Magic favors the liars.Ren is a con artist who has come to the sparkling city of Nadežra with one goal: to trick her way into a noble house, securing her fortune and her sister's future.But as she's drawn into the elite world of House Traementis, she realizes her masquerade is just one of many surrounding her. And as nightmare magic begins to weave its way through the City of Dreams, the poisonous feuds of its aristocrats and the shadowy dangers of its impoverished underbelly become tangled…with Ren at their heart. The Mask of Mirrors is the unmissable start to the Rook & Rose trilogy, a dazzling and darkly magical fantasy adventure by Marie Brennan and Alyc Helms, writing together as M. A. Carrick.

    A princess sleeps. This is no fairy tale.It all started with the burning of the spindles.No.It all started with a curse…Half sisters Isabelle and Aurora are polar opposites: Isabelle is the king’s headstrong illegitimate daughter, whose sight was tithed by faeries; Aurora, beautiful and sheltered, was tithed her sense of touch and her voice on the same day. Despite their differences, the sisters have always been extremely close.And then everything changes, with a single drop of Aurora’s blood—and a sleep so deep it cannot be broken.As the faerie queen and her army of Vultures prepare to march, Isabelle must race to find a prince who can awaken her sister with the kiss of true love and seal their two kingdoms in an alliance against the queen.Isabelle crosses land and sea; unearthly, thorny vines rise up the palace walls; and whispers of revolt travel in the ashes on the wind. The kingdom falls to ruin under layers of snow. Meanwhile, Aurora wakes up in a strange and enchanted world, where a mysterious hunter may be the secret to her escape…or the reason for her to stay.

    On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop's owner to locals and the ferryman to souls who need to cross over.But Wallace isn't ready to abandon the life he barely lived. With Hugo's help he finally starts to learn about all the things he missed in life.When the Manager, a curious and powerful being, arrives at the tea shop and gives Wallace one week to cross over, Wallace sets about living a lifetime in seven days.Under the Whispering Door is a contemporary fantasy about a ghost who refuses to cross over and the ferryman he falls in love with.

    She'll eat the best meals, have rooms in the palace—and risk assassination by anyone trying to kill the Commander of Ixia.And so Yelena chooses to become a food taster. But the chief of security, leaving nothing to chance, deliberately feeds her Butterfly's Dust—and only by appearing for her daily antidote will she delay an agonizing death from the poison.As Yelena tries to escape her new dilemma, disasters keep mounting. Rebels plot to seize Ixia and Yelena develops magical powers she can't control. Her life is threatened again and choices must be made. But this time the outcomes aren't so clear...

     If the wind calls at night, you must not listen. The wind is lonely, and always looking for company. And there are no strangers in the town of Near.These are the truths that Lexi has heard all her life. But when an actual stranger-a boy who seems to fade like smoke-appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true.The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion. Still, he insists on helping Lexi search for them. Something tells her she can trust him.As the hunt for the children intensifies, so does Lexi's need to know-about the witch that just might be more than a bedtime story, about the wind that seems to speak through the walls at night, and about the history of this nameless boy.Part fairy tale, part love story, Victoria Schwab's debut novel is entirely original yet achingly familiar: a song you heard long ago, a whisper carried by the wind, and a dream you won't soon forget.

    These immortal creatures cannot bake bread or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and they trade valuable enchantments for Isobel’s paintings. But when she receives her first royal patron—Rook, the autumn prince—Isobel makes a deadly mistake. She paints mortal sorrow in his eyes, a weakness that could cost him his throne, and even his life.Furious, Rook spirits Isobel away to his kingdom to stand trial for her crime. But something is seriously amiss in his world, and they are attacked from every side. With Isobel and Rook depending upon each other for survival, their alliance blossoms into trust, perhaps even love . . . a forbidden emotion that would violate the fair folks’ ruthless laws, rendering both their lives forfeit. What force could Isobel's paintings conjure that is powerful enough to defy the ancient malice of the fairy courts?Isobel and Rook journey along a knife-edge in a lush world where beauty masks corruption and the cost of survival might be more frightening than death itself.

