None of us knew it was coming."So says Wes Holloway, a young presidential aide, about the day he put Ron Boyle, the chief executive's oldest friend, into the president's limousine. By the trip's end, a crazed assassin would permanently disfigure Wes and kill Boyle. Now, eight years later, Boyle has been spotted alive. Trying to figure out what really happened takes Wes back into disturbing secrets buried in Freemason history, a decade-old presidential crossword puzzle, and a two-hundred-year-old code invented by Thomas Jefferson that conceals secrets worth dying for.

    Now three of their best short novels are collected in a single volume. Zane Grey’s From Missouri has been restored from the author’s own manuscript and is appearing in paperback in its corrected form. Max Brand’s Over the Northern Border is a classic tale of stage coach robbery and relentless pursuit, also corrected and restored from the author’s original manuscript. Louis L’Amour’s Riders of the Dawn debuted in Giant Western magazine in 1951 and appears here in that original version, as L’Amour himself first intended it. Enjoy these three classic tales and experience the Western the way it was meant to be.

    The hunt is on for...ATLANTISMarine archaeologist Jack Howard has stumbled upon the keys to an ancient puzzle. With a crack team of scientific experts and ex–Special Forces commandos, he is heading for what he believes could be the greatest archaeological find of all time——the site of fabled Atlantis——while a ruthless adversary watches his every move and prepares to strike.But neither of them could have imagined what awaits them in the murky depths. Not only a shocking truth about a lost world, but an explosive secret that could have devastating consequences today. Jack is determined to stop the legacy of Atlantis from falling into the wrong hands, whatever the cost. But first he must do battle to prevent a global catastrophe.

    Visit us online at www.1stWorldLibrary.ORG - - When Madeline Hammond stepped from the train at El Cajon, New Mexico, it was nearly midnight, and her first impression was of a huge dark space of cool, windy emptiness, strange and silent, stretching away under great blinking white stars. Miss, there's no one to meet you, said the conductor, rather anxiously. I wired my brother, she replied. "The train being so late - perhaps he grew tired of waiting. He will be here presently. But, if he should not come - surely I can find a hotel?" There's lodgings to be had. Get the station agent to show you. If you'll excuse me - this is no place for a lady like you to be alone at night. It's a rough little town - mostly Mexicans, miners, cowboys. And they carouse a lot. Besides, the revolution across the border has stirred up some excitement along the line. Miss, I guess it's safe enough, if you -

    - While the Clinton Administration grapples with its domestic policies, a sinister plot is being masterminded six thousand miles away in Baghdad. By using $100 million as bait and spinning a deadly web of corruption, forgery, and terror, Saddam Hussein seeks to embarrass the U.S. with the ultimate revenge: to steal a treasured historical document and then destroy it before the world's media-on July 4, 1994.As the countdown to Independence Day begins, two agents stand in the way of his nearly flawless plan: Scott Bradley, a rising star in the CIA who is desperate to prove his patriotism, and Hannah Kopec, the stunning Mossad operative who has already lost o much that she fears nothing and trusts no one. Their unrelenting quest to prevent what would undoubtedly be the most humiliating day in U.S. history takes them across four continents and climaxes in a dramatic, triple-twist ending.Ingeniously plotted and as up-to-the-minute as today's headlines, Honor Among Thieves resonates with the brilliant pace that is the trademark of master storyteller Jeffrey Archer.

    When that past reaches out for her in a particularly horrifying fashion, he vows revenge and, assembling all of his old skills, sets out to track down the men responsible, before it can happen again.At the same time, the Pentagon is readying an operation to rescue a key group of prisoners in a North Vietnamese prisoner-of-war camp. One man, they find, knows the terrain around the camp better than anyone else they have: a certain former Navy SEAL named John Kelly.Kelly has his own mission. The Pentagon wants him for theirs. Attempting to juggle the two, Kelly (now code-named Mr. Clark) finds himself confronted by a vast array of enemies, both at home and abroad - men so skillful that the slightest misstep means death. And the fate of dozens of people, including Kelly himself, rests on his making sure that misstep never happens.Men aren't born dangerous. They grow dangerous. And the most dangerous of all, Kelly learns, are the ones you least expect...As Clancy takes us through the twists and turns of Without Remorse, he blends the exceptional realism and authenticity that are his hallmarks with intricate plotting, knife-edge suspense and a remarkable cast of characters.

