Approx 1,550 words and 6 chapters. The man who looked after the weather said to his son, “Tom, it’s time you learnt how to do my job. I’m going into town tomorrow and I want you to look after the weather huts.” “Yes, Father, I can do that,” Tom said with a smile. So the next morning Tom waved bye to his Father as he got into his van. His father called out, “Watch out for the bears!” “Watch out for the what?” Tom called back. “The bears that live in the forest!” his father shouted. Tom shook his head. Bears that lived in the forest! He’d never seen any bears. What was his father talking about? Tom soon finds out ...

     As usual, Maupin’s tone is both bittersweet and achingly funny in this tale of a post-catastrophic San Francisco and a young man’s resilient love for his mother. Cover Design by Darryl Vance

    Weak and disorientated, he lands in New York City as a regular teenage boy. Now, without his godly powers, the four-thousand-year-old deity must learn to survive in the modern world until he can somehow find a way to regain Zeus's favour.But Apollo has many enemies—gods, monsters and mortals who would love to see the former Olympian permanently destroyed. Apollo needs help, and he can think of only one place to go... an enclave of modern demigods known as Camp Half-Blood.

    Now, after breaking up with his longtime boyfriend, Smith looks back to his painfully normal childhood to see where all the trouble really began. Like every other American kid, Bob's adolescence was marked by alternating moments of blissful ignorance, hazy confusion, and humiliating self-consciousness. And in these pages, Bob evokes his youth with a vividness that will make you shudder and howl with recognition.In these hysterically humorous pages, Bob Smith introduces readers to his comically unsympathetic grandmother, who makes light of his carsickness: "Bob only throws up because he's near the window and he can"; to his first teacher crush, whose "five-o'clock shadow could plunge a room into darkness"; and to his first brush with fame, when he fainted from his chair during a biology filmstrip ("Way to go, Smith!"). Sharp, observant, ingeniously ironic and wholly satisfying, this new Lambda Award-nominated collection is at once bittersweet nostalgic fun and a testament to the unquestionable gifts of a highly original comic writer.

    . . . "Social Disease" . . . is really about the three major issues of our time: sex, hair, and the telephone" (Paul Rudnick, "New York Magazine").

    She lives with her mum, and she's been best friends with Andrew since forever. Stevie's mum teases her that someday they'll get married, but Stevie knows that won't ever happen. There's a girl at school that she likes more. A lot more. Actually, she's a bit confused about how much she likes her. It's nothing like the way she likes Andrew. It makes her fizz inside. That's a new feeling, one she doesn't understand. Stevie needs to find out if girls can like girls - love them, even - but it's hard to get any information, and she's too shy to ask out loud about it. But maybe she can find an answer in a book. With the help of a librarian, Stevie finds stories of girls loving girls, and builds up her courage to share the truth with her mum. Written in accessible verse `chapters' and in a warm and reassuring style, The Deepest Breath will be of special relevance to young girls who are starting to realise that they are attracted to other girls, but it is also a story for any young reader with an open mind who wants to understand how people's emotions affect their lives.

    Reissued in the Jean Ure branding.“People always fall out after they’re married. I’m going to stay single.”Jasmine, Laurel, Rose and Daisy. Four very different sisters, four very different attitudes! As if living with each other wasn’t bad enough, living with their parents is worse – particularly parents who are both actors. Please!But after the Great Row, the girls find themselves living with Mum, while Dad has gone to America to find work. How are the sisters going to achieve their own personal ambitions: become an actress, model, writer, vet… when they can’t even achieve their joint ambition – to reunite parents who are on different continents?

    The start of middle school is making him feel increasingly anxious, so his favorite person in the whole world, his grandfather Bhai, gives him some well-meaning advice: Find one thing you’re really good at. And become the BEST at it.Those four little words sear themselves into Rahul’s brain. While he’s not quite sure what that special thing is, he is convinced that once he finds it, bullies like Brent Mason will stop torturing him at school. And he won’t be worried about staring too long at his classmate Justin Emery. With his best friend, Chelsea, by his side, Rahul is ready to crush this challenge. . . . But what if he discovers he isn’t the best at anything?Funny, charming, and incredibly touching, this is a story about friendship, family, and the courage it takes to live your truth.

    

    Life with Todd & Hannah is a revelation, an invitation to a world of privilege & desire. But soon he finds out all about Hannah's past & Todd's longing."

    But that’s getting ahead of the story, and a wonderful story it is. In Archer’s sweetly naïve but observant voice, his life through elementary school is recounted: the outspoken, ever-loyal friends he makes, the teachers who blunder or inspire, and the family members who serve as his role models. From one exhilarating, unexpected episode to another, Archer’s story rolls along as he puzzles over the people in his life and the kind of person he wants to become…and manages to help his uncle become his best self as well.

    Laurinda Brown's characters explore every aspect of black lesbian life - whether it's first times, illicit trysts, cheating hearts or longtime love.

    I knew our motive; we were practicing the act, hoping to impress the right boy when it came time. But then something happened in the mix of the moment, in the mix of the alcohol. It wasn't planned, but somehow our kissing experiment turned into something else. Things went further . . . and once they had, once I returned to earth from the euphoria . . . I wrestled with my feelings at that frank realization, questioning whether our said objective was entirely true. When fourteen-year old Krista McKinley transfers from Catholic school in Ohio to California's public Crestmount High, she discovers she has a lot to learn. Luckily, she is befriended by Carrie and Brandon and things start to look up. But when a simple dare tests Krista s values, it sends her entire world spiraling into a confusing series of events that leaves her questioning her identity as well as the people around her.

    Told in verse in two voices, with a chorus of fellow students, this is a story of two girls, opposites in many ways, who are drawn to each other; Kate appears to be a stereotypical cheerleader with a sleek ponytail and a perfectly polished persona, Tam is tall, athletic and frequently mistaken for a boy, but their deepening friendship inevitably changes and reveals them in ways they did not anticipate.

    Beierle brings to life characters at once unthinkably foreign and utterly real. Frank and fearless, sexy and witty, First Person Plural is a masterfully rendered, powerfully imaginative work, as complex and as extraordinary as the bonds of love. Owen and Porter Jamison are conjoined twins inhabiting one body with two heads, one torso, and two very different hearts. As children, they're seen as a single entity--Owenandporter, or more often, Porterandowen. As they grow to adulthood, their differences become more pronounced: Porter is outgoing and charismatic while Owen is cerebral and artistic. When Porter becomes a high school jock hero, complete with cheerleader girlfriend, a greater distinction emerges, as Owen gradually comes to realize that he's gay.Owen, a reluctant romantic, is content at first to settle for unrequited crushes. Porter's unease with his brother's sexuality leaves Owen feeling increasingly alienated from his twin, especially when Porter falls in love with Faith, and Owen becomes the unwilling third side of a complicated love triangle. When Owen finally begins to explore his own desires, the rift grows deeper.As Porter and Owen's carefully balanced arrangement of give-and-take, sacrifice and selfishness, is irrevocably shattered, each twin is left fighting for his relationship--and his future--in a battle of wills where winning seems impossible, and losing unthinkable. . .Andrew W. M. Beierle has been a journalist for more than thirty years. He has studied at the Bread Loaf, Sewanee, Napa Valley, and Kenyon Review writers' workshops.