But then again, there aren't many writers with such irrepressible genius as John Fante.The John Fante Reader is the important next step in the reintroduction of this influential author to modern audiences. Combining excerpts from his novels and stories, as well as his never-before-published letters, this collection is the perfect primer on the work of a writer -- underappreciated in his time -- who is finally taking his place in the pantheon of twentieth-century American writers.

    The narrator recalls a girl he once knew. He and Evangeline, both shy, never find the courage to speak to each other in high school. Every evening, however, Evangeline meets him at the Osage orange tree on the edge of her property. He delivers a newspaper to her, and they talk—and as the year progresses a secret friendship blossoms. This magical coming-of-age tale is brought to life through linocut illustrations by Oregon artist Dennis Cunningham, with an afterword by poet Naomi Shihab Nye, a personal friend of Stafford’s.In the tradition of the work of great fiction writers like Steinbeck, O’Connor, and Welty, The Osage Orange Tree stands the test of time, not just as an ode to a place and a generation but as a testament to the resilience of a nation and the strength of the human heart.

    In her daring autobiographical novel, originally published in Yiddish as Der Sheydim Tanz in 1936, Kreitman vividly and lovingly depicts the world of Polish shtetls and Jewish Warsaw that many have come to know through the books of her famous literary brothers, Israel Joshua and Nobel-Prize winner Isaac Bashevis Singer. Replete with rabbis, yeshiva students, beggars, farmers, gangsters, seamstresses, and socialists, this world looks radically different through the eyes of a sister, who was I. B. Singer's inspiration for the story "Yentl, the Yeshiva Boy."Deborah (Kreitman's fictional self) is barred from the studies at which her idealistic rabbi father and precocious brother excel. She revels in the books she hides behind the kitchen stove, in her brief forays outside the household, and in her clandestine attraction to a young Warsaw rebel. But her family confines and blunts her dreams, as they navigate the constraints of Jewish life in a world that tolerates, but does not approve, their presence. Forced into an arranged marriage, Deborah runs away from her new home on the eve of World War I. Epic in scope, this neglected youthful masterpiece provides a shattering vision of a lost world, and reveals the fate of women in a contradictory time, where age-old tradition scraped against modernity.Originally published in the United States as Deborah, The Dance of the Demons now includes memorial pieces by Kreitman's son and granddaughter.

    "The Forerunner" and "The Madman" (1932).

    The culmination of this work, Alter's masterly new translation and probing commentary combine to give contemporary readers the definitive edition of The Five Books. Alter's majestic translation recovers the mesmerizing effect of these ancient stories—the profound and haunting enigmas, the ambiguities of motive and image, and the distinctive cadences and lovely precision of the Hebrew text. Other modern translations either recast these features for contemporary clarity, thereby losing the character of the original, or fail to give readers a suitably fluid English as a point of contact. Alter's translation conveys the music and the meaning of the Hebrew text in a lyrical, lucid English. His accompanying commentary illuminates the text with learned insight and reflection on its literary and historical dimensions.

    His collection brings together the best of Kalki’s short stories, which contain some of his most colourful and enduring characters and themes of Tamil popular fiction of the nineteen thirties and forties. There is in these stories the heady urgency of the freedom struggle, the piquant humour of the parodied Tamil gothic and devastating social satire. In her sensitive translations, Gowri Ramnarayan has succeeded in capturing the nuances of the gently mordant wit that made Kalki’s stories the highlight of the magazines they were originally published in, creating for themselves a dedicated following that flourishes undiminished to this day.Coinciding with the centenary of Kalki’s birth, this volume is a well-deserved tribute to a writer whose breadth of vision and genius imagined and served a new India.

