When a decent, regular guy does his thieving neighbor a favor by driving him out to a long-neglected farm to steal an old panel truck, the two accidentally spark the ire of the hidden, quasi-occult residents of the place who prove eager to inflict Old Testament vengeance on just about every male within reach.  It's Me Too gone feral in a story of moral anxiety, misguided romance, and the age-old wages of sin.

    But she can’t forget it. After discovering a potentially revolutionary HIV treatment, a researcher has decided to keep it a secret from the company he works for, indefinitely postponing its trial and release. It is a treatment that could save Dominique’s close friend, but only if it’s available soon. The very next day, unaware of his identity, Dominique meets Nicholas Manzini, the Italian researcher who made the discovery. After a lifetime of digesting, transforming, and then releasing the words of strangers, Dominique slowly begins to develop her own voice while speaking to Nicholas. But he, too, is grappling with his own moral dilemma, one wrapped tightly around HIV treatments and ethics, personal needs and exterior pressures. As they fall completely in love, neither knows what the other is hiding—nor can they foresee what startling surprises await them when all is said and done.

    The second book from Brandon Boyd which follows up the successful White Fluffy Clouds, From the Murks of the Sultry Abyss comes in a special outer box, a limited edition #d sheet of stickers of artwork from Boyd, and the book itself comes sealed.

    This rich selection - made by the author - exhibits those qualities in poem after poem, reflecting, moreover, an exciting experimentation with rhythm and language and a movement toward an embrace beyond the personal. Subjects are revisited - the pain of childhood, adolescent sexual stirrings, the fulfilment of marriage, the wonder of children - but each re-casting penetrates ever more deeply, enriched by new perceptions and conceits. A powerful distillation of the best work from one of America's most gifted and widely read poets, drawn from her seven published volumes, this is a testament to a remarkable writer's depth, range and continuing development.

    Why not try some microfiction short stories instead? These bite-sized, slice-of-life short stories are crafted with only one hundred words, so they go by in a flash. Perfect for time-challenged fiction lovers, these humorous yet thought-provoking stories can be read when you’re waiting in line, riding the bus, or whenever you need a short mental break. Go on. Try some flash fiction. Grab your copy of 100 Tiny Tales today! 100 Tiny Tales: Short Stories Told in Exactly One Hundred Words is written by K. Kris Loomis, a native South Carolinian and the author of the novels, The Sinking of Bethany Ann Crane and The Murder of Leopold Beckenbauer, as well as the short story collection, The Monster In the Closet and Other Stories. Kris is also a nonfiction author who writes books about yoga, meditation, and the time she spent living in South America, including After Namaste: Off-the-Mat Musings of a Modern Yogini and Thirty Days in Quito: Two Gringos and a Three-Legged Cat Move to Ecuador. When Kris isn’t at her standing desk writing, she can be found playing chess, folding an origami crane, or practicing a Beethoven sonata on the piano. She lives in Rock Hill, South Carolina with her husband and two cats. You can connect with Kris at her website, www.kkrisloomis.com or her Amazon Author page, or find her on Facebook, Twitter, or Instagram @kkrisloomis.

    This title features electrifying poems of isolation, beauty, death and eternity from a reclusive genius and one of America's greatest writers. It is one of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

    Slug is about the human condition: of birth and death and how we manage the possibilities in-between.

    Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.

    With mounting disbelief, Regan Trent realises that the death of her beloved mother has left her totally at her stepfather's mercy. But mercy is a foreign concept to Sherwyn Huntley. To this ruthless man, Regan is simply an obstacle between him and the Trent fortune. Denied a place at her mother's funeral, cruelly separated from her younger brother, promised in marriage to a sadistic pervert, Regan prefers to take her chance in the wide world. But Huntley will stop at nothing to achieve his cruel ambitions . . .

    The girls believe they have found a refuge when charming businessman Victor Bateman proposes to Marion and they move into his luxurious home. But Marion’s friend Daniel Brady is conducting his own investigation into Henry Brookfield’s death. He learns the journalist was closing in on the head of a child prostitution racket when he was killed. And now his precious daughters may not be so safe, after all...

    

    52 laws of love by Himanshu Goel (author of A Rational Boy in Love) is a journey of love in 52 poems through all its aspects, from the honeymoon, to the sacrifices, to the bitter end and forever after.

    The isolation is all but unbearable until a mysterious tenant moves into the house at the bottom of the hill. James Dunford has come from America but he won’t say why. He spends his days fixing up the old cottage and walking the beach with a stray dog that showed up on his doorstep.As the weeks pass, Tara tries to get to know James, but he resists her at every turn. And it's not until a local villager recognizes him from the news that she realizes his visit might be about more than just a vacation. On the night of a big storm, Tara finally confronts James about why he is there. But how can she expect him to be honest when she, too, is hiding her own dark secret?Set against the backdrop of the Hunger Strikes in Northern Ireland, Sunsets Never Wait is a story about love, loss, and the risks of hanging on to the past. No matter how much the world has let you down, there’s always a possibility for second chances.

    Whether writing about his responsibility for a brother’s death during a hunting accident, drug addiction, or being jailed during the Civil Rights struggle, lyricism erupts in the midst of desolation and violence. Orr’s spare, succinct poems distill myth from the domestic and display a richness of action and visual detail.This long-awaited collection is soulful work from a remarkable poet, whose poems have been described as "mystical, carnal, reflective, and wry." (San Francisco Review)"Love Poem"A black biplane crashes through the window of the luncheonette. The pilot climbs down, removing his leather hood. He hands me my grandmother’s jade ring. No, it is two robin’s eggs and a telephone number: yours.from "Gathering the Bones Together"A father and his four sons run down a slope toward a deer they just killed. the father and two sons carry rifles. They laugh, jostle, and chatter together. A gun goes off and the youngest brother falls to the ground. A boy with a rifle stands beside him, screaming…"Orr’s is an immaculate style of latent violence and inhibited tenderness, charged with a desperate intensity whose source is often obscure."—The New York Times Book ReviewGregory Orr is the author of seven volumes of poetry and three books of criticism. He is the editor at Virginia Quarterly Review, teaches at the University of Virginia, and lives with his wife and daughters in Charlottesville. In 2002, along with his selected poems The Caged Owl, he will also publish a memoir and a book about poetry writing: Three Strange Angels: Trauma and Transformation in Lyric Poetry.Also Available by Gregory Orr:Orpheus & Eurydice: A Lyric Sequence TP $12.00, 1-55659-151-9 • CUSA

    This small collection of poems explores how time influences loving another, loving yourself and loving the life you own. This quick but fulfilling read, explores these topics in three sections: the head, the heart and the lungs.