Fabrizio Collini is recently retired. He’s a quiet, unassuming man with no indications that he’s capable of hurting anyone. And yet he brutally murders a prominent industrialist in one of Berlin’s most exclusive hotels. Collini ends up in the charge of Caspar Leinen, a rookie defense lawyer eager to launch his career with a not-guilty verdict. Complications soon arise when Collini admits to the murder but refuses to give his motive, much less speak to anyone. As Leinen searches for clues he discovers a personal connection to the victim and unearths a terrible truth at the heart of Germany’s legal system that stretches back to World War II. But how much is he willing to sacrifice to expose the truth?

     Moving through streets where people line up at soup kitchens, Maggie draws information from sources others overlook: The waitress at the dime store lunch counter where she has breakfast; a ragged newsboy; the other career girls at her rooming house. Her digging gets her chloroformed and left in a ditch behind the wheel of her DeSoto. She makes her way to an upscale bordello and gets tea – and information – from the madam herself. A gunman puts a bullet through Maggie’s hat. Her shutterbug pal on the evening paper warns her off. A new cop whose presence unsettles her thinks she’s crooked. Before she finds all the answers she needs, she faces a half-crazed man with a gun, and a far more lethal point-blank killer. If you like Robert B. Parker's hard boiled Spencer series and strong women sleuths, don't miss this one-of-a-kind Ohio detective from a time in United States history when dames wore hats -- but seldom a Smith & Wesson.

    The classic novel of sexual obsession and murder amid the star-making machinery of Hollywood in the 1950s."She was as white as marble, but she looked lovely.  Her hair was splayed out in fine strands of gold, and her lips were bright, rich red, and there was a green eyeshadow on her eyelids.  You could see that because her eyes were closed and she was lying very still.  She was lying still and she wasn't breathing."With its portraits of washed-up directors, jaded leading men, and a ruthless cop whose one-track mind leads straight to a cyanide pellet, I Wake Up Screaming is a magnificent thriller by a Hollywood insider whose screenplays included Lady in the Lake and I, Mobster.

    This novel is about maternal love and about the heroine's relationship with those around her, especially her children and her maid.

    This collection, the first of a two-volume omnibus, presents four classics of the 1940s overdue for fresh attention. Anticipating the “domestic suspense” novels of recent years, these four gripping tales explore the terrors of the mind and of family life, of split personality and conflicted sexual identity.Vera Caspary’s Laura (1943) begins with the investigation into a young woman’s murder and blossoms into a complex study, told from multiple viewpoints, of the pressures confronted by a career woman seeking to lead an independent life. Source of the celebrated film by Otto Preminger, Caspary’s novel has depths and surprises of its own. As much a novel of manners as of mystery, it remains a superb evocation of a vanished Manhattan.Helen Eustis’s The Horizontal Man (1946) won an Edgar Award for best first novel and continues to fascinate as a singular mixture of detection, satire, and psychological portraiture. A poet on the faculty of an Ivy League school (modeled on Eustis’s alma mater, Smith College) is found murdered, setting off ripple effects of anxiety, suspicion, and panic in the hothouse atmosphere of an English department rife with talk of Freud and Kafka.With In a Lonely Place (1947), Dorothy B. Hughes created one of the first full-scale literary portraits of a serial murderer. The streets of Los Angeles become a setting for random killings, and Hughes ventures, with unblinking exactness, into the mind of the killer. In the process she conjures up a potent mood of postwar dread and lingering trauma.Raymond Chandler called Elisabeth Sanxay Holding “the top suspense writer of them all.” In The Blank Wall (1947) she constructs a ferociously taut drama around the plight of a wartime housewife forced beyond the limits of her sheltered domestic world in order to protect her family. The barely perceptible constraints of an ordinary suburban life become a course of obstacles that she must dodge with the determination of a spy or criminal.Psychologically subtle, socially observant, and breathlessly suspenseful, these four spellbinding novels recapture a crucial strain of American crime writing.

    Gone is the part of her that bore one of the most beautiful full-body tattoos ever rendered. Kenzo Matsushita, a young doctor who was first to discover the crime scene, feels compelled to assist his detective brother, who is in charge of the case. But Kenzo has a secret: he was Kinue’s lover, and soon his involvement in the investigation becomes as twisted and complex as the writhing snakes that once adorned Kinue’s torso.The Tattoo Murder Case was originally published in 1948; this is the first English translation.

    Bernhard Gunther, a hard-boiled Berlin detective who specializes in tracking down missing persons — mostly Jews. He is summoned by a wealthy industrialist to find the murderer of his daughter and son-in-law, killed during the robbery of a priceless diamond necklace. Gunther quickly is catapulted into a major political scandal involving Hitler's two main henchmen, Goering and Himmler. The search for clues takes Gunther to morgues overflowing with Nazi victims; raucous nightclubs; the Olympic games where Jesse Owens tramples the theory of Aryan racial superiority; the boudoir of a famous actress; and finally to the Dachau concentration camp. Fights with Gestapo agents, shoot-outs with adulterers, run-ins with a variety of criminals, and dead bodies in unexpected places keep readers guessing to the very end. Hard-hitting, fast-paced, and richly detailed, March Violets is noir writing at its blackest and best.

