As a young girl leads a cast of characters on a musical journey, they learn that they have the power to make changes—big or small—in the world, in their communities, and in most importantly, in themselves.

    When a visiting mother of a classmate turns a plain piece of paper into a beautiful origami crane, his eyes pop. Maybe he can learn origami, too. It’s going to take practice — on his homework, the newspaper, the thirty-eight dollars in his mother’s purse . . . Enough! No more folding! But how can Joey become an origami master if he’s not allowed to practice? Is there anywhere that he can hone the skill that makes him happy — and maybe even make a new friend while he’s at it?

    She imagined herself surrounded by billions of stars, floating, gliding, and discovering.She wanted to be an astronaut.Her mom told her, "If you believe it, and work hard for it, anything is possible.”Little Mae’s curiosity, intelligence, and determination, matched with her parents' encouraging words, paved the way for her success at NASA as the first African American woman to travel in space.

    She resents that they get the entire living room with a view of the George Washington Bridge, while all she gets is a tiny bedroom with a view of her sister (who snores). Until one night when no one comes, and it’s finally her chance! But as it turns out, sleeping on the cot in the living room isn’t all she thought it would be.With charming text by Hilda Eunice Burgos and whimsical illustrations by Gaby D’Alessandro, The Cot in the Living Room is a celebration of the ways a Dominican American community takes care of one another while showing young readers that sometimes the best way to be a better neighbor is by imagining how it feels to spend a night sleeping on someone else’s pillow.

    Backmatter provides more information about each style and each planet.An Imprint Book

    So her brothers call her a baby and refuse to play with her.Yoomi is determined to eat kimchi. She tries to disguise it by eating it on a cookie, on pizza, and in ice cream. But that doesn't work. Then Grandma shows Yoomi how to make kimchi pancakes. This story about family, food, and a six-year-old "coming of age" has universal themes, and at the same time celebrates Korean culture. A kimchi pancake recipe and other back matter are included.A Junior Library Guild SelectionBank Street College's Best Children's Book of the Year (2018)A Baker's Dozen Award: The Best Children's Books for Family Literacy by the Pennsylvania Center for the Book (2018)

    The Whole Hole Story is perfect for readers looking for a fresh take on the classic Harold and the Purple Crayon.Zia is used to the hole in her pocket—she frequently fills it with frogs and other objects. And as it gets bigger and bigger, she starts to wonder what might happen . . . if she fell right through. Would she cover it with a blanket to catch an elephant, or dig a tunnel to the other side of the world? The possibilities are endless, and readers will love following Zia’s adventurous imagination from beginning to end.  With hilarious wordplay paired with Ken Lamug’s bright and colorful illustrations, The Whole Hole Story will appeal to kids’ divine sense of silliness. Perfect for fans of Du Iz Tak?, and They All Saw a Cat.

    A colorful journey of self-discovery and identity, this sweet, vibrant picture book follows young Leila as she visits her grandmother’s house for their weekly family dinner, and finds parts of herself and her heritage in the family, friends, and art around her.

    / At the bath house / The big bath house. In this celebration of Japanese culture and family and naked bodies of all shapes and sizes, join a little girl--along with her aunties and grandmother--at a traditional bath house. Once there, the rituals leading up to the baths begin: hair washing, back scrubbing, and, finally, the wood barrel drumroll. Until, at last, it's time, and they ease their bodies--their creased bodies, newly sprouting bodies, saggy, jiggly bodies--into the bath. Ahhhhhh!With a lyrical text and gorgeous illustrations, this picture book is based on Kyo Maclear's loving memories of childhood visits to Japan, and is an ode to the ties that bind generations of women together.

    A gentle voice urges her onward, to face her fears and challenge the obstacles that seek to hold her back.Child, you are awake! You are alive! You are a bright star, Inside our hearts.

