This is the story of the first 10 years of the Nation's Music Station. When MuchMusic launched in 1984, it was truly the Wild (Canadian) West of television--live, gloriously unpredictable, seat-of-the-pants TV, delivered fresh daily. Much was the dream child of TV visionary Moses Znaimer, and John Martin, the maverick creator of The New Music. An entire generation of Canadians lived and breathed TV's new kid in town and because it was live and largely improvised, viewers and VJs both shared the experience and grew up together, embracing the new music that became the video soundtrack of our lives. The careers of Canadian legends like Glass Tiger, Colin James, the Parachute Club, Honeymoon Suite, Blue Rodeo, Corey Hart, Jane Siberry and Platinum Blonde were launched when Much brought them closer to their fans. Much also brought us international acts, and events like the Bon Jovi BBQ and Iggfest, with Iggy Pop improvising songs in the midst of his fans on the sidewalk on Queen Street. This was also an era in which music found its conscience with events like Live Aid and the Amnesty International Human Rights Now! tour. And Much covered them all. With stories of the bands, the VJs, the music, the videos, the style and the improvisational approach to daily broadcast life at Much, and told by the people who were there--the colourful cast of on-air VJs, the artists who found their way into the living rooms of the nation as never before, and the people behind the camera--"Is This Live?" delivers a full-on dose of pop culture from the 1980s and '90s, when the music scene in Canada changed forever."

    For anyone who ever imagined trying to make a life out of what they love.

    Written with the full co-operation of Sondheim himself, it examines each of Sondheim's masterpieces - including West Side Story, Gypsy, A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George and Into the Woods - as well as the other Sondheim productions on Broadway, Off-Broadway, in repertory, as revivals, as opera, on film, and on television. this account is based on hundreds of hours of interviews with Sondheim and his associates.

    Whosoever lives, so shall they die; and may they die a drowning death, with all of Life inside their mouths, and naught but stones inside their lungs, like David with the skull, dwelling upon it in every second, the impossible trials of ceasing, stopping, ending..."Have a Nice Life's album Deathconsciousness is accompanied by a 75-page booklet detailing the dark and forgotten history of the Antiochean cult. Blurring the lines between novella, liner notes, and academic text, the zine itself presents an engrossing narrative.- This is Deathconsciousness -and it begs the question - "What is the point?"

    Silas House called this story of five eccentric misfits who come together to make rock music and question convention in a small Kentucky town, "a hilarious, irreverant, and wildly orginal roller coaster of a novel."

    A graphic novel set to music by one of the world's top DJs

    The blood of innocents is plentiful and easily attained—it is his other passion that torments him. Many years ago he owned and lost a violin that sang with the voice of the angels. Now this unearthly monster will do anything to press the instrument once more against his neck.As it summons a hellish creature of the nightMaggie O’Hara was a talented if unremarkable violinist—until the day her grandfather gives her a violin he had brought home from World War II. For fifty years the magnificent instrument sat untouched in an attic, but from the moment Maggie hits the first note, her playing is transformed. With this remarkable violin in her possession, all of her dreams are eerily becoming reality. But she has no way of knowing that a nightwalker is tracking her down—and that he has every intention of taking back, through bloodlust and terror, what is rightfully his. . . . THE VAMPIRE’S VIOLIN

    Six months before that, I used a Voor’s Head Device for the first time." This line opens the 150-page book that accompanies Giles Corey, an intensely personal, intimate portrait of depression that took me almost 4 years to make. We've called this "acoustic music from the industrial revolution," and that's as good as anything. Dominated by the acoustic guitar, the music is a gloomy mixture of Americana influences, snippets of EVP recordings, ghostly choirs and deep, heavy organ. It ranges from very dark to triumphant, hushed quiet to crashingly loud. The album follows a story arc of emotions that are detailed in the accompanying book, as much a part of this record as the music. The text switches between personal tales of struggles with depression, suicide, and a feeling of being lost, and the story of cult-leader and afterlife theorist Robert Voor. Voor's writings on death and the afterlife feature prominently across HAVE A NICE LIFE's "Deathconsciousness," Nahvalr's self-titled debut, and Giles Corey, making him the unifying factor behind most of the music I've written in the last 10 years. This record is as personal and raw as anything I've ever done. Thank you for your interest.

    Meet Lizzie and Kim as they grow from small-town adolescents to women on the hedonistic stage of London in the early eighties. There they join Kim's older sister, Vonnie, an untameable force of nature who is everything they'd like to be. Or is she? Told with an infectious energy, My Vintage Summer is for those who remember dressing up for their first night out, the first song they danced to with their best friend, their first love - and their first life-altering mistake. It's a story of what happens when life doesn't turn out as you had expected.