Their lives are shadowed by the infamous actions of her Granddad Les in his yellow weatherboard house, just over the fence.Although Les died twelve years ago, his notoriety has grown in Cub’s lifetime and the local community have ostracised the whole family. When Cub’s estranged aunt Helena and cousin Tilly move next door into the yellow house, the secrets the family want to keep buried begin to bubble to the surface. And having been kept in the dark about her grandfather’s crimes, Cub is now forced to come to terms with her family’s murky history.The Yellow House is a powerful novel about loyalty and betrayal; about the legacies of violence and the possibilities of redemption."Such energy and precision in the writing, not to mention originality." - Tegan Bennett Daylight

    It always has been so, but it's still just a building. It's your family - you and Adam and old Tiger - who animate it, keep the heart beating, so to speak.' In the abandoned railhead town of Tewinga, now almost a ghost town, Lyn and Adam Portman struggle to keep the Heartwood Hotel afloat. Lyn loves her husband and longs to be a mother. But she's kept busy caring for her elderly father, her community, and Max, the young worker who reminds her of the brother she's lost and dearly misses.When he fails to return from a day trip, Lyn's concern deepens as the length of his absence grows, the more so with rumours of criminal activity at a nearby station. Meanwhile, a chance meeting uncovers a family bombshell that leaves Lyn reeling. The community must pull together as never before, proving that sometimes the smallest towns have the biggest hearts - and hide the darkest secrets.From the bestselling author of Secrets of the Springs, this is the new outback mystery from Australia's authentic rural writer and beloved voice of the bush.

    Suspicion surrounds Chris as he is tainted with police corruption, but Sophie believes the attack is much more personal – and the perpetrator far more dangerous...While Chris is in hospital and the police, led by Detective Ella Marconi, mobilise to find their colleague's child, Sophie's desperation compels her to search for Lachlan herself. She enlists her husband's partner, Angus Arendson, in the hunt for her son, but will the history they share prove harmful to Sophie's ability to complete her mission?And could one dangerous decision cause Sophie to ultimately lose everything important in her life?

    As rumours of Satanic rituals swirl, schoolteacher Tom Witter becomes convinced he holds the key to the disappearance. When the police won't listen, he takes matters into his own hands with the help of the missing girl's father and a local neighbourhood watch group.But as dark secrets are revealed and consequences to past actions are faced, Tom learns that the only way out of the darkness is to walk deeper into it. Wild Place peels back the layers of suburbia, exposing what s hidden underneath guilt, desperation, violence and attempts to answer the question: Why do good people do bad things?From the international bestseller Christian White, Wild Place is a white-knuckle descent into a street near you.

    . . . An epic and ambitious mystery set against the vast backdrop of Central Australia, where indigenous and white people live side by side in an uneasy truce.”—Vogue (Australia) “Incorporates geophysical data, race politics and aboriginal spirituality into a seamless, often hilarious stream of narrative. [It] has all the hallmarks of a first of a very successful series with the potential to forge a new sub-genre of detective fiction—that of a feisty, female indigenous sleuth whose intelligence and tenacity prove superior to force and ignorance.”—The Sydney Morning Herald “Witty, knowing, at times downright hilarious. The plot is absorbing and Hyland’s characters are originals. . . . As Emily Tempest untangles the knot of a murder, she also comes to rediscover her past, her belonging and her self.”—Brisbane Courier Mail Emily Tempest, a feisty part-aboriginal woman, left home to get an education and has since traveled abroad. She returns to visit the Moonlight Downs “mob,” still uncertain if she belongs in the aboriginal world or that of the whitefellers. Within hours of her arrival, an old friend is murdered and mutilated. The police suspect a rogue aborigine, but Emily starts asking questions. Emily Tempest, a modern half-aboriginal sleuth, is a welcome successor to Arthur Upfield’s classic detective. Adrian Hyland worked with aboriginal communities in Central Australia for ten years.  He now teaches at LaTrobe University in Melbourne. This is his first novel.

