His parents did, and so did his sister, but he survived.Now he lives in the hospital. He serves food in the cafeteria, he hangs out with the nurses, and he sleeps in a forgotten supply closet. Drew blends in to near invisibility, hiding from his past, his guilt, and those who are trying to find him.Then one night Rusty is wheeled into the ER, burned on half his body by hateful classmates. His agony calls out to Drew like a beacon, pulling them both together through all their pain and grief. In Rusty, Drew sees hope, happiness, and a future for both of them. A future outside the hospital, and away from their pasts.But Drew knows that life is never that simple. Death roams the hospital, searching for Drew, and now Rusty. Drew lost his family, but he refuses to lose Rusty, too, so he’s determined to make things right. He’s determined to bargain, and to settle his debts once and for all.But Death is not easily placated, and Drew’s life will have to get worse before there is any chance for things to get better.A partly graphic novel.

    Vidas. But as he begins to open up, Diego realizes that he needs Mr. Vidas’s help to get his anger under control. To do that, Diego will need to face the nightmares from his past head-on and confront the memories he’s been avoiding. Will anyone even believe him if he tells the truth about his stepfather? Award-winning author Alex Sanchez writes about a teen’s very real struggle to overcome his anger and take control of his life.

    What if you don't follow the rules and it radically alters the course of your life?What if you get kicked out of the house and lose all your friends and everyone you love? Will you turn the corner into a world filled with unusual friends and create a new kind of family or self-destruct?BOOKLIST *STARRED* REVIEW

    Instead, Astrid spends hours lying on the backyard picnic table watching airplanes fly overhead. She doesn't know the passengers inside, but they're the only people who won't judge her when she asks them her most personal questions--like what it means that she's falling in love with a girl.As her secret relationship becomes more intense and her friends demand answers, Astrid has nowhere left to turn. She can't share the truth with anyone except the people at thirty thousand feet, and they don't even know she's there. But little does Astrid know just how much even the tiniest connection will affect these strangers' lives--and her own--for the better.In this truly original portrayal of a girl struggling to break free of society's definitions, Printz Honor author A.S. King asks readers to question everything--and offers hope to those who will never stop seeking real love.

    Good Moon Rising, both a New York Public Library Book for the Teenage and a Notable Children's Trade Book in the Field of Social Studies, 'takes us into the dynamics of homophobia" (Horn Book). 'Garden, who gave us one of the first honest, sensitive portrayals of two young women in love in the brilliant Anne On My Mind, Farrar, 1982, offers us another thought-provoking story of homosexual love."-Voya

    Like that he has special powers. And that he's been asked to join the League - the very organization of superheroes that spurned his dad. But the most painful secret of all is one Thom can barely face himself: he's gay.But becoming a member of the League opens up a new world to Thom. There, he connects with a misfit group of aspiring heroes, including Scarlett, who can control fire but not her anger; Typhoid Larry, who can make anyone sick with his touch; and Ruth, a wise old broad who can see the future. Like Thom, these heroes have things to hide; but they will have to learn to trust one another when they uncover a deadly conspiracy within the League.To survive, Thom will face challenges he never imagined. To find happiness, he'll have to come to terms with his father's past and discover the kind of hero he really wants to be.

    His strict Greek mother refuses to see him as anything but a disappointment. His quiet, workaholic father is a staunch believer in avoiding any kind of conflict. And his best friend Henry has somehow become distractingly attractive over the summer. Tired, isolated, scared—Evan’s only escape is drawing in an abandoned church that feels as lonely as he is. And, yes, he kissed one guy over the summer. But it’s his best friend Henry who’s now proving to be irresistible. It’s Henry who suddenly seems interested in being more than friends. And it’s Henry who makes him believe that he’s more than his mother’s harsh words and terrifying abuse. But as things with Henry heat up, and his mother’s abuse escalates, Evan has to decide how to find his voice in a world where he has survived so long by avoiding attention at all costs.

    She’d rather wear sweats, build furniture, and get into trouble with her solid group of friends: Woods, Mash, Davey, Fifty, and Janie Lee.But when Janie Lee confesses to Billie that she’s in love with Woods, Billie’s filled with a nagging sadness as she realizes that she is also in love with Woods…and maybe with Janie Lee, too.Always considered “one of the guys,” Billie doesn’t want anyone slapping a label on her sexuality before she can understand it herself. So she keeps her conflicting feelings to herself, for fear of ruining the group dynamic. Except it’s not just about keeping the peace, it’s about understanding love on her terms—this thing that has always been defined as a boy and a girl falling in love and living happily ever after. For Billie—a box-defying dynamo—it’s not that simple.Readers will be drawn to Billie as she comes to terms with the gray areas of love, gender, and friendship, in this John Hughes-esque exploration of sexual fluidity.

    The problem is, the real story isn’t that easy or convenient—just like Nate and Cam’s friendship. Cam challenged Nate on every level from the day the boys met. He pushed him to break the rules, to dream, and to accept himself. But Nate—armed with a fierce moral code and conflicted by his own beliefs—started to push back. With each push, Nate and Cam moved closer to each other—but also spiraled closer to their breaking points.

    With a disparate group of adult learners as the backdrop, Frank examines, with warmth and wit, the relationship between education and gender, class, and racial identity. With Crybaby Butch, Judith Frank creates a deeply human, bravely unsentimental story while at the same time investigating the meaning of butch identity as it reinvents itself from one generation to the next. ~ Carol Anshaw Fearless and unflinching, Crybaby Butch rigorously explores butch/femme dynamics over two generations. Judy Frank's debut novel is searing and memorable. ~ Claire Messud

    And it is—at first. But Chance, the charismatic and adventurous boy who made their summers epic, is harboring deep secrets. Secrets that are quickly spiraling into something else entirely.The reason they've never met Chance’s parents or seen his home is becoming clearer. And what the siblings used to think of as Chance's quirks—the outrageous stories, his clinginess, his dangerous impulsiveness—are now warning signs that something is seriously off. Then Chance's mom turns up with a bullet to the head, and all eyes shift to Chance and his dad. Hunter and Ashlin know Chance is innocent...they just have to prove it. But how can they protect the boy they both love when they can’t trust a word Chance says?

    'Changing Tides' is the heartwarming story of a man's struggle with his teen daughter, and the revelatory relationship he finds with another man.

    For his daughter Rivkele, however, Jack aspires for something more—respectability through her marriage to a religious scholar. But Rivkele’s tender love affair with Manke, one of Jack’s prostitutes, threatens to destroy the upcoming marriage, and with it, Jack’s dream of redemption. Pulitzer Prize-winning author Donald Margulies transforms Sholom Asch’s classic mortality tale into a work of spellbinding power.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    They’re delinquents whose lives collide when they’re sent to an experimental juvenile detention program on a farm in the middle of nowhere. As the girls face up to the crimes they committed, three of them will heal the wounds of their pasts and discover strengths they never dreamed they had. And one, driven by a deep secret of her own, will seek to destroy everything they’ve all worked so hard for.

    An ordinand, he has had a breakdown while serving at the altar. The Church has sent him to a London therapist, rather than a priest, for confession. During the course of his cure, while living in an unfamiliar world of outcasts, fundamentalists, and AIDS sufferers, he is forced to face the reality of his own physical passion: first for a humble rent boy, then for a sadomasochistic pimp, and, finally, for a priest. The healing begins as he gradually comes to terms with his own history.