Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.

    But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky's literary masterpiece The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate, and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

    And in that barn, you’ll find Dan. He’s a maker of exquisite harps - but not a great maker of conversation. He’s content in his own company, quietly working and away from social situations that he doesn’t always get right.But one day, a cherry-socked woman stumbles across his barn and the conversation flows a little more easily than usual. She says her name’s Ellie, a housewife, alone, out on her daily walk and, though she doesn’t say this, she looks sad. He wants to make her feel better, so he gives her one of his harps, made of cherry wood.And before they know it, this simple act of kindness puts them on the path to friendship, big secrets, pet pheasants and, most importantly, true love.

    The test is severe—sexual in method, psychological in substance… The artistic interest here has precisely to do with the use not only of erotic materials but also erotic methods, the deliberate stimulation of the reader as a part of and means to a total, authentic literary experience.—Eliot Fremont-Smith, The New York Times

    When she arrives, however, she finds that Amy's funeral has just ended. Luckily, the townspeople are happy to look after their bewildered tourist—even if they don't understand her peculiar need for books. Marooned in a farm town that's almost beyond repair, Sara starts a bookstore in honor of her friend's memory. All she wants is to share the books she loves with the citizens of Broken Wheel and to convince them that reading is one of the great joys of life. But she makes some unconventional choices that could force a lot of secrets into the open and change things for everyone in town. Reminiscent of The Guernsey Literary and Potato Peel Pie Society, this is a warm, witty book about friendship, stories, and love.

    Losing her beloved husband after only seven years of marriage, heartbroken widow Nathalie steels herself against emotional attachments until she unexpectedly falls in for her offbeat, guileless co-worker, Markus, who represents the opposite of everything.

    The eldest son is a driver for an app-based car service, which comically puts him at odds with his father, whose very livelihood is threatened by this new generation of disruptors. The younger son, shy and serious, works as a nurse in a French hospital. Jaded by the regular rejections he encounters in French society, he decides to join a Muslim humanitarian organization to help wounded civilians in the war in Syria. But when he stops sending news home, the silence begins to eat away at his father and brother who wonder what his real motivations were. When younger brother returns home, he has changed. Guven alternates between an ironic take on contemporary society and the gravity of terrorist threats. He explores with equal poignancy the lives of “Uberized” workers and actors in the global jihad.

    Many years ago, he was a grumpy young man. Now he’d much rather spend time with his canine companion, Daisy, than any of his nosy neighbors. But as his behavior becomes increasingly peculiar, his daughter grows concerned and begins to consider moving him into a retirement home.In order to maintain his freedom, Ferdinand must submit to an apartment inspection by his longtime enemy, the iron-fisted concierge, Mrs. Suarez. Unfortunately, he’s never tidied up a day in his life. His neighbors, precocious ten-year-old Juliette and vivacious ninety-two-year-old Beatrice, come to the rescue. And once he lets these two into his life, things will never be the same. After an eighty-three-year reign of grouchiness, Ferdinand may finally learn that it’s never too late to start living.

    You’ll never looks at coincidences the same way again.What if the drink you just spilled, the train you just missed, or the lottery ticket you just found was not just a random occurrence? What if it’s all part of a bigger plan? What if there’s no such thing as a chance encounter? What if there are people we don’t know determining our destiny? And what if they are even planning the fate of the world?Enter the Coincidence Makers—Guy, Emily, and Eric—three seemingly ordinary people who work for a secret organization devoted to creating and carrying out coincidences. What the rest of the world sees as random occurrences, are, in fact, carefully orchestrated events designed to spark significant changes in the lives of their targets—scientists on the brink of breakthroughs, struggling artists starved for inspiration, loves to be, or just plain people like you and me…When an assignment of the highest level is slipped under Guy’s door one night, he knows it will be the most difficult and dangerous coincidence he’s ever had to fulfill. But not even a coincidence maker can see how this assignment is about to change all their lives and teach them the true nature of fate, free will, and the real meaning of love.

    And business is brisk at The Suicide Shop. Run by the Tuvache family for generations, the shop offers an amazing variety of ways to end it all, with something to fit every budget. The Tuvaches go mournfully about their business, taking pride in the morbid service they provide. Until the youngest member of the family threatens to destroy their contented misery by confronting them with something they ve never encountered before: a love of life.

    Millions of kilometres from Earth.The crew of the Six-Thousand ship consists of those who were born, and those who were created. Those who will die, and those who will not. When the ship takes on a number of strange objects from the planet New Discovery, the crew is perplexed to find itself becoming deeply attached to them, and human and humanoid employees alike find themselves longing for the same things: warmth and intimacy. Loved ones who have passed. Our shared, far-away Earth, which now only persists in memory.Gradually, the crew members come to see themselves in a new light, and each employee is compelled to ask themselves whether their work can carry on as before – and what it means to be truly alive.Structured as a series of witness statements compiled by a workplace commission, Ravn’s crackling prose is as chilling as it is moving, as exhilarating as it is foreboding. Wracked by all kinds of longing, The Employees probes into what it means to be human, emotionally and ontologically, while simultaneously delivering an overdue critique of a life governed by work and the logic of productivity.

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.

    But since its original prewar translation there has been no completely new version in English. Now, Penguin brings Proust's masterpiece to new audiences throughout the world, beginning with Lydia Davis's internationally acclaimed translation of the first volume, Swann's Way.Swann's Way is one of the preeminent novels of childhood: a sensitive boy's impressions of his family and neighbors, all brought dazzlingly back to life years later by the taste of a madeleine. It also enfolds the short novel "Swann in Love," an incomparable study of sexual jealousy that becomes a crucial part of the vast, unfolding structure of In Search of Lost Time. The first volume of the work that established Proust as one of the finest voices of the modern age — satirical, skeptical, confiding, and endlessly varied in its response to the human condition — Swann's Way also stands on its own as a perfect rendering of a life in art, of the past re-created through memory.

    Heartsnatcher is Boris Vian's most playful and most serious work. The main character is Clementine, a mother who punishes her husband for causing her the excruciating pain of giving birth to three babies. As they age, she becomes increasingly obsessed with protecting them, going so far as to build an invisible wall around their property.

    But nothing could have prepared him for the heartache he feels when he falls hopelessly in love with a Japanese girl named Sakurai. Immersed in their shared love for classical music and foreign movies, the two gradually grow closer and closer.One night, after being hit by personal tragedy, Sugihara reveals to Sakurai that he is not Japanese—as his name might indicate.Torn between a chance at self-discovery that he’s ready to seize and the prejudices of others that he can’t control, Sugihara must decide who he wants to be and where he wants to go next. Will Sakurai be able to confront her own bias and accompany him on his journey?