We must find and destroy her."This spy was Virginia Hall, a young American woman--rejected from the foreign service because of her gender and her prosthetic leg--who talked her way into the spy organization deemed Churchill's "ministry of ungentlemanly warfare," and, before the United States had even entered the war, became the first woman to deploy to occupied France.Virginia Hall was one of the greatest spies in American history, yet her story remains untold. Just as she did in Clementine, Sonia Purnell uncovers the captivating story of a powerful, influential, yet shockingly overlooked heroine of the Second World War. At a time when sending female secret agents into enemy territory was still strictly forbidden, Virginia Hall came to be known as the "Madonna of the Resistance," coordinating a network of spies to blow up bridges, report on German troop movements, arrange equipment drops for Resistance agents, and recruit and train guerilla fighters. Even as her face covered WANTED posters throughout Europe, Virginia refused order after order to evacuate. She finally escaped with her life in a grueling hike over the Pyrenees into Spain, her cover blown, and her associates all imprisoned or executed. But, adamant that she had "more lives to save," she dove back in as soon as she could, organizing forces to sabotage enemy lines and back up Allied forces landing on Normandy beaches. Told with Purnell's signature insight and novelistic flare, A Woman of No Importance is the breathtaking story of how one woman's fierce persistence helped win the war.

    Alan Riding introduces a pageant of twentieth-century artists who lived and worked under the Nazis and explores the decisions each made about whether to stay or flee, collaborate or resist.We see Maurice Chevalier and Edith Piaf singing before French and German audiences; Picasso painting and occasionally selling his work from his Left Bank apartment; and Marcel Carne and Henri-Georges Clouzot, among others, directing movies in Paris studios (more than two hundred were produced during this time). We see that pro-Fascist writers such as Louis-Ferdinand Celine and Robert Brasillach flourished, but also that Camus's The Stranger was published and Sartre's play No Exit was first performed-ten days before the Normandy landings.Based on exhaustive research and extensive interviews, And the Show Went On sheds a clarifying light on a protean and problematic era in twentieth-century European cultural history.

    Recognizing that The Great War was the psychological turning point . . . for modernism as a whole, author Modris Eksteins examines the lives of ordinary people, works of modern literature, and pivotal historical events to redefine the way we look at our past and toward our future.

    A nation in tatters, in many places literally flattened by bombs, was suddenly subjected to brutal occupation by vengeful victors. Rape was rampant. Hundreds of thousands of Germans and German-speakers died in the course of brutal deportations from Eastern Europe. By the end of the year, Germany was literally starving to death. Over a million German prisoners of war died in captivity, where they were subjected to inadequate rations and often tortured. All told, an astounding 2.25 million German civilians died violent deaths in the period between the liberation of Vienna and the Berlin airlift. A shocking account of a massive and vicious military occupation, After the Reich offers a bold reframing of the history of World War II and its aftermath. Historian Giles MacDonogh has unearthed a record of brutality which has been largely ignored by historians or, worse, justified as legitimate retaliation for the horror of the Holocaust. Drawing on a vast array of contemporary firstperson accounts, MacDonogh has finally given a voice to tens of millions of civilians who, lucky to survive the war, found themselves struggling to survive a hellish peace.

    Born in 1905 to a wealthy family in the oil-boom city of Baku, at the edge of the czarist empire, Lev escaped the Russian Revolution in a camel caravan. He found refuge in Germany, where, writing under the names Essad Bey and Kurban Said, his remarkable books about Islam, desert adventures, and global revolution, became celebrated across fascist Europe. His enduring masterpiece, Ali and Nino–a story of love across ethnic and religious boundaries, published on the eve of the Holocaust–is still in print today.But Lev's life grew wilder than his wildest stories. He married an international heiress who had no idea of his true identity–until she divorced him in a tabloid scandal. His closest friend in New York, George Sylvester Viereck–also a friend of both Freud's and Einstein's–was arrested as the leading Nazi agent in the United States. Lev was invited to be Mussolini's official biographer–until the Fascists discovered his "true" identity. Under house arrest in the Amalfi cliff town of Positano, Lev wrote his last book–discovered in a half a dozen notebooks never before read by anyone–helped by a mysterious half-German salon hostess, an Algerian weapons-smuggler, and the poet Ezra Pound. Tom Reiss spent five years tracking down secret police records, love letters, diaries, and the deathbed notebooks. Beginning with a yearlong investigation for The New Yorker, he pursued Lev's story across ten countries and found himself caught up in encounters as dramatic and surreal, and sometimes as heartbreaking, as his subject's life. Reiss's quest for the truth buffets him from one weird character to the next: from the last heir of the Ottoman throne to a rock opera-composing baroness in an Austrian castle, to an aging starlet in a Hollywood bungalow full of cats and turtles.As he tracks down the pieces of Lev Nussimbaum's deliberately obscured life, Reiss discovers a series of shadowy worlds–of European pan-Islamists, nihilist assassins, anti-Nazi book smugglers, Baku oil barons, Jewish Orientalists–that have also been forgotten. The result is a thoroughly unexpected picture of the twentieth century–of the origins of our ideas about race and religious self-definition, and of the roots of modern fanaticism and terrorism. Written with grace and infused with wonder, The Orientalist is an astonishing book.

