It is where he was born and grew up; it's where he lives with his Ma as they learn and read and eat and sleep and play. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits. Room is home to Jack, but to Ma, it is the prison where Old Nick has held her captive for seven years. Through determination, ingenuity, and fierce motherly love, Ma has created a life for Jack. But she knows it's not enough ... not for her or for him. She devises a bold escape plan, one that relies on her young son's bravery and a lot of luck. What she does not realize is just how unprepared she is for the plan to actually work. Told entirely in the language of the energetic, pragmatic five-year-old Jack, Room is a celebration of resilience and the limitless bond between parent and child, a brilliantly executed novel about what it means to journey from one world to another.

    Taking the fall for a crime she did not commit, she finds herself serving a three-year stint in the North Carolina Women's Correctional Center. Her dream of a career in art is put on hold—until a mysterious visitor makes her an offer that will see her released immediately. Her assignment: restore an old post office mural in a sleepy southern town. Morgan knows nothing about art restoration, but desperate to leave prison, she accepts. What she finds under the layers of grime is a painting that tells the story of madness, violence, and a conspiracy of small town secrets. North Carolina, 1940: Anna Dale, an artist from New Jersey, wins a national contest to paint a mural for the post office in Edenton, North Carolina. Alone in the world and desperate for work, she accepts. But what she doesn't expect is to find herself immersed in a town where prejudices run deep, where people are hiding secrets behind closed doors, and where the price of being different might just end in murder. What happened to Anna Dale? Are the clues hidden in the decrepit mural? Can Morgan overcome her own demons to discover what exists beneath the layers of lies?

    The Gold children—four adolescents on the cusp of self-awareness—sneak out to hear their fortunes.The prophecies inform their next five decades. Golden-boy Simon escapes to the West Coast, searching for love in '80s San Francisco; dreamy Klara becomes a Las Vegas magician, obsessed with blurring reality and fantasy; eldest son Daniel seeks security as an army doctor post-9/11; and bookish Varya throws herself into longevity research, where she tests the boundary between science and immortality.A sweeping novel of remarkable ambition and depth, The Immortalists probes the line between destiny and choice, reality and illusion, this world and the next. It is a deeply moving testament to the power of story, the nature of belief, and the unrelenting pull of familial bonds.

    But for Victoria Jones, it’s been more useful in communicating mistrust and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings. Now eighteen and emancipated from the system with nowhere to go, Victoria realizes she has a gift for helping others through the flowers she chooses for them. But an unexpected encounter with a mysterious stranger has her questioning what’s been missing in her life. And when she’s forced to confront a painful secret from her past, she must decide whether it’s worth risking everything for a second chance at happiness.  Look for special features inside. Join the Circle for author chats and more.

    Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet. Award-winning author Maggie O'Farrell's new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history.A New York Times Notable Book (2020), Best Book of 2020: Guardian, Financial Times, Literary Hub, and NPR.

    According to the ancient historian Josephus, two women and five children survived. Based on this tragic and iconic event, Hoffman's novel is a spellbinding tale of four extraordinarily bold, resourceful, and sensuous women, each of whom has come to Masada by a different path. Yael's mother died in childbirth, and her father, an expert assassin, never forgave her for that death. Revka, a village baker's wife, watched the horrifically brutal murder of her daughter by Roman soldiers; she brings to Masada her young grandsons, rendered mute by what they have witnessed. Aziza is a warrior's daughter, raised as a boy, a fearless rider and an expert marksman who finds passion with a fellow soldier. Shirah, born in Alexandria, is wise in the ways of ancient magic and medicine, a woman with uncanny insight and power. The lives of these four complex and fiercely independent women intersect in the desperate days of the siege. All are dovekeepers, and all are also keeping secrets - about who they are, where they come from, who fathered them, and whom they love.

    For years she’s been the caretaker of her psychotic mother, Camille— the crown-wearing, lipstick-smeared laughingstock of an entire town. Though it’s 1967 and they live in Ohio, Camille believes it’s 1951 and she’s just been crowned the Vidalia Onion Queen of Georgia.The day CeeCee discovers Camille in the front yard wearing a tattered prom dress and tiara as she blows kisses to passing motorists, she knows her mother has completely flipped. When tragedy strikes, Tootie Caldwell, a previously unknown great-aunt comes to CeeCee’s rescue and whisks her away to Savannah. Within hours of her arrival, CeeCee is catapulted into a perfumed world of prosperity and Southern eccentricities—a world that appears to be run entirely by women.While Tootie is busy saving Savannah’s endangered historic homes from the wrecking ball, CeeCee encounters a cast of unforgettable, eccentric characters. From the mysterious Thelma Rae Goodpepper, who bathes in an outdoor tub under the watchful eyes of a voyeuristic peacock, to Oletta Jones, the all-knowing household cook, to Violene Hobbs, the loud-mouthed widow who entertains a local police officer in her yellow see-through peignoir, the women of Gaston Street keep CeeCee entertained and enthralled for an entire summer.But CeeCee’s view of the world is challenged in ways she could have never imagined: there are secrets to keep, injustices to face, and loyalties to uphold. Just as she begins to find her ballast and experiences a sense of belonging, her newfound joy collides with the long-held fear that her mother’s legacy has left her destined for destruction.Laugh-out-loud funny, at times heartbreaking, and written in a pitch-perfect voice, Saving CeeCee Honeycutt is a spirited Southern tale that explores the intricate frailties and strengths of female relationships while illuminating the journey of a young girl who loses her mother but finds many others.