    Our hero tells of his childhood: his passion for hunting, his love of the wild landscape of Romania, his ridiculous social snobbery. He leads us through his youth, and between fantastic and colourful stories of Bucharest in the late twenties and early thirties, he dissects his own complicated, at times agonizing, development as a moral creature. We are with him as the Nazis take over Austria; as his own anti-semitism - already such a mixture of belief, caprice, and compromise - is shaken to its core. And later on we meet him as a much older man, one haunted by his own protean character, by the beautiful but tragic web of memories and events that together form his history, and by the greatest love of his life, a beautiful Jewess.

    George Mackay Brown was steeped in the life and traditions of Orkney, a world set firmly between the sea and the sky, where time has an altogether different nature and significance from the rest of the world.'In Orkney,' wrote Edwin Muir, 'the lives of living men turn into legend.' The rich history of the islands – the succession of Neolithic man, Pict, Norsemen, Scot – leaves its impression upon the life of modern Orkney and is reflected in this finely wrought collection. Mingling past and present, the human world and the spiritual, George Mackay Brown brings together both the modern islanders and the Orcadians of centuries past, for the same lineaments are discernable in both.'Hawkfall', the central story, traces the vicissitudes, violence and hypocrisies which recur over many generations; in 'The Drowned Rose', the ghosts of dead lovers, still in love with the things of this world, mix with the living, while 'Sealskin' explored the relationship between legend, art and life. All stories are richly entertaining, poignant and moving, their universal themes realized in the context of their unique island setting.

    The case of the sulky girl -- The case of the careless kitten -- The case of the fiery fingers.

    As a prominent rabbi in the Orthodox Jewish enclave of Lawrence, NY, he and his wife had raised three wonderful children, and his congregation was thriving. If anything, his 30 years of success had found him growing a little restless. That, of course, was before. Before his son came out as gay. Before he and the community learned his daughter was dating a man named Raj, who was rumored to be a Muslim. Before his good friend and strongest ally, real estate mogul Benjamin Marcus, was indicted for fraud. Before his position was on the line. His family now in crisis, his congregation in revolt, Jonathan is forced to square his suddenly chaotic reality with the traditions and beliefs he has practiced and preached his entire life. Facing daunting questions about the true meanings of once-simpler notions—love, family, and faith—he must embark on a path he could never have imagined to encounter a man he might never have known. From Andrew Kane, author of Joshua: A Brooklyn Tale, Rabbi, Rabbi, and The Night, the Day, this latest offering is an emotionally stirring novel that takes the reader on a journey of devotion, discord, despair and discovery.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    In this collection he explores the dark depths of the human condition, offering tales of death, disaster and - just occasionally - redemption.

    The Zelmenyaners describes the travails of a Jewish family in Minsk that is torn asunder by the new Soviet reality. Four generations are depicted in riveting and often uproarious detail as they face the profound changes brought on by the demands of the Soviet regime and its collectivist, radical secularism. The resultant intergenerational showdowns—including disputes over the introduction of electricity, radio, or electric trolley—are rendered with humor, pathos, and a finely controlled satiric pen. Moyshe Kulbak, a contemporary of the Soviet Jewish writer Isaac Babel, picks up where Sholem Aleichem left off a generation before, exploring in this book the transformation of Jewish life.

    There is something very familiar about Simon that brings Eleanor great peace, and Simon feels the same way. But when Eleanor's boyfriend, Abe, sees her talking to Simon, his jealousy is unleashed, and he warns her to stay away from Simon. Eleanor refuses, planning to break up with Abe - until an emergency changes her plan. But Eleanor cannot stop thinking about Simon and is shocked when he reveals a secret about their childhood years. Torn between Abe and Simon, Eleanor prays to Gott for an answer. Should she leave the possessive Abe and run to Simon?

     Hayley Martin and Fiona Chambers have been best friends since they were ten. From the moment that beautiful Fiona stood up to the school bullies for Hayley, the misfit, the two have been inseparable. Twenty years on, they still share everything, and even run their own business together. Until a dark secret threatens to test their loyalty to breaking point… What would you do if you discovered that your best friend could be your worst enemy? Cover design by Kristen Radtke.