    He had simply disappeared, missing for four months. The author, a British counter-intelligence officer, was given the task of solving this mystery. His brilliant piece of detective work not only proved that Hitler had killed himself in Berlin, but also produced one of the most fascinating history books ever written. His book tells the extraordinary story of those last days in the Berlin Bunker. The New Statesman has called this book "incomparable…by far the best written on any aspect of the second German war-a book sound in scholarship, brilliant in its presentation." Chapters include: Hitler & his court. Hitler in defeat. The court in defeat. Crisis & decision. Siege of the Bunker. Et Tu Brute. Death of Hitler. Epilogue. Notes on sources. Index.

    He was a womaniser, a heavy drinker and a bon viveur, but to them he became a saviour. This is the extraordinary story of Oskar Schindler, who risked his life to protect Jews in Nazi-occupied Poland and who was transformed by the war into a man with a mission, a compassionate angel of mercy.

    Netizel would later find another collection of transcriptions, twice as extensive, in the National Archive in Washington. These were discoveries that would provide a unique & profoundly important window into the true mentality of the soldiers in the Wehrmacht, the Luftwaffe, the German navy & the military in general--almost all of whom had insisted on their own honorable behavior during the war. Collaborating with renowned social psychologist Harald Welzer, Neitzel examines these conversations--& the casual, pitiless brutality omnipresent in them--from a historical & psychological perspective. In reconstucting the frameworks & situations behind these conversations, they've created a powerful narrative of wartime experience.

    Tuchman’s classic histories of the First World War eraIn this landmark, Pulitzer Prize–winning account, renowned historian Barbara W. Tuchman re-creates the first month of World War I: thirty days in the summer of 1914 that determined the course of the conflict, the century, and ultimately our present world. Beginning with the funeral of Edward VII, Tuchman traces each step that led to the inevitable clash. And inevitable it was, with all sides plotting their war for a generation. Dizzyingly comprehensive and spectacularly portrayed with her famous talent for evoking the characters of the war’s key players, Tuchman’s magnum opus is a classic for the ages. Praise for The Guns of August “A brilliant piece of military history which proves up to the hilt the force of Winston Churchill’s statement that the first month of World War I was ‘a drama never surpassed.’”—Newsweek “More dramatic than fiction . . . a magnificent narrative—beautifully organized, elegantly phrased, skillfully paced and sustained.”—Chicago Tribune “A fine demonstration that with sufficient art rather specialized history can be raised to the level of literature.”—The New York Times “[The Guns of August] has a vitality that transcends its narrative virtues, which are considerable, and its feel for characterizations, which is excellent.”—The Wall Street Journal

