Gwynn is a gunslinger from the north, a loner, a survivor . . . a killer. Raule is a wandering surgeon, a healer who still believes in just--and lost--causes. Bound by a desire to escape the ghosts of the past, together they flee to the teeming city of Ashamoil, where Raule plies her trade among the desperate and destitute, and Gwynn becomes bodyguard and assassin for the household of a corrupt magnate. There, in the saving and taking of lives, they find themselves immersed in a world where art infects life, dream and waking fuse, and splendid and frightening miracles begin to bloom . . .

    An immortal king. An epic adventure. Cursed with the power to impose his will on those around him, forcing everyone he meets to gradually become him, Hunter has become the hunted. The immortal King Tykus will stop at nothing to destroy him...or to brainwash him into becoming the king's ultimate weapon.Fleeing the kingdom, Hunter meets a woman with the same horrible power...an exiled master swordswoman named Vi. A wise-cracking, butt-kicking, badass warrior, she has one rule: keep up with her...or die. Now Hunter must survive Vi's brutal training regimen to become a master swordsman. If he succeeds, he'll have a chance at fighting back against the all-powerful King Tykus. If he fails, his enemies will surely kill him. That is, if Vi doesn't do it first!  This book is intended for adult readers. It contains graphic violence, adult language, and some sexual content.

    A new town filled with old secrets. One woman is determined to uncover the truth about her past, but Everwine Manor won’t easily give up the truth.Runa Brandon is naïve and uncertain, and she has been taken advantage of more than once. After disentangling herself from an abusive relationship, Runa begins a new life in Departure Cove, Oregon. Her mother, Asta, believes Departure Cove holds too many secrets that are better left buried, including the identity of Runa’s father.When Runa arrives in Departure Cove, strange things begin to happen. She experiences frightening visions, disturbing dreams, and unexplained physical changes. Then Runa meets Chase Everwine, a wealthy, mysterious man who pursues Runa with a passion that sweeps her off her feet.Runa falls hard for Chase, in spite of Asta’s warnings that his family cannot be trusted. Secrets and puzzles follow in Chase’s wake, and when Runa sees his family’s estate, Everwine Manor, she feels drawn to it. She doesn’t understand why the house calls to her but is compelled to find out.What Runa doesn’t know is that she is part of a long line of women who are blessed with inexplicable gifts and drawn to the power of the sea. As Runa uncovers the astounding secrets of her family tree, she also comes to realize there is more to her husband than meets the eye.

    Her marriage will unite the last two human kingdoms of Orundal. As it is not a marriage of choice but of necessity, she struggles with the responsibility laid before her, not knowing that the sacrifice she makes for her homeland will be but the first that she must endure. Her twin sister, Princess Sacha, has been called from her studies at the Monastery to support Sloane in her time of need. Sacha has begun to learn the ways of the arcane and deals with her own troubles concerning the loss of a family that has been taken from her.The sisters will not face their fates alone as Erik and Kinsey, steadfast companions, become their guides. Erik seeks only solace for himself and his adopted son, but soon learns that such a wish is impossible to attain as the events around them unfold. Kinsey, orphaned at birth, wrestles with his newfound rage not realizing that its cause is tied to his unknown heritage.A tale of adventure filled with dwarves and elves, men and mages, were-beasts and the undead who clash together in a conflict so vast it will consume them all. These four troubled souls will become champions in the struggle for survival, as dark forces gather to destroy them.

    There are full instructions for each spell, as well as blessings and directions for using incense in rituals.

    Wings of Fire Collection Tui T. Sutherland 4 Books Set Titles in the Set The lost heir, The hidden kingdom, The dragonet Prophecy, The Dark Secret

    The Crow.His alabaster delicate features tell of his ivory goddess ancestry. Immemorially old, and inconsolable, he is there only for those who seek both revenge and love, and are willing to go all the way--and beyond.Temple Of NightTurn-of-the-century Bangkok is a glittering modern city where high-tech industry and ancient mystery meet. It is a powerhouse of international finance by day...and a playground of depravity by night. The Klong Toey shantytowns are home to shadowy erotic emporiums, where millionaire celebrities act out their darkest sexual fantasies, protected by money, influence, and American diplomacy.Enter a young American journalist, assigned to expose the latest cover-up. Stephen is about to break the two cardinal rules of journalism: Don't fall in love. And don't get killed....