    But when all contact is lost with this mystery island, four crack special force units are brought in - can anything prepare them for the horror of what they will find there?

    It is run by a crack team of operatives both within its own walls and out in the field. When a job is too dirty--or too dangerous--it's the only place our government can turn.But nothing can prepare Director Paul Hood and his Op-Center crisis management team for what they're about to uncover--a very real, very frightening power play that could unleash new players in a new world order...

    A notorious treasure hunter and tomb robber, Broadbent accumulated over a half a billion dollars' worth of priceless art, gems, and artifacts before vanishing---along with his entire collection---from his mansion in New Mexico.At first, robbery is suspected, but the truth proves far stranger: As a final challenge to his three sons, Broadbent has buried himself and his treasure somewhere in the world, hidden away like an ancient Egyptian pharaoh. If the sons wish to claim their fabulous inheritance, they must find their father's carefully concealed tomb.The race is on, but the three brothers are not the only ones competing for the treasure. This secret is so astounding it cannot be kept quiet for long. With half a billion dollars at stake, as well as an ancient Mayan codex that may hold a cure for cancer and other deadly diseases, others soon join the hunt---and some of them will stop at nothing to claim the grave goods.

    Traveling under secret orders from President Andrew Jackson, Brentwood's task is to win a desperate race against England and Russia in order to bring the promised land of the Pacific Northwest under the American flag.

    Under the Polar Ice-Cap ....The atomic submarine 'Dolphin' has impossible orders: to sail beneath the ice-floes of the Arctic Ocean to locate and rescue the men of weather-station Zebra, gutted by fire and drifting with the ice-pack somewhere north of the Arctic Circle.But the orders do not say what the 'Dolphin' will find if she succeeds – that the fire at Ice Station Zebra was sabotage, and that one of the survivors is a killer…

    But he has yet to meet the test of human conflict. In a tale of violent action and superbly sustained suspense, the harsh realities of tribal warfare force him to kill his first foe, then face torture at the stake. Still yet another kind of initiation awaits him when he discovers not only the ruthlessness of "civilized" men, but also the special danger of a woman's will. His reckless spirit transformed into mature courage and moral certainty, the Deerslayer emerges to face life with nobility as pure and proud as the wilderness whose fierce beauty and freedom have claimed his heart.

    Crackerjack young FBI agent Judy Maddox is assigned to track down the elusive, sinister group called the "Hammer of Eden."Judy's boss, who has a grudge against her, thinks he has given her a waste-of-time assignment. But Judy's research leads her to maverick seismologist Michael Quercus, who gives her the shocking news that it might just be possible for an earthquake to be deliberately triggered. And when a tremor in a remote California desert shows evidence of being machine-generated, Judy knows the threat is terrifyingly real.Suddenly in charge of a life-or-death investigation, Judy must pinpoint the terrorists' next target, with the help of the erratic but attractive Michael. Their compelling romantic drama is played out as they race to beat the terrorist deadline and prevent an unthinkable disaster.Unknown to them, Michael's estranged wife, gorgeous but angry, has fallen under the spell of a clever, sexy cult leader called Priest -- and they have stolen from Michael's computer the key data that enables the Hammer of Eden to carry out their cataclysmic threat. Worse still, Michael's son is with his wife -- and under the control of Priest. All of them are in mortal jeopardy as Judy and Michael fight to save San Francisco from being brought down in ruins.Ken Follett became a best-selling author in 1978 with the publication of "Eye of the Needle, " which won the Edgar award and became a major motion picture. He has sincewritten numerous other best-selling thrillers and historical novels, including "The Third Twin, " and "A Place Called Freedom."

    Robert Wallis, would-be poet, bohemian & dandy, accepts a commission from coffee merchant Samuel Pinker to categorise the different tastes of coffee & encounters Pinker's free-thinking daughters, Philomenia, Ada & Emily. As romance blossoms with Emily, Robert realises that the muse & marriage may not be incompatible after all.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.