Rory Osgrove is in charge of her first archaeological dig. A Biblical Archaeologist by degree, her target is a holy relic of unimaginable power. But what she discovers instead is the tomb of a long-buried Crusader, one of the thousands who came to this desert land in search of glory and riches. Deterred from her original goal, Rory is fascinated by the English knight and the journal buried with him. Reading the pages of the ancient diary, she comes to know a man of power and honor, entrusted by Richard the Lionheart with a mission of astonishing importance.Sir Kieran Hage was no ordinary Crusader and, as Rory discovers, nor is he really dead. Eight hundred years later, Kieran’s mission must be completed, but there is an ancient evil that follows him and is still determined to see him fail. Now Rory begins the adventure of a lifetime, where time has no meaning, where honor is strength, and where only true love endures.

    The printing press had yet to be invented, and books were rare and costly, painstakingly lettered by hand and illuminated with exquisite paintings. Finn is a master illuminator who works not only for the Church but also, in secret, for John Wycliffe of Oxford, who professes the radical idea that the Bible should be translated into English for everyone to read. Finn has another secret as well, one that leads him into danger when he meets Lady Kathryn of Blackingham Manor, a widow struggling to protect her inheritance from the depredations of Church and Crown alike. Finn's alliance with Lady Kathryn will take us to the heart of what Barbara Tuchman once called the calamitous fourteenth century.Richly detailed and irresistibly compelling, Brenda Rickman Vantrease's The Illuminator is a glorious story of love, art, religion, and treachery at an extraordinary turning point in history.

    Too much to deal with. So, when her runaway best friend calls with a mysterious and urgent request to join her in Scotland, she is secretly more than happy to drop everything and oblige.She's faced with an ancient curse, an adorably hunky villager, and a super hot (but possibly murderous), Highland warrior from the 18th century - and realizes that getting burned at the stake is a really bad way to get out of writing her thesis.

    They revel in the privileged, ordered life they lead in Manhattan with their children, teenagers Andrew and Caroline and 6-year-old Charlie. But when Blake accepts a once-in-a-lifetime opportunity to become the CEO of a visionary social media start-up in San Francisco—and then buys a magnificent turn-of-the-20th-century Pacific Heights mansion on impulse—all that will change. Built by the Butterfields, a prominent banking family, abandoned for decades, the grand house retains its exquisite furnishings and aura of long ago elegance. And that’s not all it retains. The modern Gregorys are about to meet their ghostly long ago counterparts….

    This much she knows. What she doesn’t know is what other gifts will be revealed when she turns eighteen in a few months. While her grandmother has been diligent in her efforts to prepare her for the inevitable changes to come, Clara can focus on precious little besides the devilishly handsome man she met at her coming out ball. Secure in the knowledge that she has a bright future ahead of her, the future Clara discovers is one that she could never have conjured in her wildest dreams.

    The star of the restoration team is a handsome Italian named Anthony Bataglia, world renowned for his ability to bring pre-Renaissance treasures back to life. Despite a rocky start, the two form a close working relationship, which Mackenzie hopes will blossom into something more. But the more she works with him the more she notices peculiar patterns and unexplainable similarities in all of his restorations. Is Anthony really who he claims to be? Too many strange coincidences lead Mackenzie and her father, a retired detective, to think otherwise. Something is clearly not what it seems to be with the dashing Mr. Bataglia, and the resourceful Mackenzie is determined to get to the bottom of it. What she finds is even more incredible — and shocking — than she could ever imagine. Weaving its way between the dawn of the Renaissance and modern day New York, The Painter of Time explores the cost of pursuing fame and fortune at the expense of true art.

    A thousand people would step over it and think it trash, but not her.This was the tip of a rapier.Sixteen-year-old Jill has fought in dozens of fencing tournaments, but she has never held a sharpened blade. When she finds a corroded sword piece on a Caribbean beach, she is instantly intrigued and pockets it as her own personal treasure.The broken tip holds secrets, though, and it transports Jill through time to the deck of a pirate ship. Stranded in the past and surrounded by strangers, she is forced to sign on as crew. But a pirate's life is bloody and brief, and as Jill learns about the dark magic that brought her there, she forms a desperate scheme to get home—one that risks everything in a duel to the death with a villainous pirate captain.Time travel, swordplay, and romance combine in an original high-seas adventure from New York Times bestseller Carrie Vaughn.

