Yet unlike men, whom the disease could destroy, the animals of the planet thrived. Each generation was more forceful and intelligent than the last.In the ruins of what was once a university complex, a vast band of The People, more highly evolved than those on the outside, sought to master the works of men. And they learned that the demons (as men were called) were not legendary but real. Then one day a spaceship landed...

    Stone's poems blend the personal with dimensions of the larger world in a manner reminiscent of the late William Stafford. Few poets have this gift for taking the workings of ordinary life and fusing them with a poetic process that sustains intense emotion, allowing human experience to be felt through the mysteries of language.... Ruth Stone belongs to every generation of poets who have taken the responsibility to give back to the world." —The Bloomsbury Review"This volume rightly secures (Stone's) status as a sui generis treasure who has survived poverty, a lack of formal education, profound personal tragedy, and decades of obscurity to emerge as a pre-eminent American poet who is still writing vital poems at the age of ninety-three." —Harvard ReviewWhat Love Comes To, a finalist for the 2009 Pulitzer Prize in poetry, gathers nearly half a century of poems from a National Book Award-winning poet who, over the course of her career, has written in a wide range of voices and forms. Drawing from eleven previous volumes, this collection offers a trajectory through that career, presenting Ruth Stone from her early formal lyrics, through fierce feminist and political poems, to her most recent meditations on blindness and aging. Stone, at age ninety-two, returns often to the theme of loss in her work, all the while maintaining what the Vermont poet laureate nominations committee calls “a sense of survival surpassing poverty and grief. . . . Her poetry’s irrepressible humor and intellectual curiosity are unique among contemporary American poets.”What Love Comes To is the perfect entry point into Stone’s world of serious laughter; of uncertainty and insight; of mystery and acceptance.When I forget to weep,I hear the peeping tree toadscreeping up the bark.Love lies asleepand dreams that everythingis in its golden net;and I am caught there, too,when I forget.A recipient of the National Book Award and the National Book Critics Circle Award, Ruth Stone has taught at numerous American universities. The author of eleven books of poetry, she has lived in Vermont since 1957.

    Containing the popular poems, Self Portrait, The Soul Lives Contented and Revelation Must be Terrible, the book traverses internal and external landscapes with evocative imagery, insight into the deepest patterns of human life, and the sure, elemental voice that has made David beloved as a poet and speaker around the world.

    . . . Not only are they home to the richest diversity of creatures, but they work hard for humans too.” —New York Times Book Review    An old-growth forest is one that has formed naturally over a long period of time with little or no disturbance from humankind. They are increasingly rare and largely misunderstood. In Nature’s Temples, Joan Maloof, the director of the Old-Growth Forest Network, makes a heartfelt and passionate case for their importance. This evocative and accessible narrative defines old-growth and provides a brief history of forests. It offers a rare view into how the life-forms in an ancient, undisturbed forest—including not only its majestic trees but also its insects, plant life, fungi, and mammals—differ from the life-forms in a forest manipulated by humans. What emerges is a portrait of a beautiful, intricate, and fragile ecosystem that now exists only in scattered fragments. Black-and-white illustrations by Andrew Joslin help clarify scientific concepts and capture the beauty of ancient trees.

    Christopher Maurer, a leading Lorca scholar and editor, has substantially revised FSG's earlier edition of the collected poems of this charismatic and complicated figure, who--as Maurer says in his illuminating Introduction--"spoke unforgettably of all that most interests us: the otherness of nature, the demons of personal identity and artistic creation, sex, childhood, and death."

    In The Mecca was nominated for the National Book Award for poetry.

    A sports legend resides in a nursing home who encounters and unexpected life journey.West’s AMOS is an imposing landscape of human drama and emotion – hear-rendering, timeless, hilarious, stunning, joyful, - an incredible story, a book that rips readers early and late, a novel they don’t want to end… a page turner with heart, a joy to read, a treasure to cherish.Ever so often, indifference and neglect mutate into unmitigated evil and then humanity goes on trial.  Rarely, someone stands in the breach and shouts “No” with only courage and dignity as weapons.  Amos was a man who thought he’s experienced all that life had to offer, when with a capricious turn of fate, he fell through the cracks of society’s institutions, in to the merciless cogwheels of human apathy and carelessness.  His struggle not only to survive, but, to overcome is a compelling testimony to the inner strength and irrepressible spirit of man.  Against devastating odds and arrogant brutality, Amos finds a triumph he never expected.

    As the forerunner of such important books as Annie Dillard's Pilgrim at Tinker Creek, Edward Abbey's Desert Solitaire, and Robert Finch's The Primal Place, this classic work remains as relevant today as it was sixty-five years ago.

    When one of his release sites was raided by a golden eagle, he managed to save a peregrine chick, and decided to make an improbable two-thousand-mile trip with the surviving young falcon, Dolly. From the Canadian border to the Gulf of Mexico, following the autumnal migration of waterfowl, O'Brien taught her to hunt as a wild falcon would, in the hopes of releasing her into the natural world. The Rites of Autumn is the riveting account of their incredible journey. (51/2 X 81/4, 208 pages, map)

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    Includes "The Cretan Bull," "The Horses of Diomedes," "The Stymphalean Birds," and "The Augean Stables." 2 cassettes.

    All is observed by a transfixed child who has frozen into his background and become a piece of nature himself. With a kind of cinematic impressionism, this novel voyages back to episodes from childhood, adolescence, and maturity as well as conducts speculative forays into the unknown. Unfolding in a series of delicate sketches that record the changing moods of human experience, this story is at once pervaded by a sense of melancholy and a sensuous appreciation of nature. A profound and beautiful book, it is the summation of a literary artist's first-hand experience and observation of rural life—of landscape and people.

    Wealthy tubercular patients live in private cure cottages; charity patients, mainly immigrants, fill the large public sanatorium. Prisoners of routine, they take solace in gossip, rumor, and—sometimes—secret attachments. But when the well-meaning efforts of one enterprising patient lead to a tragic accident and a terrible betrayal, the war comes home, bringing with it a surge of anti-immigrant prejudice and vigilante sentiment.

    with Forty-Two Illustrations by John Tenniel; does not contain ISBN or publish date

    This Penguin Classics edition contains an afterword by Geoff Wilkes, as well as facsimiles of the original Gestapo file which inspired the novel. Berlin, 1940, and the city is filled with fear. At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks ... If you enjoyed Alone in Berlin, you might like John Steinbeck's The Moon is Down, also available in Penguin Modern Classics. 'One of the most extraordinary and compelling novels written about World War II. Ever' Alan Furst 'Terrific ... a fast-moving, important and astutely deadpan thriller' Irish Times 'An unrivalled and vivid portrait of life in wartime Berlin' Philip Kerr 'To read Fallada's testament to the darkest years of the 20th century is to be accompanied by a wise, somber ghost who grips your shoulder and whispers into your ear: "This is how it was. This is what happened"' The New York Times