    Finkelstein moves from an interrogation of the place the Holocaust has come to occupy in American culture to a disturbing examination of recent Holocaust compensation agreements. It was not until the Arab-Israeli War of 1967, when Israel's evident strength brought it into line with US foreign policy, that memory of the Holocaust began to acquire the exceptional prominence it enjoys today. Leaders of America's Jewish community were delighted that Israel was now deemed a major strategic asset and, Finkelstein contends, exploited the Holocaust to enhance this newfound status. Their subsequent interpretations of the tragedy are often at variance with actual historical events and are employed to deflect any criticism of Israel and its supporters. Recalling Holocaust fraudsters such as Jerzy Kosinski and Binjamin Wilkomirski, as well as the demagogic constructions of writers like Daniel Goldhagen, Finkelstein contends that the main danger posed to the memory of Nazism's victims comes not from the distortions of Holocaust deniers but from prominent, self-proclaimed guardians of Holocaust memory. Drawing on a wealth of untapped sources, he exposes the double shakedown of European countries as well as legitimate Jewish claimants, and concludes that the Holocaust industry has become an outright extortion racket. Thoroughly researched and closely argued, The Holocaust Industry is all the more disturbing and powerful because the issues it deals with are so rarely discussed.In a devastating new postscript to this best-selling book, Norman G. Finkelstein documents the Holocaust industry's scandalous cover-up of the blackmail of Swiss banks, and in a new appendix demolishes an influential apologia for the Holocaust industry.

    The world would know them as the dreaded SS the most loyal and ruthless enforcers of the Third Reich It began as a small squad of political thugs. Yet by the end of 1935, the SS had taken control of all police and internal security duties in Germany ranging from local village gendarmes all they way up to the secret political police and the Gestapo. And by 1944 the militarized Waffen SS had more than eight hundred thousand men serving in the field, even rivaling Germany s regular armed forces, the Wehrmacht. In "Army of Evil: A History of the SS," author Adrian Weale delves into materials not previously available, including recently released intelligence files, the most up-to-date research and rare and never-before-published photographs. Going beyond the myths and characterizations, this comprehensive account reveals the reality of the SS as a cadre of unwavering political fanatics and power-seeking opportunists who slavishly followed an ideology that disdained traditional morality, and were prepared to implement it to the utmost, murderous extreme that ultimately resulted in the Holocaust. This is a definitive historical narrative of the birth, legacy, and ultimate demise of one of the most feared political and military organizations ever known, and those twisted, cruel men who were responsible for one of the most appalling crimes against humanity in all history."

    The recent discovery that the famous “Hitler's skull” in Moscow is female, as well as newly uncovered documents, provide powerful proof for their case. Dunstan and Williams cite people, places, and dates in over 500 detailed notes that identify the plan's escape route, vehicles, aircraft, U-boats, and hideouts. Among the details: the CIA's possible involvement and Hitler's life in Patagonia--including his two daughters.

    "To be a Frenchman means to fight for your country and its wine." -Claude Terrail, owner, Restaurant La Tour d'ArgentIn 1940, France fell to the Nazis and almost immediately the German army began a campaign of pillaging one of the assets the French hold most dear: their wine. Like others in the French Resistance, winemakers mobilized to oppose their occupiers, but the tale of their extraordinary efforts has remained largely unknown-until now. This is the thrilling and harrowing story of the French wine producers who undertook ingenious, daring measures to save their cherished crops and bottles as the Germans closed in on them. Wine and War illuminates a compelling, little-known chapter of history, and stands as a tribute to extraordinary individuals who waged a battle that, in a very real way, saved the spirit of France.

    Only at the end, when I watched the inglorious collapse and the obstinacy of his final downfall, was I able suddenly to fit together the bits of mosaic I had been amassing for twelve years into a complete picture of his opaque and sphinx like personality. If my contemporaries fail to understand me, those who came after will surely profit from this account.”—Otto Dietrich When Otto Dietrich was invited in 1933 to become Adolf Hitler’s press chief, he accepted with the simple uncritical conviction that Adolf Hitler was a great man, dedicated to promoting peace and welfare for the German people. At the end of the war, imprisoned and disillusioned, Otto Dietrich sat down to write what he had seen and heard in twelve years of the closest association with Hitler, requesting that it be published after his death. Dietrich’s role placed him in a privileged position. He was hired by Hitler in 1933, was his confidant until 1945, and he worked—and clashed—with Joseph Goebbels. His direct, personal experience of life at the heat of the Reich makes for compelling reading.

    In examining the inhumanity of a man for whom politics became a substitute for life, he discusses Hitler's bizarre relationships with women, his arrested psychological development, his ideological misconceptions, his growing obsession with racial extermination, and the murderous rages of his distorted mind. Finally, Haffner confronts the most disturbing question of all: Could another Hitler rise to power in modern Germany?