Some of the words she hates include economy class, second-hand clothes, and budget. She likes fashion, dating, not being on time and getting what she wants - until she meets Sean, who is like the clock striking midnight; he makes all her magic power wear off.He is as mature and sophisticated as the dark roasted coffee he drinks, while she is a lollipop, colorful on the outside with empty calories and artificial sweeteners on the inside.The attraction is instant, but getting a kiss is only the first step. Flora is soon to learn that getting the perfect guy doesn't guarantee a perfect relationship, and what brought them together in the first place may turn out to be what pushes them apart.

    . . . Ruhl writes with the imaginative sweep that allows Woolf's poetry to soar."—Variety"Sarah Ruhl's smart new translation [of Three Sisters] feels just right to contemporary American ears—lean, colloquial, and conversational for us and true to Chekhov's original work."—The Cincinnati EnquirerIn her stage adaptation of Virginia Woolf's gender-bending, period-hopping novel, award-winning playwright Sarah Ruhl "is her usual unfailingly elegant, unbeatably witty self, cleverly braiding her own brand-name wit with Woolf's" (New York )magazine. Preserving Woolf's vital ideas and lyrical tone, Ruhl brings to the stage the life of an Elizabethan nobleman who's magically transformed into an immortal woman. In her fresh translation of Three Sisters, the Anton Chekhov classic of ennui and frustration, Ruhl employs her signature lyricism and elegant understanding of intimacy to reveal the discontent felt by fretful Olga, unhappy Masha, and idealistic Irina as they long to leave rural Russia for the ever-alluring Moscow.Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and in many theaters around the world.

    Almost one hundred years later, a groom-to-be prepares for his gay wedding.Queers celebrates a century of evolving social attitudes and political milestones in British gay history, as seen through the eyes of eight individuals.Poignant and personal, funny, tragic and riotous, these eight monologues for male and female performers cover major events - such as the Wolfenden Report of 1957, the HIV/AIDS crisis, and the debate over the age of consent - through deeply affecting and personal rites-of-passage stories.Curated by Mark Gatiss, the monologues were commissioned to mark the anniversary of the 1967 Sexual Offences Act, which decriminalised homosexual acts in private between two men over the age of twenty-one. They were broadcast on BBC Four in 2017, directed and produced by Gatiss, and starring Alan Cumming, Rebecca Front, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan, Ben Whishaw and Fionn Whitehead. They were staged at The Old Vic in London.This volume includes:The Man on the Platform by Mark GatissThe Perfect Gentleman by Jackie CluneSafest Spot in Town by Keith JarrettMissing Alice by Jon BradfieldI Miss the War by Matthew BaldwinMore Anger by Brian FillisA Grand Day Out by Michael DennisSomething Borrowed by Gareth McLean

    His love affair with punk comes full circle as he learns to hate it and then learns to love it again. The pieces in this book take us from his Southern roots, his brief stay in St. Louis, and his journey to California on a quest for punk bliss. Sinister finds himself in Oakland, where he gets exactly what he wanted, but it may just kill him. From recounts of specific shows to metaphorical dreams of Abraham Lincoln to the tragic stories of circus elephants, All Blacked Out & Nowhere to Go mixes tragedy and comedy into a book that's louder and faster than any book of its kind.

    But at a time when women are second-class citizens, can her charm and spirit protect her from the dangers of the court? And at what cost?

    This new edition contains the updated book and lyrics from the smash Broadway production starring Neil Patrick Harris of John Cameron Mitchell and Stephen Trask’s landmark American musical.

    It is best remembered for bringing mental illness and its patients’ plight to the attention of the media and the public.The play uses effective techniques of flashbacks; moving the characters in and out of their schizophrenic and normal selves to elicit the rational and emotional experiences of two schizophrenics, Vinod and Saloma.Off Centre was first staged in September 1993 at The Drama Centre.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    From the Pulitzer Prize- winning author of Glengarry Glen Ross, here is a collection of thirty-two one-act plays and short dramatic pieces that David Mamet himself considers to be some of the best writing he has ever done.

     So when she arrived at a job interview in a dark, isolated warehouse, her instincts warned her that something was wrong. Meeting Josh Starke, tall, handsome and horribly rude, didn’t ease her concerns. But for some bizarre reason, he challenged her. When she got the job, Sloane vowed to deal with his abrupt commands for six months, then quit. Years later, she was still working for the man, but now she was in love with him. Unfortunately, during one sultry, starry night, she couldn’t hide her feelings for Josh. And the freakish Abbot fertility reared its ugly head once more. Pregnant and terrified of Josh’s reaction to that news, Sloane was lost, not sure what to do now. When she’d taken this job, she’d vowed never to fall under his spell. And yet, that’s exactly what she’d done! Josh Starke remembered Sloane’s vow so many years ago, and cursed himself for demanding it. Sloane was sexy and smart, brilliantly efficient and didn’t put up with any of his rudeness. Every time she looked at him, he felt her gaze right down to his…! Well, he loved her. So how was he to overcome her reticence at having a relationship with him? And how was he to overcome the tragedy of her past that kept her from trusting anyone?

    Evan is shy, lonely, and bullied for it―teeming with the irrepressible emotions all too familiar with anyone who's ever been a teenager. After a tragedy strikes, Evan's life suddenly gets turned around, but is it ultimately for the better?

    But when her friend Juliet finds herself at rock bottom, Lenny realises it's going to take more than that to fix her.Luckily help is at hand in the form of HappyGuru: a plan which promises happiness in seven easy steps. So when Lenny is asked to research it, she puts scepticism aside and persuades Juliet they should give it a go.The friends quickly find themselves immersed in mindfulness, juice cleanses and death-defying circus stunts. Yet as Juliet becomes increasingly buoyant, things only get more complicated for Lenny.Can it be that happiness is only seven steps away?A funny and moving novel of friendship, heartbreak, and the restorative power of melted cheese.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed.

    Raised by an unbalanced mother who thinks the perfect birthday gift is plastic surgery, and a shy uncle who spends most of his time painting miniatures, Panny is afraid she s hopelessly different. Thanks to a fortuitous misdial, she strikes up a phone friendship that seems to be the connection she s been longing for. However, she soon finds that out in BFE, a.k.a. "the middle of nowhere," anything can happen and usually does.