This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    And telling the truth won't bring him back...When a baby goes missing on a lonely roadside in Australia, it sets off a police investigation that will become a media sensation and dinner-table talk across the world.Lies, rumours and guilt snowball, causing the parents, Joanna and Alistair, to slowly turn against each other.Finally Joanna starts thinking the unthinkable: could the truth be even more terrible than she suspected? And what will it take to make things right?The Cry is a dark psychological thriller with a gripping moral dilemma at its heart and characters who will keep you guessing on every page.

    And worries. It isn’t the first time 29-year-old problem child Paulina has kept her mother waiting. But Judy can’t ignore the island’s jagged cliffs and towering pines — or the dread that Paulina has finally acted on her threats to take her own life.When Paulina’s body is discovered, Judy’s worst fears seem confirmed. Only, Paulina didn’t kill herself. She was murdered.So begins a thorny investigation, wherein every man on the island is a suspect yet none are as maligned as Paulina: the captivating newcomer known for her hard drinking, disastrous relationships, and habit of walking alone.But, above all, Paulina is her mother’s daughter. And death won’t stop Judy Novak from fighting for Paulina’s life.

    Two years later, Rosie returns to the house and living there is Martha, whom Seb Gennaro married less than a year after the death of Rosie’s mother. Martha is struggling to fulfil Seb’s dream, while Rosie is coming to terms with new responsibilities. And so begins a stand-off between two women who refuse to move out of the home they both lay claim to.As the battle lines are drawn, Jimmy Hailler re-enters Rosie’s life. Having always watched other families from the perimeters, he’s now grappling, heartbreakingly, with forming one of his own . . .An unforgettable story about losing love and finding love; about the interconnectedness of lives and the true nature of belonging, from one of our most acclaimed writers.

    Joseph is taking a vacation from his stressful London job. Each is on a search for some answers about life. Then something unexpected happens: They meet each other.

    Told in an unfurling narrative of interlinking stories, in a style reminiscent of David Mitchell's Cloud Atlas, McKinnon weaves together the stories of Will Martin together with the stories of four others: a desperate ex-convict, Hawker, who commits an act of terrible brutality; Lola, who in 1900 runs a dairy farm on the Illawarra with her brother and sister, when they come under suspicion for a crime they did not commit; Bel, a young girl who goes on a rafting adventure with her friends in 1998 and is unexpectedly caught up in violent events; and in 2033, Nada, who sees her world start to crumble apart. Intriguingly, all these characters are all connected - not only through the same land and water they inhabit over the decades, but also by tendrils of blood, history, memory and property...Compelling, thrilling and ambitious, Storyland is our story, the story of Australia. 'The land is a book waiting to be read' as one of the characters says - and this novel tells us an unforgettable and unputdownable story of our history, our present and our future.

    Human beings often write about their dogs, but the dogs don't usually get a right of reply. In Love, Clancy, Richard Glover has collated the letters sent by Clancy to his parents in the bush. They are full of a young dog's musings about the oddities of human behaviour, life in the big city, and his own attempts to fit in. You'll meet Clancy as a puppy, making his first attempt to train his humans, then see him grow into a mature activist, demanding more attention be paid to a dog's view of the world. Along the way, there are adventures aplenty, involving robotic vacuum cleaners, songs about cheese, trips to the country and stolen legs of ham - all told with a dog's deep wisdom when it comes to what's important in life.Delightfully illustrated by cartoonist Cathy Wilcox.PRAISE FOR RICHARD GLOVER Love, Clancy 'Unnervingly accurate, always funny, Richard Glover effortlessly inhabits the fine mind of a dog' - Julia Baird The Land Before Avocado 'This is vintage Glover - warm, wise and very, very funny. Brimming with excruciating insights into life in the late sixties and early seventies, The Land Before Avocado explains why this was the cultural revolution we had to have' Hugh Mackay'Hilarious and horrifying, this is the ultimate intergenerational conversation starter' Annabel Crabb'Richard Glover's just-published The Land Before Avocado is a wonderful and witty journey back in time to life in the early 1970s' Richard Wakelin, Australian Financial Review Flesh Wounds 'A funny, moving, very entertaining memoir' Bill Bryson, New York Times'The best Australian memoir I've read is Richard Glover's Flesh Wounds' Greg Sheridan, The Australian

    At its hidden centre of power is The Cabinet, a triangle of girls who wield power over their classmates – and some of their teachers.Entering this world of wealth and secrets is Lucy Lam, a scholarship girl with sharp eyes and a shaky sense of self. As she watches The Cabinet in action, and is courted by them – as she learns about power and repression – Lucy finds herself in a battle for her identity and integrity.

    She plans to keep to herself - but when she uncovers a hidden box of wartime love letters, she realises she's not thefirst person living in this cottage to hide secrets and pain.FOUNDIvy's quiet life in Rosella Cove is tainted by the events of World War II, with ramifications felt for many years to come. But one night a drifter appears and changes everything. Perhaps his is the soul she's meant to save.FORGOTTENCharlie is too afraid of his past to form any lasting ties in the cove. He knows he must make amends for his tragic deeds long ago, but he can't do it alone. Maybe the new tenant in the cottage will help him fulfil a promise and find the redemption he isn't sure he deserves.Welcome to the cottage at Rosella Cove, where three damaged souls meet and have the chance to rewrite their futures.

