She sings solos at church, babysits her nephew after school, and spends every Friday night hanging out at her best friend Devon’s house. It’s only when Amber goes exploring in the woods near her home, singing camp songs with the hikers she meets on the Appalachian Trail, that she feels free—and when the bigger world feels just a little bit more in reach.When Amber learns about an audition at the North Carolina School of the Arts, she decides that her dream—to sing on bigger stages—could also be her ticket to a new life. Devon’s older (and unavailable) brother, Will, helps Amber prepare for her one chance to try out for the hypercompetitive arts school. But the more time Will and Amber spend together, the more complicated their relationship becomes . . . and Amber starts to wonder if she’s such a good girl, after all.Then, in an afternoon, the bottom drops out of her family’s world—and Amber is faced with an impossible choice between her promise as an artist and the people she loves. Amber always thought she knew what a good girl would do. But between “right” and “wrong,” there’s a whole world of possibilities.

    Birdy spends her days trying to teach her students to appreciate the beauty of literature and her nights getting high with Jesus, her gay colleague and confidant.Birdy regards Pinetop as merely an escapade. But the desultory quality of her life is interrupted when a middle-aged widow asks Birdy to edit her rambling memoir. Combining superb storytelling with good humor, Antonya Nelson follows Birdy as she helps Mrs. Anthony reconstruct the history surrounding the bizarre and mysterious deaths of Mrs. Anthony's husband and daughter years earlier. As Birdy is drawn deeper into her subject's story, she begins a love affair with Mrs. Anthony's surviving son -- a young man who just happens to be one of Birdy's students. With its sensuous and lovingly rendered Southwestern setting, "Nobody's Girl" is a startling novel that showcases the striking talents of an emminently gifted writer.

    Popular, good-looking, happy. But after they are seen quarreling at a party, Amy disappears and Eric is the number-one suspect. Amy wakes up alone in a windowless, all-white room. She has no idea how she got there, or who put her there. All she knows is that she has to get out. Eric wakes up to news of Amy's disappearance--and a visit from the police. All he knows is that he didn't do it, and that he has to find Amy.As Amy tries to figure out a way to escape, she must also follow the instructions in a bizarre letter from her kidnapper. And as Eric tries to figure out where Amy is and who took her, he discovers that the past has a way of coming back and biting you in the butt.Told in alternating voices--first Amy's, then Eric's-- Deadly is a fast-paced story about love, hate, courage, tenacity, forgiveness--and the many uses of a toilet rod.

    Two rivals. A plot twist they didn’t see coming…Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby.Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute.If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.

    Her older brother absconded with his college money and is bartending on a Greek island. Her dad just told her she's got to pay for college herself, and he's evicting her when she graduates so he can Airbnb her room. A drunken hook-up with her coworker Kyle has left her upset and confused. So when Perry Ackerman, serial harasser and the most handsy customer at The Goat where she waitresses, pushes her over the edge, she can hardly be blamed for dumping a pitcher of sangria on his head. Unfortunately, Perry is a local industry hero, the restaurant's most important customer, and Libby's mom's boss. Now Libby has to navigate the fallout of her outburst, find an apartment, and deal with her increasing rage at the guys who've screwed up her life--and her increasing crush on the one guy who truly gets her. As timely as it is timeless, He Must Like You is a story about consent, rage, and revenge, and the potential we all have to be better people.

    To Hillary, each move is an escape from becoming one of the "sleepwalkers" she's seen at all of the seventeen schools she's attended. But then the Siegals land in Ashwater, California. And this time, they're staying put. Seventh grade isn't going to be a typical year for Hillary. What can she do if she can't run?

    Jobs are hard to find, men come and go. But when a set of unexpected circumstances strands them in Fat River, a small rural town in upstate New York, life takes a turn. Fat River becomes the first place they call home. The modest economic security they gain gives them peace and space for friends. The people of Fat River—Hank and Dotty Hanson, the elderly owners of the local hardware store being driven out of business by the new Walmart; Mel, the flawed, but kindhearted owner of the town diner where Rita finds work; and the cross-dressing Peter Pam, the novel’s voice of warmth and reason—become family. Into this quirky utopia comes Vick Ward, a smooth-talking broker who entices Rita with a subprime mortgage and urges her to buy the ramshackle house she and her daughter have been renting. Tough and quick-witted, thirteen-year-old Ruthie—whose sardonic voice and plain-spoken observations infuse All We Had with disarming honesty and humor—never minded her hardscrabble existence as long as her mother was by her side. Through it all, the two have always been the center of one another’s lives. But when financial crisis hits, their luck takes a different turn. All We Had offers an unflinching look at the devastating choices a mother must make to survive and is an achingly funny, heart wrenching tale about love and loss, told with humor and razor sharp vision

    Her loss of faith in God, and in herself, has her frozen and stagnant. But time doesn't stop for any one, and no matter how much she fights it, making new friends and leaving her past behind is inevitable.When her college roommate drags her to an event on campus, she doesn't expect to come face to face with the person whose life she almost ruined. Old wounds open up and together they must come to terms with the events that led to three best friends being torn apart. But Calla has been keeping something back, and it could destroy the fragile ties she is slowly building back with the people she loves. Can faith be renewed and can God help her heal?What happened the day everything fell apart?

