In The Captive, Proust’s narrator describes living in his mother’s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever. Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

    Nothing bad can happen at the Ritz; inside its gilded walls every woman looks beautiful, every man appears witty. Favored guests like Ernest Hemingway, F. Scott Fitzgerald, Coco Chanel, and the Duke and Duchess of Windsor walk through its famous doors to be welcomed and pampered by Blanche Auzello and her husband, Claude, the hotel's director. The Auzellos are the mistress and master of the Ritz, allowing the glamour and glitz to take their minds off their troubled marriage, and off the secrets that they keep from their guests--and each other.Until June 1940, when the German army sweeps into Paris, setting up headquarters at the Ritz. Suddenly, with the likes of Hermann Goring moving into suites once occupied by royalty, Blanche and Claude must navigate a terrifying new reality. One that entails even more secrets. One that may destroy the tempestuous marriage between this beautiful, reckless American and her very proper Frenchman. For the falsehoods they tell to survive, and to strike a blow against their Nazi "guests," spin a web of deceit that ensnares everything and everyone they cherish.But one secret is shared between Blanche and Claude alone--the secret that, in the end, threatens to imperil both of their lives, and to bring down the legendary Ritz itself.Based on true events, Mistress of the Ritz is a taut tale of suspense wrapped up in a love story for the ages, the inspiring story of a woman and a man who discover the best in each other amid the turbulence of war.

    But World War II has turned everyone's life inside out. Marian happens to be bilingual (her father is English, her mother French) and is recruited by the "Inter-Services Research Bureau" and enrolled in a rigorous, take-no-prisoners espionage training course to aid the French resistance. Or at least that's what Marian thinks at first. But as she learns more about the risky operation her superiors have in mind for her in occupied Paris, she begins to suspect that it may be a more personal connection that singled her out for assignment. A name from her past, Clement Pelletier, suddenly reappears, forcing Marian to call into question her first love, her dangerous mission, and how far she's willing to go for the cause.

    But Ferdinand has another lover, Lucienne, an ambitious doctor, and together the adulterers have devised a murderous plan. Drugging Mireille, the pair drown her in a bathtub, but in the morning, before the "accidental" death can be discovered, the corpse is gone--so begins the unraveling of Ferdinand's plot, and his sanity... This classic of French noir fiction was adapted for the screen by Henri-Georges Clouzot as Les Diaboliques (The Devils), starring Simone Signoret and Véra Clouzot, the film which in turn inspired Alfred Hitchcock's Psycho. A second movie version, Diabolique, followed in 1996, starring Sharon Stone.

    He does not understand the reason for his fate. He doesn’t particularly think of himself as Jewish. And his fellow prisoners, who decry his lack of Yiddish, keep telling him, “You are no Jew.” In the lowest circle of the Holocaust, Georg remains an outsider.The genius of Imre Kertesz’s unblinking novel lies in its refusal to mitigate the strangeness of its events, not least of which is Georg’s dogmatic insistence on making sense of what he witnesses–or pretending that what he witnesses makes sense. Haunting, evocative, and all the more horrifying for its rigorous avoidance of sentiment, Fatelessness is a masterpiece in the traditions of Primo Levi, Elie Wiesel, and Tadeusz Borowski.

    World War Two is over, but the recovery from the most intimate of its horrors has only just begun for Annaliese Lange, a German ballerina desperate to escape her past, and Simone Deveraux, the wronged daughter of a French Resistance spy.Now the two women are joining hundreds of other European war brides aboard the renowned RMS Queen Mary to cross the Atlantic and be reunited with their American husbands. Their new lives in the United States brightly beckon until their tightly-held secrets are laid bare in their shared stateroom. When the voyage ends at New York Harbor, only one of them will disembark... Present day. Facing a crossroads in her own life, Brette Caslake visits the famously haunted Queen Mary at the request of an old friend. What she finds will set her on a course to solve a seventy-year-old tragedy that will draw her into the heartaches and triumphs of the courageous war brides and will ultimately lead her to reconsider what she has to sacrifice to achieve her own deepest longings.

    Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

    With Europe on the brink of war, she shares her story with her granddaughter Solange Beaugiron, using her prized possessions to reveal her innermost secrets. Most striking of all are a beautiful string of pearls and a magnificent portrait of Marthe painted by the Italian artist Giovanni Boldini. As Marthe’s tale unfolds, like velvet itself, stitched with its own shadow and light, it helps to guide Solange on her own path. Inspired by the true account of an abandoned Parisian apartment, Alyson Richman brings to life Solange, the young woman forced to leave her fabled grandmother’s legacy behind to save all that she loved.

    He and a handful of boys and girls risk their lives by scuttling around the ghetto to smuggle and trade contraband through the quarantine walls in hopes of keeping their fathers, mothers, brothers, and sisters alive, hunted all the while by blackmailers and by Jewish, Polish, and German police, not to mention the Gestapo.When his family is finally stripped away from him, Aron is rescued by Janusz Korczak, a doctor renowned throughout prewar Europe as an advocate of children’s rights who, once the Nazis swept in, was put in charge of the Warsaw orphanage. Treblinka awaits them all, but does Aron manage to escape — as his mentor suspected he could — to spread word about the atrocities? Jim Shepard has masterfully made this child's-eye view of the darkest history mesmerizing, sometimes comic despite all odds, truly heartbreaking, and even inspiring. Anyone who hears Aron's voice will remember it forever.

    In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.

    John Howard, a 70-year-old Englishman vacationing in France, cuts shorts his tour and heads for home. He agrees to take two children with him.But war closes in. Trains fail, roads clog with refugees. And if things were not difficult enough, other children join in Howard's little band. At last they reach the coast and find not deliverance but desperation. The old Englishman's greatest test lies ahead of him.

    Investigating the strange ways in which love, in spite of everything - time, war, betrayal - can last, Zweig tells the story of Ludwig, an ambitious young man from a modest background who falls in love with the wife of his rich employer. His love is returned, and the couple vow to live together, but then Ludwig is dispatched on business to Mexico, and while he is there the First World War breaks out. With travel and even communication across the Atlantic now shut down, Ludwig makes a new life in the New World. Years later, however, he returns to Germany to find his beloved a widow and their mutual attraction as strong as ever. But is it possible for love to survive precisely as the impossible?

    In his book The Holocaust—born of the terrible revelation that the Jadwiga Concentration Camp was the site of his family’s extermination—Cady shook the consciousness of the human race. He also named eminent surgeon Sir Adam Kelno as one of Jadwiga’s most sadistic inmate/doctors. Kelno has denied this and brought furious charges. Now unfolds Leon Uris’s riveting courtroom drama—one of the great fictional trials of the century.

    Telling of the siege of Leningrad, of glittering dinner parties with Nazi leaders, and of trains disgorging bodies in war-devastated Romania, Malaparte paints a picture of humanity at its most depraved.Kaputt is an insider’s dispatch from the world of the enemy that is as hypnotically fascinating as it is disturbing.

    but before the police come to take them, Sarah locks her younger brother, Michel, in their favorite hiding place, a cupboard in the family's apartment. She keeps the key, thinking that she will be back within a few hours.Paris, May 2002: On Vel' d'Hiv's sixtieth anniversary, Julia Jarmond, an American journalist, is asked by her Paris-based American magazine to write an article about this black day in France's past. Julia has lived in Paris for nearly twenty-five years, married a Frenchman, and she is shocked both by her ignorance about the event and the silence that still surrounds it. In the course of her investigation, she stumbles onto a trail of long-hidden family secrets that connects her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from the terrible days spent shut in at the Vel' d'Hiv' to the camps and beyond. As she probes into Sarah's past, she begins to question her own place in France and to reevaluate her marriage and her life.Writing about the fate of her country with a pitiless clarity, Tatiana de Rosnay offers us a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and denial surrounding this painful episode in French history.(front flap)