    Aleja's grandfather is a fisherman. Bisou's grandmother is a dentist. But Zura's Nana, who is her favorite person in the world, looks a little different from other grandmas. Nana Akua was raised in Ghana, and, following an old West African tradition, has tribal markings on her face. Worried that her classmates will be scared of Nana--or worse, make fun of her--Zura is hesitant to bring her to school. Nana Akua knows what to do, though. With a quilt of traditional African symbols and a bit of face paint, Nana Akua is able to explain what makes her special, and to make all of Zura's classmates feel special, too.

    Stop by stop, the perceptive young narrator tells her journey in poems, leaving behind the cotton fields and distant Blue Ridge mountains.Each leg of the trip brings new revelations as scenes out the window of folks working in fields give way to the Delaware River, the curtain that separates the colored car is removed, and glimpses of the freedom and opportunity the family hopes to find come into view. As they travel, Ruth Ellen reads from Narrative of the Life of Frederick Douglass, reflecting on how her journey mirrors her own-- until finally the train arrives at its last stop, New York's Penn Station, and the family heads out into a night filled with bright lights, glimmering stars, and new possiblity.James Ransome's mixed-media illustrations are full of bold color and texture, bringing Ruth Ellen's journey to life, from sprawling cotton fields to cramped train cars, the wary glances of other passengers and the dark forest through which Frederick Douglass traveled towards freedom. Overground Railroad is, as Lesa notes, a story "of people who were running from and running to at the same time," and it's a story that will stay with readers long after the final pages.A Junior Library Guild SelectionPraise for Lesa Cline-Ransome and James Ransome's Before She Was Harriet , a Coretta Scott King Honor Book and winner of the Christopher Award* "Ransome's lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past."--Kirkus Reviews, Starred Review* "a powerful reminder of how all children carry within them the potential for greatness."--Publishers Weekly, Starred Review

    Sometimes, it’s downright annoying. When a little girl tires of being treated like she’s TOO little, she sets out to prove to her family that she can do ANYTHING she puts her mind to . . . . . . including putting on a colorful, twinkly, silky sari. Sure, they’re long and unwieldy—but that only means her family will be even more impressed when she puts it on all by herself. Naturally, there are some hiccups along the way, but she discovers that she’s not the only one in her family who has set out with something to prove, with hilariously chaotic results. That’s what photo albums are for!

    It was unlike any other garden she knew. It had no flowers or vegetables. Instead, Ojiichan made it out of stones: “big ones, little ones and ones in-between.” Every summer, Mayumi visits her grandfather in Japan, and they tend the garden together. Raking the gravel is her favorite part. Afterward, the two of them sit on a bench and enjoy the results of their efforts in happy silence. But then one summer, everything changes. Ojiichan has grown too old to care for his home and the garden. He has to move. Will Mayumi find a way to keep the memory of the garden alive for both of them? This gentle picture book story will warm children's hearts as it explores a deep intergenerational bond and the passing of knowledge from grandparent to grandchild over time. The lyrical text by Chieri Uegaki and luminous watercolor illustrations by Genevieve Simms beautifully capture the emotional arc of the story, from Mayumi's contentment through her anger and disappointment to, finally, her acceptance. The story focuses on an important connection to nature, particularly as a place for quiet reflection. It contains character education lessons on caring, responsibility, perseverance and initiative. It's also a wonderful way to introduce social studies conversations about family, aging and multiculturalism. Mayumi lives in North America with her Japanese mother and Dutch father, and visits her grandfather in Japan. Some Japanese words are included.

    Black high-tops. Two white stripes."All Jeremy wants is a pair of those shoes, the ones everyone at school seems to be wearing. But Jeremy’s grandma tells him they don’t have room for "want," just "need," and what Jeremy needs are new boots for winter. When Jeremy’s shoes fall apart at school, and the guidance counselor gives him a hand-me-down pair, the boy is more determined than ever to have those shoes, even a thrift-shop pair that are much too small. But sore feet aren’t much fun, and Jeremy comes to realize that the things he has — warm boots, a loving grandma, and the chance to help a friend — are worth more than the things he wants.