Desperate to get as far away as possible from New York City and those who want her dead, she has her sights set on Oregon: a distant frontier that seems the end of the line.She befriends Max, a black Pullman porter who reminds her achingly of Harlem, who leads Alice to the Paragon Hotel upon arrival in Portland. Her unlikely sanctuary turns out to be the only all-black hotel in the city, and its lodgers seem unduly terrified of a white woman on the premises. But as she meets the churlish Dr. Pendleton, the stately Mavereen, and the unforgettable club chanteuse Blossom Fontaine, she begins to understand the reason for their dread. The Ku Klux Klan has arrived in Portland in fearful numbers–burning crosses, inciting violence, electing officials, and brutalizing blacks. And only Alice, along with her new “family” of Paragon residents, are willing to search for a missing mulatto child who has mysteriously vanished into the Oregon woods.Why was “Nobody” Alice James forced to escape Harlem? Why do the Paragon’s denizens live in fear–and what other sins are they hiding? Where did the orphaned child who went missing from the hotel, Davy Lee, come from in the first place? And, perhaps most important, why does Blossom DuBois seem to be at the very center of this tangled web?

    Three years after the storming of the Bastille, Paris is enlivened with the ideals of liberty, equality, and fraternity. The monarchy has been dismantled and a new nation, for the people, is rising up in its place. Jean-Luc, a young optimistic lawyer, moves his wife, Marie, and their son to Paris, inspired by a sense of duty to contribute to the new order. André, the son of a former nobleman, flees his privileged past to fight in the unified French Army with his roguish brother. Sophie, a beautiful young aristocratic widow and niece of a powerful, vindictive uncle, embarks on her own fight for independence.Underneath the glimmer of hope and freedom, chaos threatens to undo all the progress of the revolution and the lives of these compatriots become inextricably linked. As the demand for justice breeds instability, creates enemies out of compatriots, and fuels a constant thirst for blood in the streets, Jean-Luc, Andre, and Sophie are forced to question the sacrifices made for the revolution. Liberty proves a fragile, fleeting ideal, and survival seems less and less likely—both for these unforgettable individuals, and indeed for the new nation itself.

    Pagford is not what it first seems.And the empty seat left by Barry on the parish council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations?

    From the author of the bestselling Snow Falling on Cedars comes a compelling new novel about youth and idealism, adulthood and its compromises, and two powerfully different visions of what it means to live a good life.

    . . Inside the factory, Ephraim anxiously scans the growing crowd, looking for his two sons. As anxious questions swirl around him "Where are they taking us? How long will we be gone?" he can't quell the suspicion that it would be just like his oldest son to hole up somewhere instead of lining up for the Germans, and just like his youngest to follow . . .Yasia, a farmer's daughter who has come into town to sell produce, sees two young boys slinking through the shadows of the deserted streets and decides to offer them shelter . . . As these lives become more and more intertwined Rachel Seiffert's prose rich with a rare compassion, courage, and emotional depth, an unflinching story is told: of survival, of conflicting senses of duty, of the oppressive power of fear and the possibility of courage in the face of terror.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    . . with some hot, sexy, and surprising results.Suffocating in a dead-end marriage, Midwesterner Zoey Sullivan fled to New York and moved in with her little sister Ruth, a carefree, vivacious beauty with a string of eligible bachelors at her beck and call. Giving herself three months in the city to clear her head and find a direction, Zoey dodges calls from her ex Derek, and distracts herself by cooking and catering a few private dinners and parties. Pursuing her passion for cooking was never an option when she was with Derek, and now Zoey relishes her independence.When Zoey’s meets reclusive millionaire Tristan Malloy, she’s blown away by his kitchen—a marble and stainless steel temple worthy of the culinary gods—and charmed by his impeccable gentlemanly manners. But despite his firm body, handsome looks, and piles of cash, Tristan—a computer programmer—is shy and more than a little socially awkward. Zoey is sure that Tristan has all the right raw ingredients—and she’s the right person to spice them up turn him into a delectable dish.But Zoey’s unprepared for just how well her makeover works. Tristan turns out to be even sexier once he’s gained a little confidence and the right wardrobe. Beneath the gorgeous package, Tristan is a great guy who deserves a woman who really appreciates him. Slowly but surely, Zoey realizes she may have found her perfect match—but does Tristan even know how her feelings have changed? Is that warm look in his eyes gratitude for the new and exciting world she’s ushered him into, or something more? And what will happen when Zoey’s ex comes to town, looking to win her back?

    Army. But as her city celebrates the end of war, an even more urgent threat arrives: the Spanish flu. Funeral crepe and quarantine signs appear on doors as victims drop dead in the streets and desperate survivors wear white masks to ward off illness. When food runs out in the cramped tenement she calls home, Pia must venture alone into the quarantined city in search of supplies, leaving her baby brothers behind. Bernice Groves has become lost in grief and bitterness since her baby died from the Spanish flu. Watching Pia leave her brothers alone, Bernice makes a shocking, life-altering decision. It becomes her sinister mission to tear families apart when they’re at their most vulnerable, planning to transform the city’s orphans and immigrant children into what she feels are “true Americans.” Waking in a makeshift hospital days after collapsing in the street, Pia is frantic to return home. Instead, she is taken to St. Vincent’s Orphan Asylum – the first step in a long and arduous journey. As Bernice plots to keep the truth hidden at any cost in the months and years that follow, Pia must confront her own shame and fear, risking everything to see justice – and love – triumph at last. Powerful, harrowing, and ultimately exultant, The Orphan Collector is a story of love, resilience, and the lengths we will go to protect those who need us most.

