Thousands of children have been inspired to weave their own stories to go with his intriguingly titled pictures. And now, some of our most imaginative storytellers attempt to solve the perplexing mysteries of Harris Burdick. Enter The Chronicles of Harris Burdick to read this incredible compendium of stories: magical, funny, creepy, poignant, inscrutable, these are tales you won't soon forget.(front flap)

    She doesn't have a friend in the world, except her pet mouse, Pemberley, with whom she shares her dingy attic bedroom.Then, on the heels of a rather devastating announcement made by her mother and father, Tabitha receives a mysterious invitation to the country estate of the wealthy but reclusive Countess of Windermere, whose mansion is rumored to be haunted. There, she finds herself among five other children, none of them sure why they've been summoned. But soon, a very big secret will be revealed— a secret that will change their lives forever and put Tabitha’s investigative skills to the test.

    Clara has never known another home. In fact, she's confined to the grand estate due to a mysterious heart condition. But it's a comfortable life, and if it weren't for the creepy squawking birds in the aviary out back, a completely peaceful one too. But once old Mrs. Glendoveer passes away, Clara comes to learn many dark secrets about the family. The Glendoveers suffered a horrific tragedy: their children were kidnapped, then drowned. And their father George Glendoveer, a famous magician and illusionist, stood accused until his death. As Clara digs deeper and deeper into the terrifying events, the five birds in the aviary seem to be trying to tell her something. And Clara comes to wonder: what is their true identity? Clara sets out to solve a decades-old murder mystery—and in doing so, unlocks a secret in her own life, too. Kathleen O'Dell deftly weaves magic, secret identities, evil villians, unlikely heroes, and the wonder of friendship into a mystery adventure with all the charm of an old fashioned classic.

    Sneaking behind her father's back, Theo uses old, nearly forgotten Egyptian magic to remove the curses and protect her father and the rest of the museum employees from the ancient, sinister forces lurking in the museum's dark hallways.When Theo's mother returns from her latest archaeological dig bearing the Heart of Egypt - a legendary amulet belonging to an ancient tomb - Theo learns that it comes inscribed with a curse so black and vile that it threatens to crumble the British Empire from within and start a war too terrible to imagine. Theo will have to call upon everything she's ever learned in order to prevent the rising chaos from destroying her country - and herself.

    Her eccentric uncle Enos drives away her only new acquaintance, Pat, a handsome British scholar, then leaves Peggy to fend for herself. But she is not alone. The house is full of mysteries and ghosts. Soon Peggy becomes involved with the spirits of her own Colonial ancestors and witnesses the unfolding of a centuries-old romance against a backdrop of spies and intrigue and of battles plotted and foiled.

    Every day she endures taunts for the birthmark on her face—though her beloved Pauline, the only person who has ever cared for her, tells her it is a precious diamond. When Pauline is sent to work for another carnival, Bee is lost.Then a scruffy dog shows up, as unwanted as she, and Bee realizes that she must find a home for them both. She runs off to a house with gingerbread trim that reminds her of frosting. There two mysterious women, Mrs. Swift and Mrs. Potter, take her in. They clothe her, though their clothes are strangely out of date. They feed her, though there is nothing in their house to eat. They help her go to school, though they won't enter the building themselves. And, strangely, only Bee seems able to see them.Whoever these women are, they matter. They matter to Bee. And they are helping Bee realize that she, too, matters to the world--if only she will let herself be a part of it.This tender novel beautifully captures the pain of isolation, the healing power of community, and the strength of the human spirit.

    Grumply moves into the Victorian mansion at 43 Old Cemetery Road, hoping to find some peace and quiet so that he can crack a wicked case of writer's block. But 43 Old Cemetery Road is already occupied--by an eleven-year-old boy named Seymour, his cat, Shadow, and an irritable ghost named Olive. And they have no intention of sharing!

    For the house is positively overflowing with sparkling magic—she can feel it. And it’s not long before Rose realises that maybe, just maybe, she has a little bit of magic in her, too. . . .The first book in an exciting, get-lost-in-the-world series about orphans, alchemy, magical powers and sinister child-catchers.

    She doesn't have too many friends amongst the living, but that's all right. She has her books, she has her aunts, and she has her best friend, the ghostly Felix.Then Pram meets Clarence, a boy from school who has also lost a parent and is looking for answers. Together they arrive at the door of the mysterious Lady Savant, who promises to help. But this spiritualist knows the true nature of Pram's power, and what she has planned is more terrifying than any ghost.

    Moments later Jack, a young wizard in training, comes in to choose a magical animal to be his familiar. Jack thinks his birthday pet is magical, and Aldwyn plays along.He just has to convince the other familiars -- know-it-all blue jay Skylar and unsure tree frog Gilbert that he's as powerful as he claims. Then the unthinkable happens. Jack and two other young wizards are captured by the evil queen of Vastia. The familiars face dangerous foes, unearth a shocking centuries-old secret, and discover a destiny that will change Vastia forever.

    Now the kids want to tell their story but the faeries will do everything they can to stop them.

    He also likes to boast (about his acting skills, his wife's acting skills, a fortune only his family knows is metaphorical), but more than anything he likes to have adventures. Max Starling's equally theatrical mother is not a boaster but she enjoys a good adventure as much as her husband. When these two disappear, what can sort-of-theatrical Max and his not-at-all theatrical grandmother do? They have to wait to find out something, anything, and to worry, and, in Max's case, to figure out how to earn a living at the same time as he maintains his independence. This is the first of three books, all featuring the mysterious Mister Max.

    Eddie Dickens is sent off to stay with his aunt and uncle and a riotously funny comedy of errors ensues. When both Eddie Dickens's parents catch a disease that makes them turn yellow, go a bit crinkly around the edges, and smell of hot water bottles, it's agreed he should go and stay with relatives at their house, Awful End. Unfortunately for Eddie, those relatives are Mad Uncle Jack and Even-Madder Aunt Maud. . . . This hilarious historical spoof, the first in the Eddie Dickens trilogy, has been called ""a scrumptious cross between Dickens and Monty Python.""

    The phenomenally versatile, award-winning author, Candace Fleming, gives teen and older tween readers ten ghost stories sure to send chills up their spines. Set in White Cemetery, an actual graveyard outside Chicago, each story takes place during a different time period from the 1860's to the present, and ends with the narrator's death. Some teens die heroically, others ironically, but all due to supernatural causes. Readers will meet walking corpses and witness demonic posession, all against the backdrop of Chicago's rich history—the Great Depression, the World's Fair, Al Capone and his fellow gangsters.

    She lives alone, quietly weaving baskets with creative flair under the floor boards of the Oakley Plantation. However, Celeste’s world turns upside down with the arrival of the great naturalist John James Audubon and his assistant Joseph, who have come to study and paint the birds of the Louisiana bayou. Their arrival coincides with Celeste’s sudden displacement from her home below to a guest room upstairs. There she watches young Joseph struggle to create the backgrounds for Audubon’s bird paintings. As the two homesick souls strike up a friendship, the mouse secretly puts her artistic skills to good use; she simultaneously helps Joseph improve his compositions while aiding the wounded birds that Audubon captures for his studies. Nearly every page of author-illustrator Henry Cole's fine novel combines text and remarkable drawn images to tell the story of a mouse in need of a home of her own from the tiny creature's unique vantage point.