers, confidantes, professional advisors, and caring friends. They couldn't have been more different. Eleanor had been raised in one of the nation’s most powerful political families and was introduced to society as a debutante before marrying her distant cousin, Franklin. Hick, as she was known, had grown up poor in rural South Dakota and worked as a servant girl after she escaped an abusive home, eventually becoming one of the most respected reporters at the AP. Her admiration drew the buttoned-up Eleanor out of her shell, and the two quickly fell in love. For the next thirteen years, Hick had her own room at the White House, next door to the First Lady. These fiercely compassionate women inspired each other to right the wrongs of the turbulent era in which they lived. During the Depression, Hick reported from the nation’s poorest areas for the WPA, and Eleanor used these reports to lobby her husband for New Deal programs. Hick encouraged Eleanor to turn their frequent letters into her popular and long-lasting syndicated column "My Day," and to befriend the female journalists who became her champions. When Eleanor’s tenure as First Lady ended with FDR's death, Hick pushed her to continue to use her popularity for good—advice Eleanor took by leading the UN’s postwar Human Rights Commission. At every turn, the bond these women shared was grounded in their determination to better their troubled world. Deeply researched and told with great warmth, Eleanor and Hick is a vivid portrait of love and a revealing look at how an unlikely romance influenced some of the most consequential years in American history.