Ellen Wood played upon the anxieties of the Victorian middle classes who feared a breakdown of the social order as divorce became more readily available and promiscuity threatened the sanctity of the family. In her novel the simple act of hiring a governess raises the spectres of murder, disguise, and adultery. Her sensation novel was devoured by readers from the Prince of Wales to Joseph Conrad and continued to fascinate This edition returns for the first time to the racy, slang-ridden narrative of the first edition, rather than the subsequent stylistically 'improved' versions hitherto reproduced by modern editors.

    Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature.   • Includes a chronology, suggestions for further reading, notes, glossary, and an appendix of Fielding's revisions   • Introduction discusses narrative tecniques and themes, the context of eighteenth-century fiction and satire, and the historical and political background of the Jacobite revolutionFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

    Traveling from Portsmouth to the south of France, Tarquin Winot, the book's snobbish narrator, instructs us in his philosophy on everything from the erotics of dislike to the psychology of the menu. Under the guise of completing a cookbook, Winot is in fact on a much more sinister mission that only gradually comes to light.

    But when she falls in love with Bosinney, a penniless architect who utterly rejects the Forsyte values, their affair touches off a series of events which can only end in disgrace and disaster.John Galsworthy tackles his theme of the demise of the upper-middle classes with irony and compassion.

    A tour de force of menace, malicious comedy, and torrential social bile, this book marks the American debut of an extraordinary writer.

    This story of Katherine Lind and Robin Fennel, of winter and summer, of war and peace, of exile and holidays.

    Sarah Burton, the fiery young headmistress of the local girls' school; Mrs Beddows, the district's first alderwoman—based on Holtby's own mother; and Robert Carne, the conservative gentleman-farmer locked in a disastrous marriage—with whom the radical Sarah Burton falls in love. Showing how public decisions can mold the individual, this story offers a panoramic and unforgettable view of Yorkshire life.

    Returning from study abroad, Cornelius Christian enters customs with his luggage and his dead wife. His first encounter in New York is with a funeral director, with whom he reluctantly takes employment to pay for the burial expenses. In the course of his duties he meets the beautiful Fanny Sourpuss over her millionaire husband's dead body. However, his over-enthusiastic handling of his first corpse lands him in court. Cornelius Christian wanders through the great sad cathedral that is New York, examining the human condition in all its comic pathos and lonely absurdity. Whether lingering in the Automat drinking from half empty coffee cups and stealing baked beans from the plates of customers who go looking for ketchup, or finding love on a street corner only to end up fighting his way out of a hooker's fists, Cornelius Christian, heroic anti-hero, sings of life's goodness in the wake of disaster.

    "The English are dying too much," the city's police chief observes. And members of the foreign community in this quaint Italian backwater, both English and American, are indeed dying at an alarming rate and in an extraordinary variety of ingenious and horrible ways.      With the local authorities out of their depth, the distinguished resident Robert Browning launches his own private investigation, aided and abetted by an expatriot Robert Booth. Unfortunately, their amateur sleuthing is hampered by the fact that each of their suspects becomes the next victim in a series of murders orchestrated by a killer with a taste for poetic justice. A Rich Full Death features characters both historical and imaginary, ranging from an enticing servant girl to Mr. Browning's consumptive, world-famous wife, Elizabeth Barrett, in a tale lush with period detail, intricately plotted, and with a truly astonishing final twist.

    It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations. This Penguin Classic contains Christopher Ricks's introductory essay, itself a classic of English literary criticism, together with a new introduction on the recent critical history and influence of Tristram Shandy by Melvyn New. The text and notes are based on the acclaimed Florida Edition, making the scholarship of the Florida editors readily available for the first time.

    Formerly a governess, she has landed on the occupation of prestidigitator, and thanks to her overwhelming beauty—and to a lesser extent her professional talents—she takes the town by storm, gaining admittance to her grandfather's college. It is there, at the institution inspired by Beerbohm's own alma mater, that she falls in love with the Duke of Dorset, who duly adores her in return. Ever aware of appearances, however, Zuleika breaks the Duke's heart when she decides that she must abandon the match. The epidemic of heartache that proceeds to overcome the academic town makes for some of the best comic writing in the history of English literature.

    Forester – creator of Horatio Hornblower – takes us aboard HMS Artemis as she steams into battle against overwhelming odds. We get inside the heads of Artemis’s men, from the Captain on his bridge down to the lowest engine room rating, as they struggle over one long and terrifying afternoon to do their duty. C.S. Forester brilliantly recounts life aboard a British warship during some of the darkest days of the Second World War: capturing the urgency of the blazing guns, the thunderous rupturing of deck plates, the screams of pain and the shouts of triumph.

    In her desire for revenge, Bridget utters a fearsome curse upon the dog’s killer: All that the murderer loves most, he will lose.This haunting story of “the sins of the father being visited upon the children” brilliantly shows off Gaskell’s pioneering understanding of the tensions between Catholics and Protestants, and the harsh realities of class society. The Poor Clare stands as an innovative and exciting gem in Elizabeth Gaskell’s oeuvre.

    Samuel Butler's autobiographical account of a harsh upbringing and troubled adulthood shines an iconoclastic light on the hypocrisy of a Victorian clerical family's domestic life. It also foreshadows the crumbling of nineteenth-century bourgeois ideals in the aftermath of the First World War, as well as the ways in which succeeding generations have questioned conventional values. Hailed by George Bernard Shaw as "one of the summits of human achievement," this chronicle of the life and loves of Ernest Pontifex spans four generations, focusing chiefly on the relationship between Ernest and his father, Theobald. Written in the wake of Darwin's Origin of Species, it reflects the dawning consciousness of heredity and environment as determinants of character. Along the way, it offers a powerfully satirical indictment of Victorian England's major institutions—the family, the church, and the rigidly hierarchical class structure.