The story encompasses both the rarified aristocratic world and the volatile streets and nightmarish underbelly of London, which Dickens characteristically portrays in vivid, pulsating detail. But the real focus of the book is on the riots themselves, depicted with an extraordinary energy and redolent of the dangers, the mindlessness, and the possibilities–both beneficial and brutal–of the mob.One of the lesser-known novels, Barnaby Rudge is nonetheless among the most brilliant–and most terrifying–in Dickens’s oeuvre.

    He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.

    On discovering that the man she loves, Edward Springrove, is already engaged to his cousin, Cytherea comes under the influence of Miss Aldclyffe's fascinating, manipulative steward Manston.Blackmail, murder and romance are among the ingredients of Hardy's first published novel, and in it he draws blithely on the 'sensation novel' perfected by Wilkie Collins. Several perceptive critics praised the author as a novelist with a future when Desperate Remedies appeared anonymously in 1871. In its depiction of country life and insight into psychology and sexuality it already bears the unmistakable imprint of Hardy's genius.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    And when both take lovers and remarry, Maisie-solitary, observant and wise beyond her years- is drawn into an entangled adult world of intrigue and sexual betrayal, until she is finally compelled to choose her own future. Published in 1897 when Henry James was becoming increasingly experimental with narrative technique and fascinated by the idea of the child's-eye view, What Maisie Knew is a subtle, intricate yet devastating portrayal of an innocent adrift in a corrupt society.

    Yet he always seems to be troubled by disagreeable tradesmen, impertinent young office clerks and wayward friends, not to mention his devil-may-care son Lupin with his unsuitable choice of bride. Try as he might, he cannot avoid life's embarrassing mishaps. In the bumbling, absurd, yet ultimately endearing figure of Pooter, the Grossmiths created an immortal comic character and a superb satire on the snobberies of middle-class suburbia - one which also sends up late Victorian crazes for spiritualism and bicycling, as well as the fashion for publishing diaries by anybody and everybody.

    England is at war with France, and press-gangs wreak havoc by seizing young men for service. One of their victims is a whaling harpooner named Charley Kinraid, whose charm and vivacity have captured the heart of Sylvia Robson. But Sylvia’s devoted cousin, Philip Hepburn, hopes to marry her himself and, in order to win her, deliberately withholds crucial information—with devastating consequences.The introduction discusses the novel's historical and geographical authenticity, as well as its innovative treatment of gender and human relationshipsIncludes a new chronology, updated further reading, notes, and appendices

    His novel is at once a major social document and a story that draws us irresistibly into the twilit world of Edwin Reardon, a struggling novelist, and his friends and acquaintances in Grub Street including Jasper Milvain, an ambitious journalist, and Alfred Yule, an embittered critic. Here Gissing brings to life the bitter battles (fought out in obscure garrets or in the Reading Room of the British Museum) between integrity and the dictates of the market place, the miseries of genteel poverty and the damage that failure and hardship do to human personality and relationships.

    But after the idealistic Felix Holt also returns to the town, the difference between Harold's opportunistic values and Holt's profound beliefs becomes apparent. Forthright, brusque and driven by a firm desire to educate the working-class, Felix is at first viewed with suspicion by many, including the elegant but vain Esther Lyon, the daughter of the local clergyman. As she discovers, however, his blunt words conceal both passion and deep integrity. Soon the romantic and over-refined Esther finds herself overwhelmed by a heart-wrenching decision: whether to choose the wealthy Transome as a husband, or the impoverished but honest Felix Holt.

    Walking away from her stifling father and the social conventions of her time, she leaves drab suburbia for Edwardian London and encounters an unknown world of suffragettes, Fabians and free love. But it is only when she meets the charismatic Capes that she truly confronts the meaning of her new found freedom. Ann Veronica caused a sensation, damned in the press and preached against from the pulpits when it was first published due to Wells' ground breaking treatment of female sexuality. A fascinating description of the women's suffrage movement, Ann Veronica offers an optimistic depiction of one woman's sexual awakening and search for independence.

    Adultery, death, and the spectacle of female recrimination and suffering are the elements that combine to make The Doctor's Wife a classic women's 'sensation' novel. Yet it is also Braddon's most self-consciously literary work and her rewriting of Madame Bovary. Like Emma Bovary, Braddon's heroine, Isabel Gilbert, is trapped in a marriage to a man incapable of understanding her imaginative life. But Braddon's novel differs vastly from Flaubert's in the nature and consequences of Isabel's 'affair'.

    A few bushes hid the curve of the line; the white vapour rose above them, evaporating in the pale evening. A moment more and the last carriage would pass out of sight. The white gates swung forward slowly and closed over the line”. Thus opens the novel about Esther Waters, young, pious woman from a poor working class family who, while working as a kitchen maid, is seduced by another employee, becomes pregnant, is deserted by her lover, and against all odds decides to raise her child as a single mother. Esther Waters is one of a group of Victorian novels that depict the life of a “fallen woman”. It is considered to be Moore’s best novel. Moore lived from 1852 to 1933.

    First published in 1853, Villette is Brontë's most accomplished and deeply felt work, eclipsing even Jane Eyre in critical acclaim. Her narrator, the autobiographical Lucy Snowe, flees England and a tragic past to become an instructor in a French boarding school in the town of Villette. There she unexpectedly confronts her feelings of love and longing as she witnesses the fitful romance between Dr. John, a handsome young Englishman, and Ginerva Fanshawe, a beautiful coquette. The first pain brings others, and with them comes the heartache Lucy has tried so long to escape. Yet in spite of adversity and disappointment, Lucy Snowe survives to recount the unstinting vision of a turbulent life's journey - a journey that is one of the most insightful fictional studies of a woman's consciousness in English literature.

    Her malicious intrigues fuel the plot of this gripping melodrama: a tale of confused identities, inherited curses, romantic rivalries, espionage, money—and murder. The character of Lydia Gwilt horrified contemporary critics, with one reviewer describing her as "One of the most hardened female villains whose devices and desires have ever blackened fiction." She remains among the most enigmatic and fascinating women in nineteenth-century literature and the dark heart of this most sensational of Victorian "sensation novels."

    She thinks she sees through everyone and rules over a family of dependents with knowing cynicism. But there are two people in Redborough who resist her. One is Hester, a young relation with a personality as strong as Catherine's, and as determined to find a role for herself. The other is Edward, who Catherine treats like a son. Conflict between the young and the old is inevitable, and in its depiction of the complex relationships that develop between the three principal characters, Hester is a masterpiece of psychological realism. In exploring the difficulty of understanding human nature, it is also a compulsive story of financial and sexual risk-taking that inevitably results in a searing climax.Margaret Oliphant is one of the great Victorian novelists, and this edition re-establishes her importance.

    He is just a boy when his father is slain by the Doones, a lawless clan inhabiting wild Exmoor on the border of Somerset and Devon. Seized by curiosity and a sense of adventure, he makes his way to the valley of the Doones, where he is discovered by the beautiful Lorna. In time their childish fantasies blossom into mature love—a bond that will inspire John to rescue his beloved from the ravages of a stormy winter, rekindling a conflict with his archrival, Carver Doone, that climaxes in heartrending violence. Beloved for its portrait of star-crossed lovers and its surpassing descriptions of the English countryside, Lorna Doone is R. D. Blackmore’s enduring masterpiece.