    Life is hard for the families who must wring a poor living from the stormy seas. But Rollrock is also a place of magic - the scary, salty-real sort of magic that changes lives forever. Down on the windswept beach, where the seals lie in herds, the outcast sea witch Misskaella casts her spells - and brings forth girls from the sea - girls with long, pale limbs and faces of haunting innocence and loveliness - the most enchantingly lovely girls the fishermen of Rollrock have ever seen.But magic always has its price. A fisherman may have and hold a sea bride, and tell himself that he is her master. But from his first look into those wide, questioning, liquid eyes, he will be just as transformed as she is. He will be equally ensnared. And in the end the witch will always have her payment.Margo Lanagan has written an extraordinary tale of desire, despair and transformation. In devastatingly beautiful prose, she reveals unforgettable characters capable of unspeakable cruelty - and deep unspoken love. After reading about the Rollrock fishermen and their sea brides, the world will not seem the same.

    It is an assignment Cazaril dreads, for it will ultimately lead him to the place he fears most, the royal court of Cardegoss, where the powerful enemies, who once placed him in chains, now occupy lofty positions. In addition to the traitorous intrigues of villains, Cazaril and the Royesse Iselle, are faced with a sinister curse that hangs like a sword over the entire blighted House of Chalion and all who stand in their circle. Only by employing the darkest, most forbidden of magics, can Cazaril hope to protect his royal charge—an act that will mark the loyal, damaged servant as a tool of the miraculous, and trap him, flesh and soul, in a maze of demonic paradox, damnation, and death.

    It might be her family’s only salvation. But the leader of the Bolshevik army is after them, and he’s hunted Romanov before.Nastya’s only chances of saving herself and her family are to either release the spell and deal with the consequences, or enlist help from Zash, the handsome soldier who doesn’t act like the average Bolshevik. Nastya has only dabbled in magic, but it doesn’t frighten her half as much as her growing attraction to Zash. She likes him. She thinks he might even like her.That is, until she’s on one side of a firing squad . . . and he’s on the other.

    . . and then must battle the Queen of Faery for possession of her lover’s body and soul.In this version of Tam Lin Janet is a college student, "Carterhaugh" is Carter Hall at the university where her father teaches, and Tam Lin is a boy named Thomas Lane. The book is set against the backdrop of the early 1970s.

    When he is claimed against his will as the long-lost son of a treasonous prince, Kihrin finds that being a long-lost prince isn't what the storybooks promised.Far from living the dream, Kihrin finds himself practically a prisoner, at the mercy of his new family's power plays and ambitions. He also discovers that the storybooks have lied about a lot of other things too: dragons, demons, gods, prophecies, true love, and how the hero always wins.Then again, maybe he's not the hero, for Kihrin is not destined to save the empire.He's destined to destroy it.

    1789. More than anything in the world, Wendy Darling wants to be the captain of a ship, but women aren't allowed in the Royal Navy. When she learns the Home Office is accepting a handful of women into its ranks, she jumps at the chance, joining the fight against the most formidable threat England has ever faced. Magic.But the secret service isn't exactly what she hoped. Accompanied by a reimagined cast of the original Peter Pan, Wendy soon discovers that her dreams are as far away as ever, that choosing sides isn't as simple as she thought, and that the only man who isn't blinded by her gender might be the worst friend anyone could ask for.Anyone, that is, except Wendy Darling.

    But when a god falls to a human blade, the balance of power between humans and those they thought were gods changes forever.Now only a few stand between humankind and annihilation: Raithe, reluctant to embrace his destiny as the God Killer; Suri, a young seer burdened by signs of impending doom; and Persephone, who must overcome personal tragedy to lead her people. The Age of Myth is over. The time of rebellion has begun.

    On her first swim to the surface, she is drawn towards a human boy. She longs to join his carefree world, but how much will she have to sacrifice? What will it take for the little mermaid to find her voice? Hans Christian Andersen's original fairy tale is reimagined through a searing feminist lens, with the stunning, scalpel-sharp writing and world building that has won Louise her legions of devoted fans. A book with the darkest of undercurrents, full of rage and rallying cries: storytelling at its most spellbinding.

    A family deals with the death of their father. A son goes to court for his inheritance. Another son agonises over his father's deathbed confession. One daughter becomes involved in the abolition movement, while another sacrifices herself for her husband. And everyone in the tale is a dragon, red in tooth and claw. Here is a world of politics and train stations, of churchmen and family retainers, of courtship and country houses... in which, on the death of an elder, family members gather to eat the body of the deceased. In which the great and the good avail themselves of the privilege of killing and eating the weaker children, which they do with ceremony and relish, growing stronger thereby. You have never read a novel like Tooth and Claw.