    . . Two years have done little to ease veterinarian Audra Hughes's grief over her husband's untimely death. Eager for a fresh start, Audra plans to leave Portland for a new job in Philadelphia. Her seven-year-old son, Jack, seems apprehensive about flying--but it's just the beginning of an anxiety that grows to consume him.As Jack's fears continue to surface in recurring and violent nightmares, Audra hardly recognizes the introverted boy he has become. Desperate, she traces snippets of information unearthed in Jack's dreams, leading her to Sean Malloy, a struggling US Army veteran wounded in Afghanistan. Together they unravel a mystery dating back to World War II, and uncover old family secrets that still have the strength to wound--and perhaps, at last, to heal.Intricate and beautifully written, The Pieces We Keep illuminates those moments when life asks us to reach beyond what we know and embrace what was once unthinkable. Deftly weaving together past and present, herein lies a story that is at once poignant and thought-provoking, and as unpredictable as the human heart. "An expertly woven and richly satisfying work of historical fiction that will touch any reader who has experienced love, loss, tragedy, or the impact of family secrets." --The Boston Globe

    Spinning actual police records from the reign of Louis XIV into a darkly captivating story, it follows the fortunes of Genevieve Pasquier, a fifteen-year-old girl who has been transformed into an imperious, seemingly infallible fortune-teller... Genevieve is a skinny, precocious little monkey with a mind full of philosophy and the power to read the swirling waters of an oracle glass - for a demimonde who will believe anything. Left for dead by her family, Genevieve is taken in by La Voisin, an ingenious occultist and omnipotent society fortune-teller. La Voisin also rules a secret society of witches - abortionists and poisoners - who manipulate the lives of the rich and scandalous all the way up to the throne. Tutored by La Voison, Genevieve creates a new identity for herself - as the mysterious Madame de Morville, complete with an antique black dress, a powdered face, a cane, and a wickedly sarcastic streak who is supposedly nearly one hundred fifty years old. Even the reigning mistress of the Sun King himself consults Madame de Morville on what the future holds for her. And as Madame de Morville, Genevieve can revel in what women are usually denied power, an independent income, and the opportunity to speak her mind. Beneath her intelligence and wit, what drives Genevieve is a private revenge - but what she doesn't expect is for love to come in the bargain.

    That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.

    Confederate Officer Dr. Craig Langston is an enticing man that any woman would long to fall in love with, and now Marissa is torn between rampant desire, for the man ignites her very soul, and a longing to return home.Can she find it within herself to embrace a new life in the arms of her Confederate officer or will more sinister forces intervene before she can discover what may be the greatest love of all time?

    But live and in person, his penetrating eyes and cocky swagger put her heart on the line. And his life...Wanted--Dead or Alive.

    Sophie Lefèvre must keep her family safe while her adored husband, Édouard, fights at the front. When their town falls to the Germans, Sophie is forced to serve them every evening at her hotel. From the moment the new Kommandant sets eyes on Sophie’s portrait—painted by her artist husband—a dangerous obsession is born. Almost a century later in London, Sophie’s portrait hangs in the home of Liv Halston, a wedding gift from her young husband before his sudden death. After a chance encounter reveals the portrait’s true worth, a battle begins over its troubled history and Liv’s world is turned upside all over again.

    She is the only person who knows about her late mother’s affair in Tuscany thirty years earlier, and she intends to keep it that way…until a lawyer calls with shocking news: her biological father has died and left her an incredible inheritance—along with two half siblings.Fiona travels to Italy, where the family is shocked to learn of her existence and desperate to contest her share of the will. While the mystery of her mother’s affair is slowly unraveled, Fiona must navigate through tricky family relationships and tense sibling rivalries. Fiona both fears and embraces her new destiny as she searches for the truth about the fateful summer her mother spent in Italy and the father she never knew.Spilling over with the sumptuous flavors and romance of Tuscany, These Tangled Vines takes readers on a breathtaking journey of love, secrets, sacrifice, courage—and most importantly, the true meaning of family.

    But while everyone cheers on Jo March, based on Louisa herself, Amy March is often the least favorite sister. Now, it’s time to learn the truth about the real “Amy”, Louisa’s sister, May.Stylish, outgoing, creative, May Alcott grows up longing to experience the wide world beyond Concord, Massachusetts. While her sister Louisa crafts stories, May herself is a talented and dedicated artist, taking lessons in Boston, turning down a marriage proposal from a well-off suitor, and facing scorn for entering what is very much a man’s profession.Life for the Alcott family has never been easy, so when Louisa’s Little Women is published, its success eases the financial burdens they’d faced for so many years. Everyone agrees the novel is charming, but May is struck to the core by the portrayal of selfish, spoiled “Amy March.” Is this what her beloved sister really thinks of her?So May embarks on a quest to discover her own true identity, as an artist and a woman. From Boston to Rome, London, and Paris, this brave, talented, and determined woman forges an amazing life of her own, making her so much more than merely The Other Alcott.