    Nothing is missing in her carefully timetabled life of avoiding unnecessary human contact, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy. But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen, the three rescue one another from the lives of isolation that they had been living. Ultimately, it is Raymond’s big heart that will help Eleanor find the way to repair her own profoundly damaged one. If she does, she'll learn that she, too, is capable of finding friendship—and even love—after all.Smart, warm, uplifting, Eleanor Oliphant Is Completely Fine is the story of an out-of-the-ordinary heroine whose deadpan weirdness and unconscious wit make for an irresistible journey as she realizes. . . the only way to survive is to open your heart.

    A gentle, solitary man, he finds solace and purpose in the sweetness of the apples, apricots, and plums he grows, and in the quiet, beating heart of the land--the valley of yellow grass bordering a deep canyon that has been his home since he was nine years old. Everything he is and has known is tied to this patch of earth. It is where his widowed mother is buried, taken by illness when he was just thirteen, and where his only companion, his beloved teenaged sister Elsbeth, mysteriously disappeared. It is where the horse wranglers--native men, mostly Nez Perce--pass through each spring with their wild herds, setting up camp in the flowering meadows between the trees.One day, while in town to sell his fruit at the market, two girls, barefoot and dirty, steal some apples. Later, they appear on his homestead, cautious yet curious about the man who gave them no chase. Feral, scared, and very pregnant, Jane and her sister Della take up on Talmadage's land and indulge in his deep reservoir of compassion. Yet just as the girls begin to trust him, brutal men with guns arrive in the orchard, and the shattering tragedy that follows sets Talmadge on an irrevocable course not only to save and protect them, putting himself between the girls and the world, but to reconcile the ghosts of his own troubled past.Writing with breathtaking precision and empathy, Amanda Coplin has crafted an astonishing debut novel about a man who disrupts the lonely harmony of an ordered life when he opens his heart and lets the world in. Transcribing America as it once was before railways and roads connected its corners, she weaves a tapestry of solitary souls who come together in the wake of unspeakable cruelty and misfortune, bound by their search to discover the place they belong. At once intimate and epic, evocative and atmospheric, filled with haunting characters both vivid and true to life, and told in a distinctive narrative voice, The Orchardist marks the beginning of a stellar literary career.The National Book Foundation selected Amanda Coplin as one of the authors being honored as "5 Under 35" in 2013.

    On a rocky patch of the sun-drenched Italian coastline, a young innkeeper, chest-deep in daydreams, looks out over the incandescent waters of the Ligurian Sea and spies an apparition: a tall, thin woman, a vision in white, approaching him on a boat. She is an actress, he soon learns, an American starlet, and she is dying.And the story begins again today, half a world away, when an elderly Italian man shows up on a movie studio's back lot—searching for the mysterious woman he last saw at his hotel decades earlier.What unfolds is a dazzling, yet deeply human, roller coaster of a novel, spanning fifty years and nearly as many lives. From the lavish set of Cleopatra to the shabby revelry of the Edinburgh Fringe Festival, Walter introduces us to the tangled lives of a dozen unforgettable characters: the starstruck Italian innkeeper and his long-lost love; the heroically preserved producer who once brought them together and his idealistic young assistant; the army veteran turned fledgling novelist and the rakish Richard Burton himself, whose appetites set the whole story in motion—along with the husbands and wives, lovers and dreamers, superstars and losers, who populate their world in the decades that follow. Gloriously inventive, constantly surprising, Beautiful Ruins is a story of flawed yet fascinating people, navigating the rocky shores of their lives while clinging to their improbable dreams.

