Scientists referred to the event as The Anomaly. A byproduct of The Anomaly was the advent of hybrid beings—people who became mixed with whatever animal or object was closest to them the moment the event occurred. Humans, or pedigrees, soon relegated fairy refugees and hybrids into ghetto zones in large cities.Seventy years later, Wolfgang Rex, a second-generation hybrid—part human, part Rhodesian Ridgeback—is a retired police detective who runs a private investigation business in Chicago’s Southside. It’s a one-hybrid show; though Rex couldn’t survive without his assistant, the faerie Sally Sandweb.One night, two vampires visit Rex and offer him a substantial reward for the recovery of a stolen scroll. Later that same evening, Charlotte Sweeney-Jarhadill, a pedigree woman from Louisiana, visits Rex and hires him to exorcize the headless ghost of a Confederate soldier from her home.To complicate matters, the private detective ends up falling for Charlotte. Meanwhile, the vampires demand results in the search for the missing scroll. When Rex’s assistant Sally goes missing, he must stay alive long enough to find her. Charlotte and the vampires, however, have other plans for Rex.

    Ludo reads Homer in the original Greek at 4 before moving on to Hebrew, Japanese, Old Norse, and Inuit; studying advanced mathematical techniques (Fourier analysis and Laplace transformations); and, as the title hints, endlessly watching and analyzing Akira Kurosawa's masterpiece, The Seven Samurai. But the one question that eludes an answer is that of the name of his father: Sibylla believes the film obliquely provides the male role models that Ludo's genetic father cannot, and refuses to be drawn on the question of paternal identity. The child thinks differently, however, and eventually sets out on a search, one that leads him beyond the certainties of acquired knowledge into the complex and messy world of adults.The novel draws on themes topical and perennial--the hothousing of children, the familiar literary trope of the quest for the (absent) father--and as such, divides itself into two halves: the first describes Ludo's education, the second follows him in his search for his father and father figures. The first stresses a sacred, Apollonian pursuit of logic, precise (if wayward) erudition, and the erratic and endlessly fascinating architecture of languages, while the second moves this knowledge into the world of emotion, human ambitions, and their attendant frustrations and failures.The Last Samurai is about the pleasure of ideas, the rich varieties of human thought, the possibilities that life offers us, and, ultimately, the balance between the structures we make of the world and the chaos that it proffers in return. Stylistically, the novel mirrors this ambivalence: DeWitt's remarkable prose follows the shifts and breaks of human consciousness and memory, capturing the intrusions of unspoken thought that punctuate conversation while providing tantalizing disquisitions on, for example, Japanese grammar or the physics of aerodynamics. It is remarkable, profound, and often very funny. Arigato DeWitt-sensei. --Burhan Tufail

    Why Did I Ever takes us along on the darkest of private journeys. The story, told by a woman named Money Breton, is submitted like a furious and persuasive diary-a tale as fierce and taut as its fictional teller.

    The solitary eye-witness is the depressed and overweight Lena Sorensen, who becomes obsessed with Lucy and signs up as her client – though she seems more interested in the trainer’s body than her own. When the two women find themselves more closely aligned, and can’t stop thinking about the sex lives of Siamese twins, the real problems start...In the aggressive, foul-mouthed trainer, Lucy Brennan, and the needy, manipulative Lena Sorensen, Irvine Welsh has created two of his most memorable female protagonists, and one of the most bizarre, sado-masochistic folies à deux in contemporary fiction. Featuring murder, depravity and revenge – and enormous amounts of food and sex – The Sex Lives of Siamese Twins taps into two great obsessions of our time – how we look and where we live – and tells a story so subversive and dark it blacks out the Florida sun.

    Surface straightforwardness belies the complex web of conflict just under these stories’ smooth exterior. Each is named for an emotion, and there are twelve of them. Some trace the path towards sobriety and some describe addiction, but without cliche and without romance. All of them are indelible, shrewd and frank and real.

    . . and so do the women who are drawn there.Yellow Samsonite suitcase with ivory, quilted lining, 1950s...Violet Turner had always dreamed of owning a shop like Hourglass Vintage. Though she knows the personal history behind each precious item she sells, Violet refuses to acknowledge her own past. When she is faced with the possibility of losing the store, she realizes that, as much as she wants to, she cannot save it alone.Taffeta tea length wedding gown with scooped neckline and cap sleeves, 1952...Eighteen-year-old April Morgan is nearly five months along in an unplanned pregnancy when her hasty engagement is broken. When she returns the perfect 1950s wedding dress, she discovers unexpected possibilities and friends who won't let her give up on her dreams.Orange sari made from silk dupioni with gold paisley design, 1968...Betrayed by her husband, Amithi Singh begins selling off her old clothes, remnants of her past life. After decades of housekeeping and parenting a daughter who rejects her traditional ways, she fears she has nothing more ahead for her.An engaging story that beautifully captures the essence of women's friendship and love, Vintage is a charming tale of possibility, of finding renewal and hope when we least expect it.

    In fact, he now spends his days crashing funerals for the free food and insight into the Great Beyond. Then he meets Rosamond, a nun playing hooky from the Holy Orders. Hayden is smitten the instant her heavy silver cross smacks him in the face when she leaps up to do the wave at a ball game. Luckily, Rosamond has picked the right person to teach her how to live . . . and to love—because nobody does both better than Hayden MacBride.However, Rosamond’s years in the convent have not prepared her for the oddball characters of Hayden’s world. There’s his ever-fretful, vigilant daughter, Diana, the “Dutchess o’ the Sidelong Glance”; his sweet grandson Joey, struggling to break free of his mother’s overprotective embrace; Hayden’s bagpipe-blowing cronies; the Greyfriars Gang; neighbor Bobbie Anne, a “working girl” full of good advice and tender mercies; and Hank, the sexy architect contemplating the priesthood—a big mistake in Hayden’s book. For Hayden thinks that Hank should be married to his daughter and raising Joey. And he has an elaborate plan to make Hank see things his way. . . .In an uproariously funny novel of love, laughter, and one man’s final call at the riotous watering hole called life, Laura Pedersen proves that miracles are all around us—when we open our eyes and our hearts to embrace them.

