In this toasted tomorrow, the highly-mechanized Puffy Products is bent on producing the supremely lightest loaf. The story is what happens if bread isn't just airy, but pumped full of lighter-than-air helium. Leiber (Ships to the Stars) didn't often bake up such a souffle of spoof, but he's a master in the kitchen. And "Bread Overhead" has just enough to say about human nature to be filling, besides.

    He wasn't concerned about getting the wrong man. He knew what the man looked like. There was no way he could make a mistake about his target's identity -- he had the man's skull under his shoulder.

    ------------- The foul-up starts when the reason-for-wanting -------------- is satisfied ... and the need remains!excerpt from the introductory: THE message was an electronic shout, the most powerful and tightly-beamed short-wave transmission which men could generate, directed with all the precision which mathematics and engineering could offer. Nevertheless that pencil must scrawl broadly over the sky, and for a long time, merely hoping to write on its target. For when distances are measured in light-weeks, the smallest errors grow monstrous. As it happened, the attempt was successful. Communications Officer Anastas Mardikian had assembled his receiver after acceleration ceased-a big thing, surrounding the flagship Ranger like a spiderweb trapping a fly-and had kept it hopefully tuned over a wide band. The radio beam swept through, ghostly faint from dispersion, wave length doubled by Doppler effect, ragged with cosmic noise. An elaborate system of filters and amplifiers could make it no more than barely intelligible. But that was enough. Mardikian burst onto the bridge. He was young, and the months had not yet devoured the glory of his first deep-space voyage. "Sir!" he yelled. "A message ... I just played back the recorder ... from Earth!" Fleet Captain Joshua Coffin started. That movement, in weightlessness, spun him off the deck. He stopped himself with a practiced hand, stiffened, and rapped back: "If you haven't yet learned regulations, a week of solitary confinement may give you a chance to study them." "I ... but, sir-" The other man retreated. His uniform made a loose rainbow splash across metal and plastic. Coffin alone, of all the fleet's company, held to the black garments of a space service long extinct. -

    Dead Ringer appeared in the November 1956 issue of Galaxy Science Fiction.There was nothing, especially on Earth, which could set him free--the truth least of all!

    WESTLAKE A SCIENCE FICTION WRITER? Everyone knows him as the mystery writer who published books like The Hook (2000), Bad News 2001, and Put a Lid on It (2002) under his own name, Donald E. Westlake, and of course that he was also Richard Stark and a number of other favorite authors. But a science fiction writer? -- Really? -- You bet he was, early on in his career. (He even wrote one SF novel -- Anarchaos, in 1966, as "Curt Clark.") He also wrote quite a bit of short SF, like this weird little SF mystery that first graced the pages of Amazing in 1963.

    “The real deal!”“Oh yeah?” Bobby replied. “Tell me more.”“She's the most amazing woman I've ever met!” He snatched his cigarettes from the coffee table...

    Then the robots figured out an additional service...

    Martin is a giant in the field of fantasy literature and one of the most exciting storytellers of our time. Now he delivers a rare treat for readers: a compendium of his shorter works, collected into two stunning volumes, that offer fascinating insight into his journey from young writer to award-winning master.Gathered here in Volume I are the very best of George R.R. Martin's early works, including never-before-published fan pieces, his Hugo, Nebula, and Bram Stoker Award-winning stories plus the original novella The Ice Dragon, from which Martin's New York Times bestselling children's book of the same title originated. A dazzling array that features extensive author commentary, Dreamsongs, Volume I, is the perfect collection for both Martin devotees and a new generation of fans.Contents:- Introduction by Gardner Dozois One: A Four-Color Fanboy (2003)- Only Kids Are Afraid of the Dark (1967)- The Fortress (2003)- And Death His Legacy (2003)Two: The Filthy Pro (2003)- The Hero (1971)- The Exit to San Breta (1972)- The Second Kind of Loneliness (1972)- With Morning Comes Mistfall (1973)Three: The Light of Distant Stars (2003)- A Song for Lya (1974)- The Stone City (1977)- This Tower of Ashes (1976)- And Seven Times Never Kill Man (1975)- Bitterblooms (1977)- The Way of Cross and Dragon (1979)Four: The Heirs of Turtle Castle (2003)- The Lonely Songs of Laren Dorr (1976)- The Ice Dragon (1980)- In the Lost Lands (1982)Five: Hybrids and Horrors (2003)- Meathouse Man (1976)- Remembering Melody (1981)- Sandkings (1979)- Nightflyers (1980)- The Monkey Treatment (1983)- The Pear-Shaped Man (1987)