    And so far her plans have been working. Right after college, she got a prestigious job and gained the stability she'd always craved-until work takes her to the sun-drenched shores of Oahu and places her in the path of sexy surfer Luke Everett. For the first time, she lets her heart take control. Drawn to his carefree charm, she makes a spontaneous and very un-Sienna-like decision to drop everything and stay in Hawaii for two more weeks. Luke lives fast and wild. When he meets Sienna, he's convinced that some no-strings-attached fun is just what she needs. As their nights quickly turn from playful to passionate, Luke can't deny the deep connection he feels. But there's a reason Luke doesn't do long-term. He can't promise Sienna forever, when the enormity of his past has shown him just how fragile the future can be . . .

    But when you’re a living ringer for one of the country’s best-loved historical figures, privacy is hard to come by—especially when your face is on money. Across town, Norma Greenberg, one of the world’s many Marilyn Monroe clones, is struggling with identity issues of a different sort. It’s not easy going through life as a copy of the beautiful Norma Jeane Baker! When Abe is taken away by government agents eager to discover the secrets of his illustrious ancestor, Norma could be Abe’s last hope of escape—or, thanks to her kleptomania, his worst chance of recapture. With only their wits, a cigarette lighter, a bottle of perfume, and the disembodied arm of Richard Nixon, can Abe and Norma make it back to safety and anonymity? Advance Praise: “A gorgeous, funny romp along the seam between reality and artifice, fame and obscurity, history and Disney, Roufa has a deft, hilarious touch. This is a wry, gleeful take on the choice between destiny, authenticity, love, and the eternal call of the stovepipe hat.” – Dahlia Lithwick, Senior Editor, Slate “A perfect gem with terrifically simple and funny twists.” – Josh Kilmer-Purcell, New York Times bestselling author of I Am Not Myself These Days and The Bucolic Plague

    In life you're just supposed to choose one path. In life you're not given the chance at choosing one specific future. Until now.Until me. Why am I different? I don't know. But I'm going to see those roads and walk down each one. When it's over I'll know which one to choose because I'll know my - options.

    But when tragedy strikes after graduation, Nora is left to deal with the horrifying aftermath alone as the other three girls leave home and don't look back.Fourteen years later, Nora is living a quiet, single life working in the local library. She is content to focus on her collection of "first lines" (her favorite opening lines from novels) and her dog, Alice Walker, when out-of-the-blue Ozzie calls her on her thirty-second birthday. But after all these years, Ozzie hasn't called her to wish a happy birthday. Instead, she tells Nora that Grace attempted suicide and is pleading for The Invisibles to convene again. Nora is torn: she is thrilled at the thought of being in touch with her friends, and yet she is hesitant at seeing these women after such a long and silent period of time. Bolstered by her friends at the library, Nora joins The Invisibles in Chicago for a reunion that sets off an extraordinary chain of events that will change each of their lives forever.The Invisibles is an unforgettable novel that asks the questions: How much of our pasts define our present selves? And what does it take to let go of some of our most painful wounds and move on?

    The entire city around her is empty, except for one other person: Leo Sterling. Leo might be hottest boy ever (and not just because he's the only one left), but he's also too charming, too selfish, and too devastating for his own good, let alone Hannah's.Stuck with only each other, they explore a world with no parents, no friends, and no school and realize that they can be themselves instead of playing the parts everyone expects of them. Hannah doesn't have to be just an overachieving, music-box-perfect ballerina, and Leo can be more than a slacker, 80s-glam-metal-obsessed guitarist. Leo is a burst of honesty and fun that draws Hannah out, and Hannah's got Leo thinking about someone other than himself for the first time. Together, they search for answers amid crushing isolation, but while their empty world may appear harmless . . . it's not. Because nothing is quite as it seems, and if Hannah and Leo don't figure out what's going on, they might just be torn apart forever.

    And then, almost simultaneously, she loses them both. Will to a car accident and Lacey to the inevitable growing up and growing apart.Devastated by the holes they have left in her life, Eden finds solace in an unlikely place. Before he died, Will set up an account with In Good Company, a service that uploads voices and emails and creates a digital companion that can be called anytime, day or night. It couldn’t come at a better time because, after losing Lacey–the hardest thing Eden has had to deal with–who else can she confide all her secrets to? Who is Eden without Lacey?As Eden falls deeper into her relationship with “Will,” she hardly notices as her real life blooms around her. There is a new job, new friends. Then there is Oliver. He’s Lacey’s twin, so has always been off-limits to her, until now. He may be real, but to have him, will Eden be able to say goodbye to Will?

    Anna, a bourgeois girl, narrowly escaped the massacre of her entire family in Yekaterinburg. Desperate to get away from the Bolsheviks, she offers a peasant girl a diamond to take her as far south as possible—not realizing that the girl is a communist herself. With her brother in desperate need of a doctor, Evgenia accepts Anna's offer and suddenly finds herself on the wrong side of the war.Anna is being hunted by the Bolsheviks, and now—regardless of her loyalties—Evgenia is too.