    An historical comedy about two bumbling botanists sent into the southern wilderness by Thomas Jefferson to look for something that isn't there. A novel in the spirit of Lewis and Clark (who make cameo appearences). Replete with wild Indians, river pirates, the kidnapped son of King Louis XVI, the lost colony of Roanoke, and much more. A non-stop romp full of life and humor and the sensibility of early America.

    It is 1914, the beginning of a blissful, golden summer - and the end of an era. Deyning Park is in its heyday, the large country house filled with the laughter and excitement of privileged youth preparing for a weekend party. When Clarissa meets Tom Cuthbert, home from university and staying with his mother, the housekeeper, she is dazzled. Tom is handsome and enigmatic; he is also an outsider. Ambitious, clever, his sights set on a career in law, Tom is an acute observer, and a man who knows what he wants. For now, that is Clarissa.As Tom and Clarissa's friendship deepens, the wider landscape of political life around them is changing, and another story unfolds: they are not the only people in love. Soon the world - and all that they know - is rocked by a war that changes their lives for ever.

    But for Clara Darden and Virginia Clay, it represents something quite different.For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded—even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter—Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. And even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come.Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor hidden under the dust, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece—an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931.

    Ninety days to come to terms with a diagnosis that is unfair, unexpected, and completely unpronounceable. Focusing on the positives (she won't have to go on in a world without Bowie or Maya Angelou; she won't get Alzheimer's or Parkinson's like her parents, or have teeth that flop out at the mere mention of the word apple), Jennifer realizes she only has one real regret: the relationships she's lost.Rather than running off to complete a frantic bucket list, Jennifer chooses to stay put and write a letter to the three most significant people in her life, to say the things she wished she'd said before but never dared: her overbearing, selfish sister, her jelly-spined, cheating ex-husband, and her charming, unreliable ex-boyfriend--and finally tell them the truth.At first, Jennifer feels cleansed by her catharsis. Liberated, even. Her ex-boyfriend rushes to her side and she even starts to build bridges with her sister Isabelle (that is, once Isabelle's confirmed that Jennifer's condition isn't genetic). But once you start telling the truth, it's hard to stop. And as Jennifer soon discovers, the truth isn't always as straightforward as it seems, and death has a way of surprising you....

    It’s an era of breadlines, bank runs, and impossible choices. For struggling reporter Ellis Reed, the gut-wrenching scene evokes memories of his family’s dark past. He snaps a photograph of the children, not meant for publication. But when the image leads to his big break, the consequences are devastating in ways he never imagined.Haunted by secrets of her own, secretary Lillian Palmer sees more in the picture than a good story and is soon drawn into the fray. Together, the two set out to right a wrongdoing and mend a fractured family, at the risk of everything they value. Inspired by an actual newspaper photo that stunned readers across the nation, this touching novel explores the tale within the frame and behind the lens—a journey of ambition, love, and the far-reaching effects of our actions.

    . . before Anne: A marvelously entertaining and moving historical novel, set in rural Prince Edward Island in the nineteenth century, that imagines the young life of spinster Marilla Cuthbert, and the choices that will open her life to the possibility of heartbreak—and unimaginable greatnessPlucky and ambitious, Marilla Cuthbert is thirteen years old when her world is turned upside down. Her beloved mother has dies in childbirth, and Marilla suddenly must bear the responsibilities of a farm wife: cooking, sewing, keeping house, and overseeing the day-to-day life of Green Gables with her brother, Matthew and father, Hugh.In Avonlea—a small, tight-knit farming town on a remote island—life holds few options for farm girls. Her one connection to the wider world is Aunt Elizabeth “Izzy” Johnson, her mother’s sister, who managed to escape from Avonlea to the bustling city of St. Catharines. An opinionated spinster, Aunt Izzy’s talent as a seamstress has allowed her to build a thriving business and make her own way in the world.Emboldened by her aunt, Marilla dares to venture beyond the safety of Green Gables and discovers new friends and new opportunities. Joining the Ladies Aid Society, she raises funds for an orphanage run by the Sisters of Charity in nearby Nova Scotia that secretly serves as a way station for runaway slaves from America. Her budding romance with John Blythe, the charming son of a neighbor, offers her a possibility of future happiness—Marilla is in no rush to trade one farm life for another. She soon finds herself caught up in the dangerous work of politics, and abolition—jeopardizing all she cherishes, including her bond with her dearest John Blythe. Now Marilla must face a reckoning between her dreams of making a difference in the wider world and the small-town reality of life at Green Gables.

    It is a literary triumph.The Guest Book follows three generations of a powerful American family, a family that “used to run the world”.And when the novel begins in 1935, they still do. Kitty and Ogden Milton appear to have everything—perfect children, good looks, a love everyone envies. But after a tragedy befalls them, Ogden tries to bring Kitty back to life by purchasing an island in Maine. That island, and its house, come to define and burnish the Milton family, year after year after year. And it is there that Kitty issues a refusal that will haunt her till the day she dies.In 1959 a young Jewish man, Len Levy, will get a job in Ogden’s bank and earn the admiration of Ogden and one of his daughters, but the scorn of everyone else. Len’s best friend Reg Pauling has always been the only black man in the room—at Harvard, at work, and finally at the Miltons’ island in Maine.An island that, at the dawn of the 21st century, this last generation doesn’t have the money to keep. When Kitty’s granddaughter hears that she and her cousins might be forced to sell it, and when her husband brings back disturbing evidence about her grandfather’s past, she realizes she is on the verge of finally understanding the silences that seemed to hover just below the surface of her family all her life.An ambitious novel that weaves the American past with its present, The Guest Book looks at the racism and power that has been systemically embedded in the US for generations. Brimming with gorgeous writing and bitterly accurate social criticism, it is a literary tour de force.