At the start of another pitiless winter, wolves have taken three children from the remote Alaskan village of Keelut, including the six-year-old son of Medora and Vernon Slone. Wolf expert Russell Core is called in to investigate these killings and discovers an unholy truth harbored by Medora before she disappears. When her husband returns home to discover his boy dead and his wife missing, he begins a maniacal pursuit that cuts a bloody swath across the frozen landscape. With the help of a local police detective, Core attempts to find Medora before her husband does, setting in motion a deadly chain of events in this “chilling, mysterious, and completely engaging novel” (Tim O’Brien) that marks the arrival of a major American writer.

    It is 1875, and Ann Eliza Young has recently separated from her powerful husband, Brigham Young, prophet and leader of the Mormon Church. Expelled and an outcast, Ann Eliza embarks on a crusade to end polygamy in the United States. A rich account of a family’s polygamous history is revealed, including how a young woman became a plural wife.Soon after Ann Eliza’s story begins, a second exquisite narrative unfolds–a tale of murder involving a polygamist family in present-day Utah. Jordan Scott, a young man who was thrown out of his fundamentalist sect years earlier, must reenter the world that cast him aside in order to discover the truth behind his father’s death.And as Ann Eliza’s narrative intertwines with that of Jordan’s search, readers are pulled deeper into the mysteries of love and faith.

    Faustino is one such trying to escape from the gang he's been working for. He's dipped into a pile of dollars he was supposed to be hiding and now he's on the run. He and his friend, Arturo, have only 36 hours to replace the missing money, or they're as good as dead.Watching over them is Saint Death. Saint Death (or Santissima Muerte) - she of pure bone and charcoal-black eye, she of absolute loyalty and neutral morality, holy patron to rich and poor, to prostitute and narco-lord, criminal and police-chief. A folk saint, a rebel angel, a sinister guardian.

    Now, in her first novel, she builds on that early promise.Mona Gray was ten when her father contracted a mysterious illness and she became a quitter, abandoning each of her talents just as pleasure became intense. The only thing she can’t stop doing is math: She knocks on wood, adds her steps, and multiplies people in the park against one another. When Mona begins teaching math to second-graders, she finds a ready audience. But the difficult and wonderful facts of life keep intruding. She finds herself drawn to the new science teacher, who has an unnerving way of seeing through her intricately built façade. Bender brilliantly directs her characters, giving them unexpected emotional depth and setting them in a calamitous world, both fancifully surreal and startlingly familiar.

    An award-winning author makes her fiction debut with this coming-of-age story of three young black children set against the backdrop of the Atlanta child murders of 1979.

    In fact, he would say he is extraordinary…Synaesthesia paints the sounds of his world in a kaleidoscope of colours that no one else can see. But on Friday, he discovered a new colour – the colour of murder.He’s sure something has happened to his neighbour, Bee Larkham, but no-one else seems to be taking it as seriously as they should be. The knife and the screams are all mixed up in his head and he’s scared that he can’t quite remember anything clearly.But where is Bee? Why hasn’t she come home yet? Jasper must uncover the truth about that night – including his own role in what happened…

    The Most Dangerous Game features a big-game hunter from New York who becomes shipwrecked on an isolated island in the Caribbean and is hunted by a Russian aristocrat.

    At least she has Jesse… sort of. He wants to be more than “just friends,” but there’s something he’s not telling her about his past. Something dangerous. When a female student is brutally attacked, police turn to PROFILE, a new program that can predict a student’s capacity for violent behavior, to solve the case. As the witch hunt ensues, Daphne is forced to question her feelings for Jesse—and what she will do if her first love turns out to be a killer.

    A betrayed husband is convinced by a brief telegram that his second ex-wife wants him to track her down—that she wants to be found. He hires the Ex-Detective, who sets out with a translator into a snowy, hostile forest where strange things happen and translation betrays both sense and one’s senses. Tales of Hansel and Gretel and Little Red Riding Hood haunt the Ex-Detective’s quest into a territory overrun with the primitive excesses of Capitalism—accumulation and expulsion, corruption and cruelty—though the lessons of her journey are more experiential than moral: that just as love can fly away, sometimes unloving flies away as well. That sometimes leaving everything behind is the only thing left to do.

    Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.

    So when her prestigious New York law firm is raided by the FBI, Yolanda turns in her corrupt bosses to save her career—and goes to work for the Bureau. Soon she's sent undercover at Red, Black, and Green—an African-American “extremist” activist group back in her California college town. They claim a biotech corporation fueled by Pentagon funding is exploiting the neighborhood. But Yolanda is determined to put this assignment in her win column, head back to corporate law, and regain her comfortable life... Until an unexpected romance opens her heart—and a suspicious death opens her eyes. Menacing dark money forces will do anything to bury Yolanda and the movement. Fueled by memories of who she once was—and what once really mattered most—how can she tell those who’ve come to trust her that she’s been spying? As the stakes escalate, and one misstep could cost her life, Yolanda will have to choose between betraying the cause of her people or invoking the wrath of the country’s most powerful law enforcement agency.

    In it, Reed, one of our preeminent African-American authors, mixes portraits of historical figures and fictional characters with sound bites on subjects ranging from ragtime to Greek philosophy. Cited by literary critic Harold Bloom as one of the five hundred most significant books in the Western canon, Mumbo Jumbo is a trenchant and often biting look at black-white relations throughout history, from a keen observer of our culture.

    You could be a thousand-dollar person or a hundred-dollar person – even a ten-, five-, or one-dollar person. Below that, everybody was just nickels and dimes. To my dad, we were pennies.Fourteen-year old Manny Hernandez wants to be more than just a penny. He wants to be a vato firme, the kind of guy people respect. But that's not easy when your father is abusive, your brother can't hold a job, and your mother scrubs the house as if she can wash her troubles away.In Manny's neighborhood, the way to get respect is to be in a gang. But Manny's not sure that joining a gang is the solution. Because, after all, it's his life – and he wants to be the one to decide what happens to it.

    Seventeen-year-old Lucy Adler, a street-smart, trash-talking baller, is often the only girl on the public courts. At turns quixotic and cynical, insecure and self-possessed, Lucy is in unrequited love with her best friend and pick-up teammate Percy, scion to a prominent New York family who insists he wishes to resist upper crust fate.As she navigates this complex relationship with all its youthful heartache, Lucy is seduced by a different kind of life—one less consumed by conventional success and the approval of men. A pair of provocative female artists living in what remains of New York’s bohemia invite her into their world, but soon even their paradise begins to show cracks.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what