    I’m so happy this collection exists. I feel drunk with love for these stories. They’re so funny and weird and true.”—Sheila Heti“With a weird, beautiful energy, George explores the challenges of woman-being: singlehood, self-doubt, motherhood, the dismaying fact of aging, the (dis)ability to love. A modern-day Jane Bowles, George engages these mysteries in prose that is funny, charming, dark, and insightful.” —Deb Olin UnferthFive stories—several as long as novellas—introduce the world to Jen George, a writer whose furiously imaginative new voice calls to mind Donald Barthelme and Leonora Carrington no less than Kathy Acker and Chris Kraus. In “Guidance/The Party,” an ethereal alcoholic “Guide” in robes and flowing hair appears to help a thirty-three-year-old woman prepare a party for her belated adulthood; “Take Care of Me Forever” tragically lambasts the medical profession as a ship of fools afloat in loneliness and narcissism; “Instruction” chronicles a season in an unconventional art school called The Warehouse, where students divide their time between orgies, art critiques, and burying dead racehorses. Combining slapstick, surrealism, erotica, and social criticism, Jen George’s sprawling creative energy belies the secret precision and unexpected tenderness of everything she writes.

    Rachel, in the lap of Manhattan luxury, an ice princess determined to be a great doctor. Rose, in the New York slums, yielding to passion too young, and fleeing heartbreak to become a star lawyer. When they both fall in love with the same fascinating man, they are brought face to face with the truth about each other and themselves.

    In Light Boxes the inhabitants of one closely-knit town are experiencing perpetual February. It turns out that a god-like spirit who lives in the sky, named February, is punishing the town for flying, and bans flight of all kind, including hot air balloons and even children's kites. It's February who makes the sun nothing but a faint memory, who blankets the ground with snow, who freezes the rivers and the lakes. As endless February continues, children go missing and more and more adults become nearly catatonic with depression. But others find the strength to fight back, waging war on February.

    Set in 90s Manhattan, Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with one beautiful model and having an affair with another onthe eve of opening the trendiest nightclub in New York City history.And now it's time to move to the next stage. But the future he gets is not the one he had in mind. With the same deft satire and savage wit he has brought to his other fiction, Bret Ellis gets beyond the facade and introduces us, unsparingly, to what we always feared was behind it. Glamorama shows us a shadowy looking-glass reality, the juncture where fame and fashion and terror and mayhem meet and then begin to resemble the familiar surface of our lives."

    Seeking refuge from her well-meaning friends, Diana heads out of the city and ends up in the Pine Barrens, an oasis of simple living in New Jersey where cranberry bogs abound. There, in a place where no one knows her history, Diana is free to take a hard look at her life and to begin to explore avenues of change and renewal.

    Newly married, pregnant, she's excited by the prospect of a life that combines family and creativity. She thinks she knows what being a person, a wife, a mother, means. She is soon shown that she is wrong. As the battle begins for her very sense of self, Dora comes to find the realities of small town life suffocating, and, eventually, terrifying; until she finds a way to escape reality altogether.Another poet, she discovers, lived in Helensburgh once. Wystan H. Auden, brilliant and awkward at 24, with his first book of poetry published, should be embarking on success and society in London. Instead, in 1930, fleeing a broken engagement, he takes a teaching post at Larchfield School for boys where he is mocked for his Englishness and suspected - rightly - of homosexuality. Yet in this repressed limbo Wystan will fall in love for the first time, even as he fights his deepest fears.The need for human connection compels these two vulnerable outsiders to find each other and make a reality of their own that will save them both. Echoing the depths of Possession, the elegance of The Stranger's Child and the ingenuity of Longbourn, Larchfield is a beautiful and haunting novel about heroism - the unusual bravery that allows unusual people to go on living; to transcend banality and suffering with the power of their imagination.

    Too bad they can't find the off-ramp.Weeks away from their one-year anniversary, Mallory and Connor Duncan can't even agree on how to end their marriage. But when a last-minute crisis lands them on a three-thousand-mile road trip together, Mallory wonders if their story may not be over after all.The trip begins to unravel before the key is even in the ignition, and an at-risk, trouble-seeking missile of an eleven-year-old is unexpectedly launched into their travel plans. Close quarters get even tighter, and the couple believes this whole experience will spell disaster.But as new challenges pop up around each bend, Mallory and Connor are surprised by the strengths they see in one another--and how they complement each other. Their first year of marriage hasn't been the arm-in-arm togetherness they expected . . . but can they find a new beginning when the road ends?

    After decades of disaster with men, she is trying to decide whether to withdraw forever from romantic love. Having just returned to Miami from a monthlong reunion with an old flame, “Sir Gold,” and a visit to her fragile mother, J begins translating Ovid’s magical stories about the transformations caused by Eros. “A woman who wants, a man who wants nothing. These two have stalked the world for thousands of years,” she thinks.When not ruminating over her sexual past and current fantasies, in the company of only her aging cat, J observes the comic, sometimes steamy goings-on among her faded-glamour condo neighbors. One of them, a caring nurse, befriends her, eventually offering the opinion that “if you retire from love . . . then you retire from life.