    Tales of vampires and lurking spirits, of inexplicable evil cloaked in the guise of childish innocence, of ordinary people driven to unthinkable extremes by the perversities of fate -- they're all here, told with King's inimitable blend of dark humor and heart-clenching suspense.Introduction (Stephen King) Suffer the Little Children (Whoopi Goldberg) Crouch End (Tim Curry) Rainy Season (Yeardley Smith) Dolan’s Cadillac (Rob Lowe) The House on Maple St. (Tabitha King)Umney’s Last Case (Robert B. Parker)Head Down (Stephen King) Brooklyn August (Stephen J. Gould)

    This commentary has been praised for its aesthetic as well as scholarly value. The original name of the work is Bhavarth Deepika, which can be roughly translated as "The light showing the internal meaning" (of the Bhagvad Geeta), but it is popularly called Dnyaneshwari after its creator. .

    It follows the coming-of-age of two children, Lyra Belacqua and Will Parry, as they wander through a series of parallel universes against a backdrop of epic events. The three novels have won various awards, most notably The Amber Spyglass, the 2002 Whitbread Book of the Year prize, while the trilogy as a whole took third place in the BBC's Big Read poll in 2003. The story involves fantasy elements such as witches and armoured polar bears, and alludes to a broad range of ideas from fields such as physics, philosophy, theology and spirituality. The trilogy functions in part as a retelling and inversion of John Milton's epic, Paradise Lost; with Pullman commending humanity for what Milton saw as its most tragic failing. The series has drawn criticism from some religious individuals and groups due to its alleged negative portrayal of organized religion. Pullman's publishers have primarily marketed the series to young adults, but Pullman also intended to speak to adults.

    The reprinted stories include:"In the Vault";"Pickman's Model";"The Rats in the Walls";"The Music of Erich Zann";"The Haunter of the Dark";"The Dunwich Horror";and "The Thing on the Doorstep".

    He is searching for someone morally strong enough to resist temptation, but there seems little chance he will succeed. Britain is all but totally corrupt. The aristocracy is financially and spiritually bankrupt; church leaders no longer believe in God; Victorian idealism has been banished from literature and life; and sexual morality is being undermined by the pernicious doctrines of the "New Woman." Everything and everyone is up for sale, and it takes a special kind of moral courage to resist the Devil's seductions.

    They cover every conceivable desire, both big (health and healing) and more specific (like selling a house). Twenty different sections, ranging from fertility and travel to protection and justice, contain 50 spells each--culminating in an ultimate "spell to end all spells." Along with the spells, there's information on the colors, fragrances, crystals, angels, times of day, and phases of the moon that strengthen each type of magick.

    "We all have a deep capacity to make magic . . . . . . and to do it as easily as we breathe or open our eyes. This is not a matter of belief. You can discover your own capacity for magic in your own direct experience." —Briana Saussy When you think of magic, do you imagine something supernatural, extraordinary, or beyond your everyday reality? Many of us are drawn to magic because we think there’s something "out there" that can bring enchantment and wonder back into our lives. Yet there’s a secret to real magic: the extraordinary is much closer than you may think. With Making Magic, expert teacher Briana Saussy invites you to discover a practice of magic that will bring a new depth and power to each moment, act, and choice of your life. Through teaching stories, wisdom from a wide variety of world traditions, and no-nonsense practices you can easily weave into your daily routine, Briana will help you reconnect with the wild and creative force of magic that is always around and within you, waiting for you to remember. As you explore this path of transformation, you’ll discover resources of magic that permeate your life, including: • Doors and thresholds—ways we "cross between worlds" • Communication—creating magic with your voice, body, intentions, and relationships • Holy helpers—ancestors, angels, saints, and spirit beings who guide and support you • Water and washing—access the revitalizing energy of water when you drink or bathe • Textiles and threads—how to loosen, mend, or bind up supportive energies • Candles and fire—elemental power to bring light to darkness and burn away what no longer serves you • Kitchen magic—using food to nourish your whole self and reconnect you with nature • Talismans—infuse your beloved objects with sacred purpose and supportive power "Magic is the most real part of any ‘real life’—the spark illuminating the authentic core of every experience," writes Briana Saussy. If you are ready to enter a world that is ripe with possibility and rediscover the electric wildness of your life, here is an essential resource for Making Magic as only you can.

    Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.