    This paperback reissue includes a new P.S. section with author interviews, insights, features, suggested reading and more.What happens to ordinary families into whose midst a child serial killer is born? This is the question at the center of William March's classic thriller. After its initial publication in 1954, the book went on to become a million–copy bestseller, a wildly successful Broadway show, and a Warner Brothers film. The spine–tingling tale of little Rhoda Penmark had a tremendous impact on the thriller genre and generated a whole perdurable crop of creepy kids. Today, The Bad Seed remains a masterpiece of suspense that's as chilling, intelligent, and timely as ever before.

    In the novella, "The Martini Shot," Pelecanos takes readers behind the scenes of a cable TV cop show, where a writer gets caught up in drama more real than anything in a script. Crackling with energy, these stories bring readers to a new understanding of humanity, modern life, and circumstances that stack the deck against people who are just trying to make a decent life for themselves. Gritty, sexy, fast-paced, humane, THE MARTINI SHOT is Pelecanos at his very best.Whether they're cops or conmen, savage killers or creative types, gangsters or God-fearing citizens, George Pelecanos' characters are always engaged in a fight for their lives. They fight to advance or simply to survive; they fight against odds, against enemies, even against themselves. In this, his first collection of stories, the acclaimed novelist introduces readers to a vivid and eclectic cast of combatants.A seasoned claims investigator tracks a supposedly dead man from Miami to Brazil, only to be thrown off his game by a kid from the local slum. An aging loser takes a last stab at respectability by becoming a police informant. A Greek-American couple adopts an interracial trio of sons and then struggles to keep their family together, giving us a stirring bit of background on one of Pelecanos' most beloved protagonists, Spero Lucas. In the title novella - which takes its name from Hollywood slang for the last shot of the day, the one that comes before the liquor shots begin - we go behind the scenes of a television cop show, where a writer gets caught up in a drama more real than anything he could have conjured for a script.

    Only the tough made it. When he was just eighteen, he killed Al Spingola, gang boss and ruthless slayer, and was catapulted into notoriety and fame, but that was to be just the beginning of his rise to dominance.

    THEY THOUGHT WRONG.It all began with the phone call asking former porn star Angel Dare to do one more movie. Before she knew it, she'd been shot and left for dead in the trunk of a car. But Angel is a survivor. And that means she'll get to the bottom of what's been done to her even if she has to leave a trail of bodies along the way...

    It then darts back and forth between a private detective's urgent search for the child, the saga of a notorious hit man in the days leading to JFK's assasination, and the modern-day story of a skeptical journalist researching the still-active conspiracy theories of the 50s and 60s, with the aim of debunking them. Just as the detective discovers that the kidnapping is a crime much larger than he imagined, and the hit man finds himself caught in a web that is astonighingly complex, the journalist discovers-to his horror, dismay, and even his jeopardy-that the conspiracy theories might well be true.With expert pacing, sparkling dialogue, and plot twists that will keep readers entranced, Tim Baker's irrepressible debut novel is a joy ride through classic noir traditions, updated with a surprisingly contemporary sensibility.

    When three small-time country gangsters break jail, they return, like moths to a flame, to the only life they know - smalltown bank-robbing. And when Bowie, the youngest of them, falls in love with Keechie, one of the older gangster's cousins, it becomes a classic tale of love with nowhere to hide and no hope of reprieve.First published in 1937, 'Thieves Like Us' was powerfully adapted for the screen by Nicholas Ray in 1948 as 'They Live by Night' and once again under its original title by Robert Altman in 1973.

    Constance Kopp doesn’t quite fit the mold. She towers over most men, has no interest in marriage or domestic affairs, and has been isolated from the world since a family secret sent her and her sisters into hiding fifteen years ago. One day a belligerent and powerful silk factory owner runs down their buggy, and a dispute over damages turns into a war of bricks, bullets, and threats as he unleashes his gang on their family farm. When the sheriff enlists her help in convicting the men, Constance is forced to confront her past and defend her family — and she does it in a way that few women of 1914 would have dared.

    Taking his inspiration from the popular, and often lurid, "pulp" crime stories of the thirties and forties, Tarantino intertwines three narratives and introduces a variety of fascinating characters; thick-witted hit men, a double-crossing prizefighter on the run, his absent-minded French girlfriend, the hit men-hiring mob boss, his exotic but drug-addled wife, and two young lovers contemplating a career change - namely whether to start sticking up restaurants instead of liquor stores. Full of wicked humor, dazzling dialogue, and riveting action, "Pulp Fiction" is a master screenwriter's look at today's Hollywood and its dark criminal culture.