    Devastated by her mother’s apparent insanity, Izzy, now seventeen, refuses to visit her in prison. But her new foster parents, employees at a local museum, have enlisted Izzy’s help in cataloging items at a long-shuttered state asylum. There, amid piles of abandoned belongings, Izzy discovers a stack of unopened letters, a decades old journal, and a window into her own past.Clara Cartwright, eighteen years old in 1929, is caught between her overbearing parents and her love for an Italian immigrant. Furious when she rejects an arranged marriage, Clara’s father sends her to a genteel home for nervous invalids. But when his fortune is lost in the stock market crash, he can no longer afford her care—and Clara is committed to the public asylum.Even as Izzy deals with the challenges of yet another new beginning, Clara’s story keeps drawing her into the past. If Clara was never really mentally ill, could something else explain her own mother’s violent act? Piecing together Clara’s fate compels Izzy to re-examine her own choices—with shocking and unexpected results.Illuminating and provocative, WHAT SHE LEFT BEHIND is a masterful novel about the yearning to belong—and the mysteries that can belie even the most ordinary life.

    He’s five years old, the youngest of five brothers, and loves peanut butter sandwiches. He also loves wearing a dress, and dreams of being a princess.When he grows up, Claude says, he wants to be a girl.Rosie and Penn want Claude to be whoever Claude wants to be. They’re just not sure they’re ready to share that with the world. Soon the entire family is keeping Claude’s secret. Until one day it explodes.This Is How It Always Is is a novel about revelations, transformations, fairy tales, and family. And it’s about the ways this is how it always is: Change is always hard and miraculous and hard again, parenting is always a leap into the unknown with crossed fingers and full hearts, children grow but not always according to plan. And families with secrets don’t get to keep them forever.

    Childless, they are drifting apart--he breaking under the weight of the work of the farm; she crumbling from loneliness and despair. In a moment of levity during the season's first snowfall, they build a child out of snow. The next morning the snow child is gone--but they glimpse a young, blonde-haired girl running through the trees. This little girl, who calls herself Faina, seems to be a child of the woods. She hunts with a red fox at her side, skims lightly across the snow, and somehow survives alone in the Alaskan wilderness. As Jack and Mabel struggle to understand this child who could have stepped from the pages of a fairy tale, they come to love her as their own daughter. But in this beautiful, violent place things are rarely as they appear, and what they eventually learn about Faina will transform all of them.

    And every year, Samuel Lake, a vibrant and committed young preacher, brings his beloved wife, Willadee Moses, and their three children back for the festivities. The children embrace the reunion as a welcome escape from the prying eyes of their father’s congregation; for Willadee it’s a precious opportunity to spend time with her mother and father, Calla and John. But just as the reunion is getting under way, tragedy strikes, jolting the family to their core: John’s untimely death and, soon after, the loss of Samuel’s parish, which set the stage for a summer of crisis and profound change.In the midst of it all, Samuel and Willadee’s outspoken eleven-year-old daughter, Swan, is a bright light. Her high spirits and fearlessness have alternately seduced and bedeviled three generations of the family. But it is Blade Ballenger, a traumatized eight-year-old neighbor, who soon captures Swan’s undivided attention. Full of righteous anger, and innocent of the peril facing her and those she loves, Swan makes it her mission to keep the boy safe from his terrifying father.With characters who spring to life as vividly as if they were members of one’s own family, and with the clear-eyed wisdom that illuminates the most tragic—and triumphant—aspects of human nature, Jenny Wingfield emerges as one of the most vital, engaging storytellers writing today. In The Homecoming of Samuel Lake she has created a memorable and lasting work of fiction.

    Just beyond the tents of the Russian refugee camp she calls home, a young woman speaks her wedding vows. It’s a decision that will alter her destiny…and it’s a lie that will remain buried until the next century.Since she was nine years old, Alina Dziak knew she would marry her best friend, Tomasz. Now fifteen and engaged, Alina is unconcerned by reports of Nazi soldiers at the Polish border, believing her neighbors that they pose no real threat, and dreams instead of the day Tomasz returns from college in Warsaw so they can be married. But little by little, injustice by brutal injustice, the Nazi occupation takes hold, and Alina’s tiny rural village, its families, are divided by fear and hate. Then, as the fabric of their lives is slowly picked apart, Tomasz disappears. Where Alina used to measure time between visits from her beloved, now she measures the spaces between hope and despair, waiting for word from Tomasz and avoiding the attentions of the soldiers who patrol her parents’ farm. But for now, even deafening silence is preferable to grief. Slipping between Nazi-occupied Poland and the frenetic pace of modern life, Kelly Rimmer creates an emotional and finely wrought narrative that weaves together two women’s stories into a tapestry of perseverance, loyalty, love and honor. The Things We Cannot Say is an unshakable reminder of the devastation when truth is silenced…and how it can take a lifetime to find our voice before we learn to trust it.