    Love is messier.A hilarious, insightful new novel from the creators of Books on the RailMeet Beatrix Babbage – 29-year-old dog-earer of books and accidental destroyer of weddings.After ruining her best friend's nuptials, Bea relocates to the other side of the country in search of a fresh start, including meeting new people, living life to the fullest and finally pulling off balayage.But after a few months, life is more stagnant than ever. Bea’s job is dead-end. Her romantic life? Non-existent. And her only friends are her books, her barista and her cleaning lady.​Then Bea stumbles across a second-hand novel, inscribed with notes. Besotted with the poetic inscriptions, Bea is determined to find the author ... and finds herself entangled in one hell of a love quadrangle.Funny, poignant and insightful, While You Were Reading reveals that there’s no such thing as perfection, the value of true friendship and, most importantly, the power of not living in fiction, but still reading it … Often.A love story for book lovers that celebrates much more than romance.

    For spinster Flora Thomas, however, nothing much has changed. Tending her dull office job and beloved brother and father, as well as knitting socks for the troops, leaves her relatively content. Then one day a stranger gives her brother a white feather and Flora's anger propels her out of her safe life and into the vineyards of the idyllic Mildura countryside, a member of the Australian Women's Land Army.There she meets Betty, a 17-year-old former shopgirl keen to do her bit for the war effort and support her beloved, and the unlikely Lilian, a well-to-do Adelaide girl fleeing her overbearing family and theworld's expectations for her. As the Land Girls embrace their new world of close-knit community and backbreaking work, they begin to find pride in their roles. More than that, they start to find a kind of liberation. For Flora, new friendships and the singular joy derived from working the land offer new meaning to her life, and even the possibility of love.But as the clouds of war darken the horizon, and their fears for loved ones - brothers, husbands, lovers - fighting at the front grow, the Land Girls' hold on their world and their new-found freedoms is fragile. Even if they make it through unscathed, they will not come through unchanged...

    Wise-cracking Kerry Salter is part of an Aboriginal family living on the mid-north coast of New South Wales. She has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying and she's an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border.She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. And the unexpected arrival on the scene of a good-looking dugai fella intent on loving her up only adds more trouble - but then trouble is Kerry's middle name. Gritty and darkly hilarious, Too Much Lip offers redemption and forgiveness where none seemed possible.

    But drought grips the land, and the shearers are on strike. Her father has turned swaggie and he's wanted by the troopers. In front of his terrified daughter, he makes a stand against them, defiant to the last. ′You′ll never catch me alive, said he...′Set against a backdrop of bushfire, flood, war and jubilation, this is the story of one girl's journey towards independence. It is also the story of others who had no vote and very little but their dreams. Drawing on the well-known poem by A.B. Paterson and from events rooted in actual history, this is the untold story behind Australia′s early years as an emerging nation.

    THE MAN FROM SNOWY RIVER is a box office hit and Paul Hogan is on the TV. In a seaside suburb, housewife Theresa takes up swimming. She wants to get fit; she also wants a few precious minutes to herself. So at sunrise each day she strikes out past the waves.From the same beach, the widowed Marie swims. With her husband gone, bathing is the one constant in her new life.After finding herself in a desperate situation, 25-year-old Leanne only has herself to rely on. She became a nurse to help others, even as she resists help herself.Elaine has recently moved from England. Far from home and without her adult sons, her closest friend is a gin bottle.In the waters of Shelly Bay, these four women find each other. They will survive bluebottle stings and heartbreak; they will laugh so hard they swallow water, and they will plunge their tears into the ocean's salt. They will find solace and companionship, and learn that love takes many forms. Most of all, they will cherish their friendship, each and every day. 'Reading this book was like snuggling beneath a warm beach towel after a bracing dip in the ocean.' - JOANNA NELLPraise for Sophie Green's THE INAUGURAL MEETING OF THE FAIRVALE LADIES BOOK CLUB'Tender, intimate, heartwarming, fulfilling and Australian as a lamb roast and full-bodied shiraz' The Australian Women's Weekly'An absolute gem of a novel, with the most evocative sense of place . . . A treat for any book club' BETTER READING

    Peter 'The Plum' Lum is a 49-year-old ex-star NRL player, living with his son and girlfriend in Cronulla. He's living a pretty cruisey life until one day he suffers an epileptic fit and discovers that he has a brain disorder as a result of the thousand-odd head knocks he took on the footy field in his twenty-year-career. According to his neurologist, Plum has to make some changes - right now - or it's dementia, or even death.Reluctantly, Plum embarks on a journey of self-care and self-discovery, which is not so easy when all you've ever known is to go full tilt at everything. On top of this, he's being haunted by dead poets, and, unable to stop crying, discovers he has a special gift for the spoken word. With spectral visits from Bukowski and Plath, the friendship of local misfits, and the prospect of new love, Plum might just save his own life.From award-winning writer, director and actor, Brendan Cowell, Plum is a powerfully moving, authentic, big-hearted, angry and joyous novel of men, their inarticulate pain and what it takes for them to save themselves - from themselves. It's got a roaring energy, a raucous humour, a heart of gold and a poetic soul.'Exploring masculinity and the healing power of language with great humour, grace and whimsy, Plum is a bighearted, raw and joyous take on what it means to be a man in modern Australia.' Sunday Times'The audacious inclusion of literary outlaws ... the muscular viscerality of his language ... [Plum is] a Shire pastoral that yearns for a nostalgia fantasy of The Golden Days ... I wonder whether Plath was inspired by the great Peter Lum. Or if Whitman wrote Leaves of Grass observing a spear of summer grass while sitting in Shark Park one lonely Sunday afternoon.' Sydney Morning Herald