    But it isn't. In fact there's barely an investigation at all, and Superintendent Swann thinks he knows why. Heroin is the new drug in town and the money is finding its way into some very respectable hands.It's the brave or the foolish who accuse their fellow cops of corruption, and sometimes not even Swann is sure which he is. Especially when those he's pointing the finger at have mates in every stronghold of power in the state – big business, organised crime, the government. He might have won the first round by forcing a royal commission, but the judge is an ailing patsy and the outcome seems predetermined. If that's not enough to contend with, Swann's teenage daughter has disappeared, he doesn't know whether she's alive or not, and the word on the street is he's a dead man walking.Line of Sight is classic crime noir, a tale of dark corruption set in a city of sun and heat.

    He just had to pretend.'It's winter in Melbourne and Detective Emmett Corban is starting to regret his promotion to head of the Missing Persons Unit, as the routine reports pile up on his desk.So when Natale Gibson goes missing, he's convinced this is the big case he's been waiting for - the woman's husband and parents insist the devoted mother would never abandon her children, and her personal accounts remain untouched.But things aren't all they seem. The close-knit Italian family is keeping secrets - none bigger than the one Natale has been hiding.Just as the net seems to be tightening, the investigation is turned on its head. The body of a woman is found . . . then another.What had seemed like a standard missing person's case has turned into a frightening hunt for a serial killer, and time is running out.But to really understand these shocking crimes, Emmett and his team will need to delve back through decades of neglect - back to a squalid inner-city flat, where a young boy is left huddling over his mother's body . . .

    She heard a voice, far below, calling her name. She tried to answer, but her throat was parched and no sound came. They had heard the stone, clattering down the cliff to the sea, and now they knew where she was.On a cliff-face in New Zealand, two men fall to their deaths carrying the secret of a horrifying betrayal. Four years before, the bright and beautiful Luce, another member of the same close-knit group of friends, had also died tragically while climbing. As the circle of friends dwindles, Luce's best friend, Anna, persuades Josh, Luce's ex-lover, to help in her own investigation, as she's convinced that the original verdict of accidental death was wrong. Had detail been overlooked, or, worse, ignored? In an attempt to uncover the truth, Josh and Anna follow Luce's last days to Lord Howe Island, but the long-cold trail and conspiratorial islanders seem certain to defeat them. After all, who could possibly have a reason to murder Luce?A nail-biting page-turner, Bright Air is the compelling new mystery from the master of crime writing, Barry Maitland.

    After everything she's been through, Georgia knows she deserves someone like him, to make her feel loved. Safe.The only problem is his ex-girlfriend. Luke says Cadence is having trouble accepting their break-up, but Georgia thinks there's more to the story. She also has the feeling someone is watching her.When everything starts to go wrong at work, at home, in her old friendships and her happy new relationship with Luke, Georgia starts to feel truly afraid.Cadence wants what she has. What would she do to get it?And can Georgia trust anyone at all? Praise for Nicola Moriarty 'I devoured it' Marian Keyes 'Accelerates in intensity and sheer originality with every page' Australian Women's Weekly 'Dramatic, mysterious and compelling' Vogue

    From a stunning new literary talent, you won't be able to put down this novel about a mother's love for her children - it will break your heart.'With visceral prose and a tense narrative arc that unfolds over just three days, speeding towards a dramatic conclusion .... Sheerwater is a propulsive read with an acute emotional core ... likely to hold appeal for readers of both literary and crime fiction, and fans of writers such as Emily Maguire, Emma Viskic and Sofie Laguna.' Bookseller + PublisherAva and her two young sons, Max and Teddy, are driving to their new home in Sheerwater, hopeful of making a fresh start in a new town, although Ava can't help but keep looking over her shoulder. They're almost at their destination when they witness a shocking accident - a light plane crashing in the field next to the road. Ava stops to help, but when she gets back to the car, she realises that somehow, among the smoke, fire and confusion, her sons have gone missing ...From a substantial new Australian writing talent, Sheerwater is tense, emotional, unforgettable. Perfect for readers of Mark Brandi's Wimmera and Stephanie Bishop's The Other Side of the World, this is a beautifully written, propulsive, gut-wrenching and unputdownable novel - an aching, powerful story of the heroic acts we are capable of in the name of love.'Sheerwater is that rare gift of a book that balances gorgeous, glittering language with breathless pace. Leah Swann writes with devastating honesty ... This is an extraordinary novel - I tore through it, captivated by the imagery and the setting, desperately hoping for a happy ending.' Rebecca Starford, author of Bad Behavior'Heart-in-mouth story ... Swann's language is sinewy and pointed; the book is trim and every sentence is necessary...a complex and horribly believable story with tremendous flair.' The Age'Sheerwater is a haunting story built on conflict. Freedom and control, tenderness and violence, hope and fear, love and hate. It shows the strength of a mother's love and the yearning for something more ... This novel is full of beautifully gripping prose and deeply powerful emotions told through sublime pacing. I found it triggered a peculiar mix of wanting to dwell in the darkly emotive prose while needing to urgently push through it to find resolution. It will be one of those books that lingers in your mind, the memory of which may even be mistaken for a story read in the news.' Booktopia'Sheerwater is compelling reading ... There is an urgency in the writing that makes you read on because you must know what the conclusion is - no matter which way it goes ... This is an extraordinary literary debut; the writing is beautifully evocative and the intertwining narratives of the main characters seamless. It's tender, it's suspenseful and you'll be wanting to see so much more from Leah Swann - I ignored everything for a day to rip through the pages and loved every minute of it.' Better Reading

