For current Paperback edition see: Bear, Otter and the KidPrevious cover edition of ISBN 1613720874 / 9781613720875 For alternate cover edition see hereThree years ago, Bear McKenna’s mother took off for parts unknown with her new boyfriend, leaving Bear to raise his six-year-old brother Tyson, aka the Kid. Somehow they’ve muddled through, but since he’s totally devoted to the Kid, Bear isn’t actually doing much living. With a few exceptions, he’s retreated from the world, and he’s mostly okay with that - until Otter comes home.Otter is Bear’s best friend’s older brother, and as they’ve done for their whole lives, Bear and Otter crash and collide in ways neither expect. This time, though, there’s nowhere to run from the depth of emotion between them. Bear still believes his place is as the Kid’s guardian, but he can’t help thinking there could be something more for him in the world ... something or someone.

    In a 1950s Paris swarming with expatriates and characterized by dangerous liaisons and hidden violence, an American finds himself unable to repress his impulses, despite his determination to live the conventional life he envisions for himself. After meeting and proposing to a young woman, he falls into a lengthy affair with an Italian bartender and is confounded and tortured by his sexual identity as he oscillates between the two. Examining the mystery of love and passion in an intensely imagined narrative, Baldwin creates a moving and complex story of death and desire that is revelatory in its insight.

    Check out the full feature article inside…** This book contains an M/M romance relationship. **

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

    This classic of lesbian eroticism is Jane Rule's first novel.Set in the late 1950s, this is the story of Evelyn Hall, an English professor, who goes to Reno to obtain a divorce and put an end to her disastrous 16-year marriage. While staying at a boarding house to establish her six-week residency requirement she meets Ann Childs, a casino worker and fifteen years her junior. Physically, they are remarkably alike and eventually have an affair and begin the struggle to figure out just how a relationship between two women can last. Desert of the Heart examines the conflict between convention and freedom and the ways in which the characters try to resolve the conflict.

    He's ready for anything—except the arrival of Donovan Whyte in his life. Sophisticated and dazzlingly handsome, Dondi quickly becomes the center of Thomas-Edward's universe, introducing him to a world full of drama, passion and feuding families.When their relationship fizzles, they remain uneasy friends until Dondi invites Thomas-Edward to his family's summer house. Thomas-Edward is immediately attracted to Dondi's mysterious brother, Matthew—and finds himself hopelessly drawn to both men.As time passes, Thomas-Edward develops a unique bond with both brothers as they orbit around each other, although he knows only one of them can be his lifelong love. Will the three of them be able to find a way to hold on to each other? Or will love, its loss and the threat of death destroy their connection once and for all? 60,000 words

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    The boys wear pink Izod shirts, the girls wear big hair, everyone has a stash box, and AIDS is just an ugly rumor rumbling like a thunderstorm from the cities. A teenage runaway wanders the side of the road, a heartbeat away from despair, and is rescued by a long-haired angel on a Harley. But that's just the beginning of their story. Josiah Daniels wanted peace and quiet and a simple life, and he had it until he rescued Casey from hunger, cold, and exhaustion. Then Joe's life is anything but simple as he and his new charge navigate a world that is changing more rapidly than the people in it. Joe wants to raise Casey to a happy and productive adulthood, and he does. But even as an adult, Casey can't conceive of a happy life without Joe. The trouble is getting Joe to accept that the boy he nurtured is suddenly the man who wants him. Their relationship can either die or change with the world around them. As they make a home, negotiate the new rules of growing up, and swerve around the pitfalls of modern life, Casey learns that adulthood is more than sex, Joe learns that there is no compromise in happy ever after, and they’re both forced to realize that the one thing a man shouldn’t be is alone.

    And then one day this closest of friendships grows into something more.But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between?This is almost a love story. But it's not as simple as that.

    Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives. The Rules of Attraction is a poignant, hilarious take on the death of romance.

    Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women-of the irrepressibly daredevilish tomboy Idgie and her friend Ruth, who back in the thirties ran a little place in Whistle Stop, Alabama, a Southern kind of Cafe Wobegon offering good barbecue and good coffee and all kinds of love and laughter, even an occasional murder.

    Two years after a terrifying night of pain destroyed his normal teenage existence, Aaron Downing still clings to the hope that one day, he will be a fully functional human being. But his life remains a constant string of nightmares, flashbacks, and fear. When, in his very first semester of college, he’s assigned Spencer Thomas as a partner for his programming project, Aaron decides that maybe “normal” is overrated. If he could just learn to control his fear, that could be enough for him to find his footing again. With his parents’ talk of institutionalizing him—of sacrificing him for the sake of his brothers’ stability—Aaron becomes desperate to find a way to cope with his psychological damage or even fake normalcy. Can his new shrink control his own demons long enough to treat Aaron, or will he only deepen the damage? Desperate to understand his attraction for Spencer, Aaron holds on to his sanity with both hands as it threatens to spin out of control.

    Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

    While the two increasingly dehydrated and sleep-deprived boys are locking lips, they become a focal point in the lives of other teen boys dealing with languishing long-term relationships, coming out, navigating gender identity, and falling deeper into the digital rabbit hole of gay hookup sites—all while the kissing former couple tries to figure out their own feelings for each other.

    In this semiautobiographical coming-of-age novel, thirteen-year-old Joel Knox, after losing his mother, is sent from New Orleans to live with the father who abandoned him at birth. But when Joel arrives at Skully’s Landing, the decaying mansion in rural Alabama, his father is nowhere to be found. Instead, Joel meets his morose stepmother, Amy, eccentric cousin Randolph, and a defiant little girl named Idabel, who soon offers Joel the love and approval he seeks.Fueled by a world-weariness that belied Capote’s tender age, this novel tempers its themes of waylaid hopes and lost innocence with an appreciation for small pleasures and the colorful language of its time and place.This new edition, featuring an enlightening Introduction by John Berendt, offers readers a fresh look at Capote’s emerging brilliance as a writer of protean power and effortless grace.From the Hardcover edition.