    John W. Campbell Jr.)The Weapon Makers, Part 1 of 3 (Weapon Shops of Isher #) / A.E. van Vogt; interior artwork by Frank Kramer In Times to Come / essay by unknownFlight into Darkness / Webb Marlowe (i.e. J. Francis McComas); interior artwork by Frank KramerMimsy Were the Borogoves / Lewis Padgett (i.e. Henry Kuttner and C.L. Moore); interior artwork by KollikerThe Man in the Moon / Henry A. Norton; interior artwork by KollikerGod's Footstool / essay by Malcolm JamesonThe Analytical Laboratory: December 1942 / essay by The Editor (i.e. John W. Campbell Jr.)Blue Ice (Probability Zero series) / Henry KuttnerProbability Zero! / essay by L. Sprague de Camp and Fox B. Holden and Colin Keith and Henry KuttnerEfficiency (Probability Zero series) / Colin Keith (i.e. Malcolm Jameson)Noise is Beautiful! (Probability Zero series) / Fox B. HoldenThe Anecdote of the Movable Ears (Probability Zero series) / L. Sprague de CampBrass Tacks / essay by The Editor (i.e. John W. Campbell Jr.)Opposites—React!, Part 2 of 2 (Seetee serial) / Willi Stewart (i.e. Jack Williamson); interior artwork by Kolliker

    Clarke, first published in 1951. It depicts an arms race, and shows how the side which is more technologically advanced can be defeated, despite its apparent superiority, because of its own organizational flaws and its willingness to discard old technology without having fully perfected the new.

    Hamilton has proven himself a modern master of epic space opera, carrying the tradition of far-future empire building begun by Heinlein and Asimov into the new millennium. But Hamilton is also a master of the short story, and when he tackles one of science fiction’s most enduring themes—time travel—the result is as provocative as it is entertaining. It starts in 2007 with a break-in. The victim: Marcus Orthew, the financial and technological genius behind Orthanics, the computer company whose radical products have delivered a one-two punch to the industry, all but knocking PCs and Macs out of the ring. The perpetrator: a man obsessed with Orthew. Just another simple case of celebrity stalking—or so everyone assumes at first, including Metropolitan Police Chief Detective David Lanson. But when Lanson interviews the suspect, he makes a startling claim: Orthew is from the future. Or, rather, a future—a parallel timeline. Thus begins the ride of a lifetime for Lanson, as his pursuit of the facts tumbles him headlong down a rabbit hole—and the hunter finds himself hunted.

    well... godlike beings? An immense topic! But from a writer's perspective, it presents a problem. One can write stories leading up to the singularity, about all the problems. (Little things like rebellious AI.) But how do you write a tale set AFTER the singularity has happened?Never one to refuse a challenge, that's exactly the topic of "Stones of Significance."

    It was developed from notes for an unwritten novel and maybe one day that novel will be completed, for we need to know the fate of the Earth. This story presents one of the more unusual apocalyptic ideas.

    Like many before them, Cara and her family ventured through the gates as scientists and researchers, driven to carve out a new life and uncover the endless possibilities of the unexplored alien worlds now within reach.But soon the soldiers followed and under this new order Cara makes a discovery that will change everything.

    Terra has recently signed a treaty with the planet Petreac. But revolution threatens and the Terrans must save the Nenni cast or their mission will end in abject failure.