    Or she's going to be. She's only fourteen, but already, heads turn wherever she goes. Male heads, mainly . . .Jane worships her older cousin Angie. She spends her summer vying for Angie's attention. Then Angie is murdered. Jane and her family are shattered. They withdraw into themselves, casting a veil of silence over Angie's death.Thirty years later, a journalist arrives with questions about the tragic event. Jane is relieved to finally talk about her adored cousin. And so is her family. But whose version of Angie's story – whose version of Angie herself – is the real one? And can past wrongs ever be made right?The shocking truth of Angie's last days will force Jane to question everything she once believed. Because nothing – not the past or even the present – is as she once imagined.

    It's not some bloody game.'In the murky world of Kings Cross in 1932, aspiring crime writer Joan Linderman and her friend and flatmate Bernice Becker live the wild bohemian life, a carnival of parties and fancy-dress artists' balls.One Saturday night, Joan is thrown headfirst into a real crime when she finds Ellie, her neighbour, murdered. To prove her worth as a crime writer and bring Ellie's killer to justice, Joan secretly investigates the case in the footsteps of Sergeant Lillian Armfield.But as Joan digs deeper, her list of suspects grows from the luxury apartment blocks of Sydney's rich to the brothels and nightclubs of the Cross's underclass.Death in the Ladies' Goddess Club is a riveting noir crime thriller with more surprises than even novelist Joan bargained for: blackmail, kidnapping, drug-peddling, a pagan sex cult, undercover cops, and a shocking confession.

    The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.The woman walked out to the car park, towards an old Corolla. For a moment, she held the child gently against her breast and, with her eyes closed, she smelled her.She then clipped the infant into the car, got in and drove off.That is where the footage ends.It isn't where the story ends, however.It's not even where the story starts.

    So when her boss offers to send her on an extended research trip to investigate the effects of the drought, she jumps at the chance to indulge in some country-style relaxation.When Nicola arrives in the little town of Nowhere Else, nothing is as she expected: there's no spa in town, the locals are tight-lipped, and she senses it's not just the drought that is making the town nervous. So why has her boss sent her out here?The deeper Nicola digs into the town's history, the more she realises coming to Nowhere Else wasn't a mistake after all. In fact, it may just unlock the mystery of her own past. And hold the key to her future happiness...

    Short-listed twice for the Booker Prize and the winner of a record four Miles Franklin Literary Awards for Best Australian Novel, he has a gift for language virtually unrivaled among writers in English. His work is both tough and tender, primordial and new - always revealing the raw, instinctual drives that lure us together and rend us apart. In The Shepherd's Hut, Winton crafts the story of Jaxie Clackton, a brutalized rural youth who flees from the scene of his father's violent death and strikes out for the vast wilds of Western Australia. All he carries with him is a rifle and a waterjug. All he wants is peace and freedom. But surviving in the harsh saltlands alone is a savage business. And once he discovers he's not alone out there, all Jaxie's plans go awry. He meets a fellow exile, the ruined priest Fintan MacGillis, a man he's never certain he can trust, but on whom his life will soon depend. The Shepherd's Hut is a thrilling tale of unlikely friendship and yearning, at once brutal and lyrical, from one of our finest storytellers.