. . . By turns clowning, worshipful, heartbroken, and Faulknerian, these lyrics transport the reader to a familiar place made utterly strange.”—Srikanth Reddy Kiki Petrosino earned graduate degrees from both the University of Chicago and the Iowa Writers’ Workshop. Her poem, “You Have Made a Career of Not Listening,” was featured in the anthology Best New Poets 2006. She lives in Iowa City.

    Her father understands—Lottie has a scientific mind, he thinks. Her aunt wants it to stop, and she goes to cruel lengths to make sure it does. And her mother? Lottie’s mother died long ago. And Lottie is searching for a way to be close to her.The Art of Taxidermy is a heartbreaking verse novel exploring love and death, grief and beauty, and the ways we try to make sense of it all.

    Whether the focus of the individual poems is musical, digital, or historical, the otherness implicit in being of more than one racial background guides Matejka's work to the inevitable conclusion that all things-no matter how disparate-are parts of the whole.

    Her dad has moved out, her mother is withdrawn, her brother is off at college, and her best friend, Anna, has grown distant. Worst of all, Ivy’s body won’t stop expanding. She’s getting taller and curvier, with no end in sight. Even her beloved math class offers no clear solution to the imbalanced equation that has become Ivy’s life.Everything feels off-kilter until a decision to change the way she eats gives her a boost in confidence and reminds Ivy that her life is her own. If she can just limit what she eats—the way her mother seems to—she can stop herself from growing, focus on the upcoming math competition, and reclaim control of her life. But when her disordered eating gives way to missed opportunities and a devastating health scare, Ivy realizes that she must weigh her mother’s issues against her own, and discover what it means to be a part of—and apart from—her family.

    But despite his lack of recognition, Mr. Hennen...has simply gone about his calling with humility and gratitude in a culture whose primary crop has become fame. He just watches, waits and then strikes, delivering heart-buckling lines.” —Dana Jennings, The New York Times"As with Ted Kooser, Tom Hennen is a genius of the common touch. . . . They are amazingly modest men who early accepted poetry as a calling in ancient terms and never let up despite being ignored early on. They return to the readers a thousandfold for their attentions."—Jim Harrison, from the introduction"Many readers will appreciate this evocation of a life not as commonly portrayed in contemporary verse."—Library Journal"There is something of the ancient Chinese poets in Hennen, of Clare and Thoreau, although he is very much a contemporary poet."—Willow Springs"One of the most charming things about Tom Hennen's poems is his strange ability to bring immense amounts of space, often uninhabited space, into his mind and so into the whole poem."—Robert Bly"America is a country that loves its advertising. That loves its boxes we can put people and places into. We love 'Heartland' as opposed to 'Dustbowl.' We also love to be surprised. Rural Minnesota, as written by Tom Hennen in Darkness Sticks to Everything, is a world of realistic loneliness and lessons. It’s a collection of sincere poems about man and the land."—The Rumpus"Hennen is a master of the prose poem [who] can take little details, tiny details and make them universal."—River Falls Journal"What separates Hennen from many of his contemporaries is his willingness to identify with the natural world in a way that feels neither possessive nor self-serving, but simply (once again) sincere."—Basalt Magazine"There is something strong in all Tom Hennen's poems, an awareness and a clear, sure voice... I don't usually want to end by saying 'Buy this book,' but I'm going to say it this time: 'You should buy this book.'"—Fleda Brown, Interlochen Public Radio, "Michigan Writers on the Air"Tom Hennen gives voice to the prairie and to rural communities, celebrating—with sadness, praise, and astute observations—the land, weather, and inhabitants. In short lyrics and prose poems, he reveals the detailed strangeness of ordinary things. Gathered from six chapbooks that were regionally distributed, this volume is Hennen's long-overdue introduction to a national audience. Includes an introduction by Jim Harrison and an afterword by Thomas R. Smith."In Falling Snow at a Farm Auction"Straight pine chairComfortableIn anyone's company,Older than grandmotherIt enters the presentIts arms wide openWanting to hold another young wife.Tom Hennen, author of six books of poetry, was born and raised in rural Minnesota. After abandoning college, he married and began work as a letterpress and offset printer. He helped found the Minnesota Writer's Publishing House, then worked for the Department of Natural Resources wildlife section, and later at the Sand Lake National Wildlife Refuge in South Dakota. Now retired, he lives in Minnesota.

    The Arthurian tales of chivalry, romance, and tragedy have left a lasting impact on English literature. This collection contains Sir Gawain and the Green Knight (trans. 1898), The Lady of Shallot (1833), The Founding of the Round Table (trans. 1914), The Passing of Arthur (trans. 1914), The Morte D'arthur (1914), The Lady of the Fountain (trans. 1877), Arthurian Songs: 1. Avalon (1894), and Sir Galahad, a Christmas Mystery (1858).

    Remarkably, this is the first collection of Ocampo’s poetry to appear in English. From her early sonnets on the native Argentine landscape, to her meditations on love’s travails, to her explorations of the kinship between plant and animal realms, to her clairvoyant inquiries into history and myth and memory, readers will find the full range of Ocampo’s “metaphysical lyricism” (The Independent) represented in this groundbreaking edition.

    From career struggles to astronomical student debt to climate change angst, there's a lot to worry about. Look I Bought Plants: And Other Poems about Life and Stuff was dreamt up by two twenty-somethings—Taylor Garron and Eva Victor—who love jokes and sex, in that order. From silly slices of life to R-rated encounters, their witty, irreverent, and satirical poetry reflects on everyday challenges, relationships, and everything else there is to be anxious about.For the millennial trying to put together their IKEA furniture, your cool niece with the septum piercing, or anyone who has ever dated someone in their head, Look I Bought Plants is a funny, charming reminder that you aren't alone and we can all commiserate.• TIMELY AND RELATABLE CONTENT: Millennials may be exhausted, but their own amusing attitudes towards their exhaustion never tire! This book takes a cynical yet laughable approach—the millennial experience perfectly encapsulated in verse. Each poem is highly relatable and you may find yourself saying, "Okay, this is me."• RISING STAR AUTHORS: Eva Victor's writing is published in The New Yorker and she has appeared on various media outlets including Forbes. Taylor Garron's work has been featured in The New Yorker, The Onion, and Vulture.• GREAT PRESENT OR SELF-PURCHASE: With a vivid design, a low price point, and relatable content, Look I Bought Plants begs to be shared with all of your friends and gifted to you by your family. It's trendy and affordable—just the way millennials like it!

    Although he is best remembered for his revolutionary verses that decried tyranny and called for justice, his oeuvre also extended to scintillating, soulful poems of love. In this remarkable selection of Faiz’s most memorable poems and ghazals, readers will be able to experience a new dimension of the great poet’s genius. Along with popular favourites like ‘Subh-e Azadi’, with its anguished evocation of the horror and pain of the Partition, The Colours of My Heart also introduces readers to little-known gems that display Faiz’s extraordinary flair for tender hope and quiet longing. A rich cornucopia of delights, The Colours of My Heart celebrates Faiz’s greatest work. Baran Farooqi’s superb translation is accompanied by an illuminating introduction to Faiz’s incredible life and enduring legacy.

    Along the way it explores issues such as gender, misogyny, and the peril of speaking truth to power. Before Joan of Arc became a saint, she was a girl inspired. It is that girl we come to know in Voices.

    Lovecraftian-inspired nightmares are reversed as O'Brien asks readers to see Blackness as radically significant. Can You Sign My Tentacle? explores the monsters we know and the ones that hide behind racism, sexism, and violence, resulting in poems that are both comic and cosmic.

    One of the forefront leaders of the Acmeism movement, which focused on rigorous form and directness of words, she was a master of conveying raw emotion in her portrayals of everyday situations. Her works range from short lyric love poetry to longer, more complex cycles, such as Requiem, a tragic depiction of the Stalinist terror. During the time of heavy censorship and persecution, her poetry gave voice to the Russian people. To this day, she remains one of Russia's most beloved poets and has left a lasting impression on generations of poets that came after her. Rosary, published in 1914, is Akhmatova's second book, and one of her most popular collections. After its publication, Akhmatova became a household name and further established her place among the greatest Russian poets.

    For one, she wasn’t going to stress over the senior project all her peers were dreading—she’d just use the same find-your-roots genealogy idea that her older sister used for hers. Secondly, she’d put all that time spent not worrying about the project toward getting reacquainted with former best friend and longtime crush Kodiak Jones who, conveniently, gets assigned as Cordelia’s partner.All she has to do is mail in her DNA sample, write about her ancestry results and breeze through the rest of senior year. Done, done and done.But when Cordelia’s GeneQuest results reveal that her father is not the man she thought he was but a stranger who lives thousands of miles away, Cordelia realizes she isn’t sure of anything anymore—not the mother who lied, the life she was born into or the girl staring back at her in the mirror.If your life began with a lie, how can you ever be sure of what’s true?

    She has one thing on her mind, leaving her run-down neighborhood and going to college. When Skyler's normally strict mom starts dating again, she feels abandoned. Skyler meets Cole, a boy who makes her question everything she thought she knew about herself and her future. Even though he has a dangerous reputation, Skyler believes she knows the real Cole, the sweet, caring boyfriend who makes her feel seen for once in her life. When Cole starts to change, Skyler realizes that she'll do anything to keep him around, even if it means giving up her dream and losing the people closest to her.

    The inequities and betrayals of family life coalesce around and torment this magical being. An explosive act of violence follows, and its mysterious cause is unraveled as events progress toward a heartbreaking revelation.Lyrical and bawdy, experimental and political, this extraordinary novel announces the arrival of a powerful new voice on the global literary stage.